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Fujifilm XF 35mm f/1.4 R : Specifications and Opinions



Fujifilm XF 35mm f/1.4 R


The Fujifilm XF 35mm f/1.4 R is a standard lens for APS-C, manufactured from 2012. The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 565 €;
176 users have given it an average vote of 9.6 out of 10.



MOUNT

This lens is available with the following mounts:

Fujifilm X-mount: this lens is compatible with mirrorless APS-C Fuji.



If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuyPhotos


Specifications
Focal lenght35 mm
Angle of view44.7°  (equivalent to a 53mm in Fullframe 24x36mm format)
FormatAPS-C
Max. aperturef/1.4
Aperture blades7
Lenses/Groups 8 elements in 6 groups
Min. focus distance0.28 meters
Reproduction ratio0.17x

Features
StabilizationNo
FocusLens AF motor (non-ultrasonic)
Internal FocusNo

Built and notes
Tripod ringNo
ExtendersNo
Filters52 mm
Lens hoodYes (not supplied)
Weather sealingNo
Weight187 g
Dimensions65 x 55 mm

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Fujifilm XF 35mm f/1.4 R, buy on Ebay Ebay

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Reviews

What do you think?


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avatarsenior
sent on 28 Settembre 2018

Pros: Compact design. Decent materials. Good balance on some bodies (e.g. X-T series). Good looks. APERTURE STOPS ARE LABELLED (unlike some stupid Fuji lenses like 18-55 which have aperture rings ... without stops labelled ... ???)

Cons: Aperture ring too easy to move and lacks a clean sharp 'A' click. Very slow, next to useless "manual" focus. Extremely ugly hood that looks like a Messerschmitt design. It is made of metal so if you hit anything, you can damage the lens, the mount or the body. The hood should be light plastic or hard rubber.

Opinion: The lens is shamelessly expensive. Comparative Canon lens (50 1.8 STM) costs EUR 100 - only 20%, or less, of Fuji lens. It is only a bit justified by Fuji better materials. Sharpness is OK but nothing outstanding (compared to other makes). Colour is +good and distortion seems low (I say seems because Fuji bodies correct distortion on the fly. Blur is OK but not spectacular as the lens is equivalent of FF f 2.1 only. If you want good strong blur, you buy a Sigma 50 ART and a FF body. To sum up - a decent lens, just ridiculously expensive. The 'noises' on my bodies with updated firmwares are still there but they are of no importance - they will not wake up a sleeping child nor disturb a stupid cat. I do not know what the noises are like on old bodies with old firmware but with my bodies they are zero problem. I bought it at EUR 550 only because I could not get it s/h. I think if you can get it s/h at about 200-300 EUR, then it is a good buy. Six months later: my sample is extremely soft - VERY VERY soft - at f 1.4. I am not sure why Fuji made this softness. It may be creative ??? for maybe ??? portraits but otherwise it limits the usable apertures to 2.0 and smaller. Really shame. Still, a recommended lens - if you get it second hand at a good price, maybe EUR 200 or so.

Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on 22 Febbraio 2026

Pros: All

Cons: Isn't it waterproof? Isn't it for everything?

Opinion: Finally, after years and after trying the other 35mm and also the recently released fabtastic viltrox, I bought this "myth" used. I can say that it is not a myth, but rather a real, fixed wave. I don't have much to add to all the merits listed and said in the numerous reviews available everywhere. Together with the 56mm f1.2 they could be suitable for almost anything. To have absolutely.

avatarjunior
sent on 02 Agosto 2025

Pros: IQ, Price, Size, Weight

Cons: AF, no WR, chromatic aberration

Opinion: Lens I've been using for 5 years, the only one I've kept all this time. Small, light, relatively cheap. The image quality is fabulous. MA: extremely visible and ubiquitous chromatic aberration; Dinosaur-like AF, slow, noisy and with the front element coming out; it is not WR. That said, I use it safely for CrossFit events, cursing for 2/3 of photos out of focus but enjoying each one that comes into focus. For less dynamic things it is a fantastic lens, also used in landscaping with excellent results. Surely sooner or later I will get the new 33, but I will never sell this one

avatarjunior
sent on 14 Giugno 2025

Pros: Many, everyone has already said it, including a serious metal hood.

Cons: Slow autofocus. Cutthroat competition from the 33WR.

Opinion: Lens owned and used thoroughly from the beginning, beautiful, pleasant, compact. Then one day I compared it with the 33 and I thought for a long time, because the 33 has a larger footprint on its side to be able to accommodate all the improvements of the case. A hint of a negative note: the age of the project has made it a bit slow in AF nowadays, when I found myself having a third of the barrage of portraits not perfectly in focus I decided that it was time to separate, but with regret. The 33 has many pluses on its side, it has something like optical performance of the 35 minus its so to speak... defects of youth. I regret the square metal lens hood that is not on the 33.

avatarjunior
sent on 08 Aprile 2025

Pros: Bright, spectacular bokeh, unquantifiable color and image rendering

Cons: slow autofocus and difficulty in AFC

Opinion: It took me some time to really appreciate this lens. Or rather, his qualities – almost lunar – were clear to me right away. But perhaps, thanks to my inexperience with this focal length, I have been tempted several times to move on to something else. Also because the autofocus, let's face it, is certainly not its strong point: often uncertain, sometimes frustrating. At first, this led me to delete almost half of the shots I took. But in hindsight, the problem wasn't the lens. It was me. I didn't understand it yet, I hadn't yet found the right approach. Then, over time, learning to recognize its qualities and accepting its idiosyncrasies, I changed the way I photographed. I filed some of my arrogant pretensions, learning to leave more space for the lens... and less to control. In the last year I have begun to see – and above all feel – what makes this lens truly unique: the ability to transform small imperfections into original visual qualities, difficult to describe with the usual technical terms we are used to when talking about optics. There is something that escapes rationality. Sometimes, it seems that he is the one who decides when to shoot for real, giving images out of time: dreamy, emotional shots, full of a three-dimensionality that comes out of the screen. Even a simple portrait can become unrepeatable, with creamy blurs and subjects that seem to emerge from the frame with a strength all their own. It is a magical lens, capable of generating ethereal images, with incredible colors. If a shot already looks perfect in PROVIA, with CLASSIC CHROME it becomes iconic, with a visual impact that goes beyond the composition, beyond the technique. It is, perhaps, the perfect lens to tell the growth of a family, of one's children: following them through time with this lens means choosing an intimate and authentic gaze, capable of restoring pure emotion.

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