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![]() | Canon 6D Pros: Superb image quality. Quality of Jpeg and Raw files. Cons: Autofocus. Opinion: The Canon EOS 6d is not a camera, but a palette of oil colors. The transition to FF, now already for a long over two years, cost me the Canon 7d. It was not easy to give up that image quality, but the 6d was up to par. A masterpiece of Jpeg and Raw files, is generated with each shot. The files are already ready without post-production, but they can also be pulled at will without ruining anything. Great elasticity. The colors are natural and of an extraordinary sweetness and expression. Excellent results at high ISO. I don't feel the need to go to MK II or 5d. The only drawback, the autofocus (with only one central point well functioning) does not live up to the machine it serves. The Gps is very convenient, but consumes a lot of energy. I know I've got a big car in my hands, and I'm not going to deprive myself. The 6d is considered a consumer, but its performance, in essence its sensor, are, in my opinion, of higher level, so much so that for what I know, many professionals use it for their services, even in support to a 5d. Lastly, the lack of the flash is a productive attitude of the Canon, which, for what I understand, does not like to equip its machines of high end of built-in flash. I have not therefore inserted among the cons the lack of the flash. It is my opinion, however, that a little built-in flash, without too many pretensions, so even light, would solve several problems of backlight, and, in general, would improve the images. Among consumer SLR cameras, perhaps, a little effort could also be made for the 6d, but as we saw on the 6d Mark II, it was decided otherwise. sent on July 11, 2018 |
![]() | Sigma 35mm f/1.4 DG HSM Art Pros: Sharpness, robustness, manageability. Cons: Nothing. Opinion: I'm picky, but with this lens I can't expect more. Well built. It's hard to be able to exploit it well. It has tremendous potential. I joined it at 24 70 F4 L and 16 35 F4 L, Canon. They were a little resentful for my choice, but I had to have in outfit a decent fixed, a bright and nocturnal lens. I could mount it and not remove it from my 6d, but why give up the other two? sent on July 11, 2018 |
![]() | Canon EF 16-35mm f/4L IS USM Pros: Sharpness equal to a fixed lens of the best. Cons: Nothing. Opinion: It's an excellent goal. I own it for almost two and a half years paired with the 24-70 F 4.0 L. I use them with the 6d. Between the two the 16-35 for me is superior. I know it's like comparing a midfielder with a striker, different roles, but this zoom does not have a defect, if not to be a super wide-angle, with the inevitable distortions well macherate however by the optical quality. sent on July 01, 2018 |
![]() | Canon EF 24-70mm f/4 L IS USM Pros: It's an honest goal. What you expect from a series L. Excellent quality and versatility at all focal lengths. Cons: The macro. The zoom is not internal and therefore each time you have to pull the lever that locks the lens, otherwise it will drop you down the lens. Opinion: I found difficulty in using the macro. Perhaps for lack of experience. This function is not important for my needs. It's a lens I bought with the 6d. I only used it with this camera body. I'd say a nice couple. That's what I use the most. I don't know what to add. Better than this there are only the fixed optics, and not even many. I add that now I'm over two and a half years that I use it and I never had problems with dust. Never entered anything in the lens, maybe because after each shot I close the zoom blocking the sliding with the appropriate lever provided. sent on June 25, 2018 |
![]() | Canon 7D Pros: Solidity, gust, handling considered the weight, ergonomics, speed autofocus, but above all processors exceptional! Cons: And amplitude data in the viewfinder image in the viewfinder, it lacks the function block on the mode dial, it has twice the memory slots so that a car should have. Opinion: Now I have the 7D for several months, and I got to test it well. RNE 'a fantastic machine made to last forever. That alone possess it, you could touch it in all its strength, it is a unique feeling. rnFotografarci is a plus. I come from a Nikon D7000 and there is no comparison. rnPotrei say it all and more on the 7D, but I only say that everything in the right places, like a beautiful woman. rnInsisto only on the dual Digic 4 processor, that I also use with the compact G11. The images resulting from these processors are unique. The colors are bright and warm, gentle when needed. I paint and I assure you that this camera allows you to paint your photos. If you are good you will be able to pull out of the 7D real oil paintings, acrylic or more than the photos. A car so maybe he should have a more relaxing and large viewfinder image, but we are at the piccolezze.rnCerto is that, in a world in evolution, reigns supreme culture of the last model. The reflex best is the most recent (makes less noise, has more pixels, etc ...). In fact most of these innovations are fake and are only used to hold the market. You have to see how the cameras are built, though. They can write a lot of innovation, but the quality is never written on features. If you pull too much risk of the blanket may find your feet. The Digic 5 do not need the flash of the night; well as the cat sees at night, but during the day it does not distinguish colors well. Not many are attentive to the chromatic tones, interested only reproduce the image, but does not care how the 7D is fuori.rnCon we arrived at the terminus of the overall quality picture at the moment. I believe that soon will buy a 5D m.III, but only for the FF, and the potential for exploitation of the optics, but I will always keep with me the 7D body. A body that no one can resistere.rnLa 7D is the point of arrival at the time, all the reflex. RNLA Canon Eos 7D SLR is the best in the world!RNE 'in production yet, have you wondered why? Do not miss it, as long as you can! The involution of the market is imminent! Rnrnrnrnrnrnrnrnrn sent on December 01, 2013 |
May Beauty Be Everywhere Around Me