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The following opinions have been automatically translated with Microsoft Translator. | Fujifilm GF 50mm f/3.5 R LM WR Pros: Compact lens- Autofocus- Image quality- Price. Cons: None in my opinion. Opinion: What about this perspective? I bought used this 50 because I was interested in a fixed lens of little bulk to be used in trips out of town. I was very hesitant about the focal length becoming 40 in the midformat system and instead I use it all the time. It gives me photos with truly spectacular colors and definition not to regret much more expensive lenses. Now I use it in the studio as the first lens and I can do everything from portrait to full figure. The advantage of this lens is also the weight that after a day of shooting you begin to appreciate it for sure. In street photos you have to get used to the focal length but then once you understand it gives you really fantastic shots. Mounted on the GFX 50SII I can shoot at really low times. Even the blurred is very pleasant quite pasty then obviously used at the right distance. Optics to keep in the kit even if it may seem a duplicate in the zoom lens park. I recommend it and promote it with flying colors. sent on October 28, 2022 |
 | Fujifilm GFX 50R Pros: Beautiful files with detail- high iso seal- Jpeg already perfect as color and definition Cons: Ergonomics handle- autofocus to be improved- continuous autofocus absolutely disappointing. Opinion: A compact worthy of churning out exceptional rows, compact enough to always carry with you. Great all-rounder machine that is used at really affordable prices. It has a high ISO seal really at the top, many keys to customize. Excellent professional machine to use in everything except of course in sports. Valid and quite complete optical park. Low weight with retro style to always carry with you for every occasion. Combined with the 35-70 you can do everything with quite small dimensions. When you open the Files they let you into another almost three-dimensional dimension. Attention to the shallow depth of field due to the large sensor: you need to be careful but once you take your hand it gives spectacular photos. Pretty good battery life makes you take about 500 shots. Used for street photos gives its charm with show photos. sent on September 15, 2022 |
 | Fujifilm GFX50S II Pros: Sensor- Definition and detachment of planes-Sensor stabilization- High ISO sealing- Cons: Lack of rings- Autofocus not at the top- Machine lock during photo shoots Opinion: Machine with fantastic sensor that makes the detachment of the planes in each photo. It is sold in kit with a surprisingly excellent 35-70 lens. Excellent machine for general use and especially in the studio from portrait, fashion and still life. The depth of color and shades are at the highest level. This camera makes every shot a unique pleasure. Very effective stabilization that allows you almost impossible shots. I preferred the old-fashioned Fuji rings which I find very practical and quickly intuitive. High ISO tightness excellent. The battery life is great and you can work in the studio for half a day without problems. I would have preferred a few more keys to customize. The optical park is quite complete but I hope for some more optics to be at the top. Continuous autofocus is not perfect and many times it makes mistakes with extreme ease. To be an MF it is definitely portable with small dimensions and weight, excellent ergonomics. A problem with Lexar SD that tends to freeze the camera. sent on June 12, 2022 |
 | Sony A7 III Pros: Sensor, autofocus, machine body with many keys to customize, tropicalized. Very large optical park. Very high battery life. price Cons: Poorly defined viewfinder and barely enough LCD as a definition. A big flaw that you never know where the focus rectangle is that unfortunately does not light up. Opinion: This body I've been using for many years with about 70000 thousand shots to date, I alternate it with 7 RIII which has the same problem as the focus square that does not light up. This feature is important because on many business occasions you don't know where you are with focus and you have to crush the cursor to reposition in the center and then move where you need it as a shot. The problem that sometimes you need quick shots and this slows you down a lot. The viewfinder is just enough as a definition as well as the LCD. The sensor is great allows you to have many details with raw very workable. Really endless battery compared to other brands. A machine valid at a very competitive price that allows you to take superb shots. The optical park is very large both original and third-party. The difficult menu at first but then understood and customized is quite fast and intuitive. The high iso seal is excellent if you shoot in RAW while instead I find the Jpegs a little outdated as colors and not ready to use. The focus is excellent and fails only with little light, while instead the eye and face recognition is very valid. A semi PRO body that I recommend as price and quality. sent on June 24, 2021 |
 | Sony FE 24-70mm f/2.8 GM Pros: Solid construction, natural color rendering. Fairly fluid rings Cons: Excessive cost, low sharpness at full opening especially in edges. Blurred at full opening not the best. Opinion: I have been using this objective for a long time and I can now give my opinion. Full-aperture sharpness is not the best especially on the edges and is most noticeable at focal 70. I sold the Sigma 24-70 f 2.8 dn art to take this optics because sigma did not convince me for the color yield and grains of dirt under the front lens. The Sony 24-70 is built decidedly well and with a perfect seal worthy of a professional lens. The color rendering is excellent but with engraving compared to the slightly lower Sigma. An excellent fast lens in focus without uncertainties. It lends itself to intense and professional use as a bright all-rounder optics but to have excellent results you have to close to f4. Blurred in non-jumping portraits considering the price quite high compared to Sigma. Used in the studio it is perfect with very real shades and colors. Working at f 5.6 - 8 I can say that it is great and brings home a great final result. Solid and beautiful to handle as well as the whole GM series. The price is perhaps too high but like all GM optics unfortunately the cost is high. sent on March 19, 2021 |
