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The following opinions have been automatically translated with Microsoft Translator. | Olympus M.Zuiko Digital 45mm f/1.8 Pros: sharpness, tonal transitions, skin tone, low contrast Cons: when I find them I will update the comment, promised Opinion: You can't have a micro4/3 camera body without having a dedicated portrait lens. This lens is a masterpiece, cheap, small, sharp, tonal passages not excellent but definitely up to the most refined palates, low contrast and therefore good rendering on the portrait. Well corrected and handles stray lights well. Vote 9 sent on December 31, 2024 |
 | Olympus M.Zuiko Digital 25mm f/1.8 Pros: colors, tonal transitions Cons: 50 Opinion: I mount the fifty when my masochism skyrockets, but, and I say but, this 25 makes up for it for its rendering and its colors, light sharp enough, well corrected and last but not least it manages stray lights well... The complexion is a little saturated, the contrast is correct, in post clearly then everything is adjusted. Vote 9 sent on December 31, 2024 |
 | Olympus 50mm f/1.8 OM F.Zuiko Pros: Sharpness, easy handling Cons: Resolution on dense sensors Opinion: I use it from time to time, on my digital Olympus, so very dense and demanding sensors, the character is there and the sharpness too, but too closed colors without pleasant variations, if you find it at a more than honest price buy it, but honestly it does 2 times better than the 25 f1.8 ... I got it as a gift... every now and then I mount it to play with it... all in all I still put aside my tastes in expressing a vote and I gave 9 sent on December 31, 2024 |
 | Tamron 80-210mm f/3.8-4 Pros: handy, color, low contrast Cons: Resolution, Opacification Front Lens Opinion: Like any pump zoom, you have a lot of fun, you go back in time. It solves the full-frame sensors very well but the dense sensors will put the creativity of those who want to try it on the ropes, the front lens in many specimens has a slight opacity, dictated by the age and composition of the polymer, but don't worry, some beautiful images give it back to you, and with a little bit of post production you're done, If you have a non-dense FF and you want to play with an old gem of mechanics, buy it, don't ask for speed, backlight, birdlife, possessed cats running, or tricycle pilots ... Forgot... zero split coating, there is none, better to put a multi-coated slim lens, it is not the best ... sent on December 31, 2024 |
 | Olympus E-Zuiko Auto-T 135mm f/3.5 Pros: color, low weight, bokeh Cons: nobody Opinion: Used on full frame, it will certainly give different results, compared to the sensor of my current olympus. My specimen is like new, paid a foolish, and, solves a dense sensor (micro4/3) very well, having said that, its attitude is the portrait. Gorgeous is the only word that sums it up, not contrasted, very delicate tone passages and extreme acuteness make it perfect, the manual focus in this lens is instinctive, as if the first time was the millionth time you shoot with it. If you intend to buy this lens you will not regret it, compared to its cousin 2.8 it is irrefutably superior. sent on December 31, 2024 |
 | Panasonic Leica DG 12-60mm f/2.8-4.0 ASPH OIS Pros: All Cons: Distortion at 12 mm up to 18 mm Opinion: You will hardly get tired of such a view, it does almost everything and does it well, that almost is "architecture". Don't even try, you'd be disappointed, having said that it has a mild contrast, it's very resolving, the diaphragm is a work of art, how many have nine blades? Few. Well balanced colors and very pleasant complexion. He's going to be with me for quite a while... sent on June 04, 2024 |
 | Panasonic Leica DG Summilux 9mm f/1.7 ASPH Pros: Rendering, colors, medium details, spherical aberration Cons: Distortion, aberrations Opinion: Overall rating 12/10.Light and very resolving optics, very pleasant microcontrast. Distortion is widely acceptable, but some precise amateur photographers may not like it. Wonderful colors, intended for landscape painters, aberrations in situations of strong contrast, can be remedied by moving a little. The lens hood cancels out the side light very well, so I recommend using it. The focus ring is excellent sent on June 04, 2024 |
 | Olympus OM-D E-M5 II Pros: Easy to handle, controls and finishes, colours Cons: Sensor that today is a little outdated, battery, sensor exposed to lens change Opinion: If we imagine it when it came out then we can take our hats off, but today we love it or hate it, I am the first. I carry it with me anyway, combined with the 9mm gives me the opportunity to shoot at the same time as the "normal". You have to expose well and not pull the ISO too much, the very effective stabilization helps a lot. The noise when it occurs is not so unpleasant, in case with a little denoise it is remedied. A note of merit to the controls and the beautiful line in general. Very good as far as colors are concerned. Battery? Put two more batteries in your pocket. Be careful when changing lenses because the sensor can get dirty. sent on June 04, 2024 |
 | Olympus OM-D E-M5 III Pros: Line, ergonomics, ductility in use Cons: Not suitable for very dynamic situations, the battery may last longer Opinion: Comfortable, beautiful colors and enough detail for even oversized prints. High res is quite performing, and if you notice noise on the screen because you have raised the ISO a little, the interpolation during printing will make it disappear, as often happens with dense sensors. Combined with a superzoom it is the best combination. It can be found used at bargain prices but this does not mean that it is worth little, on the contrary... After so many professional machines from other brands, my wife found her winning combination. The two flaws I can point out are the battery life, it is better to have a couple with you, and the possibility of dirtying the sensor when changing the lens. sent on June 04, 2024 |
 | OM System OM-5 Pros: Form factor, handling, great quality in the absolute sense of what you ask of it Cons: Battery, sensor exposure when changing lenses Opinion: I'm a simple amateur who has abandoned bigger and more expensive cameras, first for an em5II that I still have and then for the om5, I don't pay attention to performance or obsessive manias related to iso, bitrate or comparative of any ... When I see something or someone I like or I'm in a wonderful place that deserves to be in my memories ... click! Responsive, beautiful in the details, ready and comfortable to carry with me, with appropriate lenses it is able to give the best. That said, I've brought some nice prints to some exhibitions with her, some prints are large, what are you missing?? I would just like to point out to be careful with the sensor, it remains exposed to the detachment of the lenses and the battery may last longer. sent on June 03, 2024 |
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