 | Sigma 105mm f/1.4 DG HSM Art Pros: Gorgeous blurry that makes every shot interesting. Professional construction, like the whole ART series. Fast focus. Exceptional engraving. Perfect focal point for portraiture. Cons: Nothing Opinion: I have been using this glass for more than a year on SONY and I confirm with satisfaction that it is a great lens, which makes each shot a poem. The weight and the footprint are not to be underestimated but immediately pays off with the yield. Extremely professional optics born to create beautiful shots. The definition is at the highest level that can be defined, with Sony it works perfectly. For those who paint this lens gives shots worthy of the highest quality. The focal point is perfect on FF too long or too short, the price is also affordable given what we are talking about. I recommend it to all portrait painters who want to try a professional glass sent on January 21, 2021 |
 | Sigma 24-70mm f/2.8 DG DN Art Pros: Construction quality on the highest levels. Sharpen at all focal points, minimum focus distance. Paraluce finally done properly. Cons: After using for a long time I found grains of dust under the front lens and this made me infer that there is no proper sealing. I point out that I've always used in the studio so poor nothing. Another factor that I did not like is the color calibration that I found in RAW, to be then arranged in PP compared to original optics. Opinion: A professional lens for many uses. This lens is the most used in my kit as it allows me to deal with many work situations without the thought of having to change optics. Excellent blurry (clearly not at fixed lens levels) the construction and fluidity of the rings is excellent. The zummare ring is fluid. It has no stabilization but on Sony A7III - on then it's perfect. The focus is fast and hardly wrong, colors and aberrations are normal and easily corrected in posts. Advisable on many occasions where changing optics is problematic. The weight may be excessive but we talk about glass lenses and metal construction, it is not the usual plastic but a lens for even heavy working uses. Close-up focus allows you to make great close-ups to details by blurring and playing with sealing. Excellent lens for ceremonies where speed is essential to capture the highlights. sent on December 21, 2020 |
 | Fujifilm X-H1 Pros: Truly professional body built for intense use, fast and accurate autofocus. Stabilization that allows you sometimes impossible shots with other models,stunning sight. Double SD slot. Button that allows you to lock the two ISO and Times. Cons: I consume batteries but it is normal given the stabilization of the sensor, the weight but it is referred to as a highly professional product. Too bad it's not Full Freme Opinion: My first impact with this jewel was immediately positive, the speed of focus is very good as the stabilization of the sensor that allows you in certain situations impossible shots. In certain situations the display tends to underexpose but corrects quickly. With serious goals, we say, the machine is divinely gripable and holds even the 100-400 without the slightest imbalance. Let's be clear it's a professional machine to tame but if you use it intensely you understand it and give you beautiful shots. The viewfinder is truly spectacular even in extreme conditions. I used to say almost all Fuji bodies and this is made for me, the ipugno as it should and the controls are within my reach, the stabilization I put it and remove it to my liking so that in certain situations I can bring home the result. The battery gives you after about 350-400 clicks, but all those who more or less of this kind of machines are so, a couple of batteries in your pocket and so the problem does not exist. I recommend it to professionals who know how to tame it and do not understand why it is not valued like the other Fuji. I took two of them with a wide-angle and one with a canvas so that I don't have to change my optics in situations where dust can get in. Now it is used at decidedly affordable prices. sent on June 17, 2019 |
 | Panasonic S1 Pros: Machine body designed for professional use. Performance and fast AF with many customizations. Sensor with stabilization effectiveness. Excellent dynamic range and ISO-Ali Seal Cons: Maybe excessive weight but it is a PRO. Optical system only with a few objectives. Opinion: I have considered this system still very new only after seeing the results and ease of use. The files are excellent with colors and definition at high level, shooting in JPEG you get good results immediately. Developing in RAW you get a lot of detail. The body is very professional with keys and customizable functions. The battery life is very good compared to other brands. The Sigma adapter ring allows you to space in the optical park with a Canon mount, which amplifies the choice of use. The viewfinder is really good maybe the best there is on the market. The 5-axis stabilized sensor allows you to shoot with almost absurd times. I think it's one of the better Mirrorlex FF's on the market. The Kit Col 24-105 does its duty in most situations, while the 70-200 is really very good with a very good stabilization and focusing speed. I have been using this machine for about a month and I find it very good. A car to try that will give you a lot of satisfaction. sent on May 27, 2019 |
 | Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR Pros: Practicality. Price-quality, fairly sharp. Cons: Zoom ring that does not flow well in the final stroke. Sharpness in the Tele area. Opinion: A great lens to take on holiday or hiking. I put it when I have to travel light and in unfavorable conditions, with wind dust and rain so that you do not have to change optics. Stabilization does its duty and you can shoot even with little light. Maybe it's a bit cumbersome if mounted on cameras without grips, it unbalances the shot but it is a subjective thing. Excellent definition in wide-angle and medium tele version but loses to full excursion. advisable as a handyman the mountains and you almost never take it off. In case I recommend to match a bright 23 and you're done. sent on November 25, 2018 |
 | Fujifilm XF 56mm f/1.2 R Pros: Blurred exceptional, professional construction, quality 'optics. Cons: Ring diaphragms too soft, cover the front lens cap is not valid, provided only a cloth to lay the obbiettivo.Preferivo soft case as Nikon saw the price we could stay. Opinion: Since I bought this in mind I can not 'to remove it from my xt1.Magnifica in many ways, will be almost a three dimensional' on the subject by pulling fondo.Lavora good already 'full-apertura.Perfetta for portrait moda.Rapporto price and quality 'very valido.Lo advice to all portraitists as it becomes essential for a view pictures of people and ritratto.A full aperture allows you to take pictures and give creativity impossible' to photos. sent on August 11, 2015 |
 | Fujifilm XF 18mm f/2 R Pros: Optics Pocket, Light to the point giusto.costruzione made to perfection with lenses vetro.Nitido already 'in f2.8.Prezzo adequate. Cons: If a defect is the cap. Opinion: For my personal opinion is an optical bring it with you 'saw the light weight and tascabilita' you can stow in every corner of borsa.Per photos from the road is perfect small bright and incisive to the point giusto.Anche with shots taken at night the lens does not have reflections strani.La focal perfect for reportage 'cause not flashy like other divisions obbiettivi.Alterno in shooting with the 10-24 which is stabilized optics gorgeous but more' cumbersome and little luminosa.Ho tried doing shots type portrait wide open and I have to give the maximum of voti.Lo advice for people who like to shoot like the old days with a ring for diaphragms and a construction as poche.Non understand why 'the fuji Building at maximum levels to be lost road with a cap really outrageous. sent on February 07, 2015 |
 | Fujifilm XF 35mm f/1.4 R Pros: Small and lightweight. Incisive at the right point with optical construction really well fatta.A full aperture works very well and if you close to f4 becomes super punchy. Cons: Definitely the cap to the lens very easy to miss the street. Opinion: Bought at Christmas this perspective and since then remains to me'e ever mounted on the body macchina.Obbiettivo that you would like if you're using it in many cases as a very bright and the small footprint that passes inosservato.Lo recommend everyone 'cause an optical so 'should never miss in purse fotografo.Diciamo that with this in mind the taste or resumed shooting. sent on February 05, 2015 |
 | Fujifilm X-T1 Pros: Compact, lightweight and well constructed and accurate as true made in Japan.Parco optical high livello.Tenuta at high ISO, actual colors and noise very piacevole.Nessuna vibration during scatto.Sensore in my opinion maybe one of the best on the market . Cons: Some keys slightly protruding and very difficult to find during the scatti.Batteria sometimes with limited autonomy especially with temperatures basse.Un only sloot for mindful card. Opinion: Amazing machine to use in many casi.La quality 'file and' very high that comes close to FF.Il advantage that goes unnoticed like a compact is remarkable in fotostreet .The lightness puts you in a position that the belt becomes superfluous and keep camera in hand without stancarti.Stile back 'beautiful technology moderna.Ho sold everything kit Nikon FF with relative optical switch to a light kit and built to perfection: metal and glass and not plastic which, although of excellent quality' is plastica.Un always great advantage are the files that come with the perfect style film as a volta.La advice to many photographers tired of weight and size. sent on February 03, 2015 |
 | Fujifilm XF 18-55 f/2.8-4R LM OIS Pros: Quality optics straordinaria.Ben made with excellent materials when considering the prezzo.Ghiere with smooth movement and color piacevole.Resa very good with both artificial and natural light. Cons: Few difetti.Paraluce with release too soft to be careful with small bumps you can 'perderlo.Tappo that does not hook never good, to be replaced by May universale.Preferivo focal length since it is a do everything to use in many cases. Opinion: I found myself very well right dal'inizio although I come from SLR range superiore.Ottima yield at all apertures drops a little 'f16 but then you use it almost always open. weighs little and is well matched to a XT1 bilanciato.Preferivo have more 'wide-angle lens because I use it for strada.Trovo very good stabilization and can shoot in particolari.Considerata optic kit but with quality' very elevate.A times the I climb on the XE1 and do not take off more '(too nice) I recommend it to everyone. sent on September 16, 2014 |
 | Fujifilm X-E1 Pros: Excellent on many punti.Piccola and portable at every opportunity. great pics and very detailed with optical base.Rumore very content. Cons: Autofocus, slow to show scatti.Parco accessories ridotto.Menu to improve. Opinion: Compattona with excellent optics, very versatile in the walks in the city very positive thing if we consider all files rispetto.Stufo of the REFLEX heavy and very ingombranti.Questa machine built impeccably charm old.Consigliabile with a light kit to take with you everywhere. Great quality 'files from almost FF.Non is a machine to be used for photo sportive.Bella and go unnoticed in terms difficili.Comincio to appreciate the system FUJI although I come from NIKON.Penso be missing useful accessories like extension tubes and -moltiplicatori optical macro.rnrnrnrnrn sent on September 12, 2014 |
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