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| sent on March 02, 2017 (23:43)
Nice tuning of the color, good composition. Compliments... Ciao rony |
| sent on March 02, 2017 (23:45) | This comment has been automatically translated (show/hide original)
Rony !! very very fast! :-P and very kind, my friend, thank you so much! good evening! Mario Rony!! very very fast! and very kind, my friend, thank you so much! good evening! Mario |
| sent on March 02, 2017 (23:48)
You are most welcome. I also like very much reflection on water. Just amazing. Goodnight.. |
| sent on March 02, 2017 (23:56) | This comment has been automatically translated (show/hide original)
in fact, Rony, the reflection on the water is one of the strengths of the photo .... very kind to go over here, thank you very much! Mario in fact, Rony, the reflection on the water is one of the strengths of the photo.... very kind to go over here, thank you very much! Mario |
| sent on March 03, 2017 (0:08) | This comment has been automatically translated (show/hide original)
This beautiful vision of a city that you think you know and every time manages to surprise you !!! Compliments Hello Fabrizio Bella questa visione di una città che si pensa di conoscere e ogni volta riesce a sorprenderti!!! Complimenti Ciao Fabrizio |
| sent on March 03, 2017 (0:14) | This comment has been automatically translated (show/hide original)
Excellent composition and beautiful treatment of PP, with the sepia that gives a "vintage" flavor to the image. Congratulations also to the steady hand: 1/8 freehand. I guess you've stopped down to f / 5.6, raising the ISO because full aperture Nikkor 20mm f / 3.5 Ai and Ai-S is a bit 'weak at the edges because of the curvature of field; on the other hand it is formidable against the sun because of its resistance to "ghosting" and "flare". I know him well because I have it since 1981 and I talk about it here: www.juzaphoto.com/topic2.php?l=it&show=8&t=1405354#8489073 Hello Ottima composizione e bellissimo trattamento in PP, con quel seppia che conferisce un sapore "vintage" all'immagine. Complimenti anche per la mano ferma: 1/8 a mano libera. Immagino che hai chiuso a f/5.6 alzando gli ISO perché a piena apertura il Nikkor 20mm f/3.5 Ai e Ai-S è un po' debole ai bordi per via della curvatura di campo; in compenso è formidabile contro il sole per via della sua resistenza a "ghosting" e "flare". Lo conosco bene perché ce l'ho dal 1981 e ne parlo qui: www.juzaphoto.com/topic2.php?l=it&show=8&t=1405354#8489073 Ciao |
| sent on March 03, 2017 (0:17) | This comment has been automatically translated (show/hide original)
ciaooo, Fabrizio! Venice in fact when you think you know it .... you always denies! think that at my mother's house there is a framework, given to him when she got married, made by a local artist where I took the photo ..... I've been there thousands of times here, but I had ever noticed the stone arch visible in this picture, making the place due to the "famous" picture that had hung in the living room in front of the nose, for almost thirty years .... thanks for the compliments, always very rewarding! 'night! ciauuuzz Mario ciaooo, Fabrizio! in effetti Venezia quando pensi di conoscerla....ti smentisce sempre! pensa che a casa di mia madre c'è un quadro, a lei regalatogli quando si è sposata, realizzato da un pittore della zona in cui ho scattato io la foto.....ci sono passato migliaia di volte qui, ma non avevo mai notato l'arco di pietra visibile in questa foto, facendomi ricondurre il posto al "famoso" quadro, che avevo appeso davanti al naso in soggiorno, per quasi trent'anni.... grazie mille per i complimenti, sempre davvero gratificanti! 'notte! ciauuuzz Mario |
| sent on March 03, 2017 (0:17) | This comment has been automatically translated (show/hide original)
Very beautiful ... beautiful colori..peccato a bit about the noise ... Molto bella...bei colori..peccato un pò per il rumore... |
| sent on March 03, 2017 (0:26) | This comment has been automatically translated (show/hide original)
Hello Roberto! welcome here! Interestingly your link, but I chose "forcibly" 5.6 because of this little light at that point and I did not want to raise more the iso, D3 up to 2500 generates enough "workable" files without loss of detail while reducing noise LR ..... This 20mm I have recently, but I have not noticed "weakness" on the edge, I made other night shots to F / 16 and are satisfied with the performance .... even for € urini I gave him .... :-D I thank you very much for the compliments, very rewarding :-P good night! ciauuuzz Mario ciao Roberto! benvenuto qui! interessante il tuo link, ma ho scelto "forzatamente" il 5.6 a causa della poca luce presente in quel punto e non volevo alzare di più gli iso, la D3 fino ai 2500 genera dei files abbastanza "lavorabili" senza perdite di dettagli riducendo il rumore con LR..... questo 20mm ce l'ho da poco, ma non ho notato "debolezza" ai bordi, ho altri scatti notturni fatti a F/16 e sono soddisfatto della resa....anche per gli €urini che gli ho dato.... ti ringrazio moltissimo per i complimenti, molto gratificanti buona notte! ciauuuzz Mario |
| sent on March 03, 2017 (0:30) | This comment has been automatically translated (show/hide original)
Zausers hello! the noise is obvious .... a little I left intentionally, to take up the subject of the picture I tried to recreate this effect in the web .... homesick? :-P I thank you infinitely for the compliments, good night 8-) ciauuuzz Mario ciao Zausers! per il rumore è presto detto....un po l'ho lasciato volutamente, per riprendere il discorso del quadro ho cercato di ricreare l'effetto presente nella tela....nostalgia? ti ringrazio infinitamente per i complimenti, buona notte ciauuuzz Mario |
| sent on March 03, 2017 (0:32) | This comment has been automatically translated (show/hide original)
The noise did not bother ... just thought that such a mega pro body although he dated a resistance to high iso performance more ... Il rumore non da fastidio...solo pensavo che un corpo cosi mega pro anche se datato avesse una tenuta agli iso alti piu performante... |
| sent on March 03, 2017 (0:57) | This comment has been automatically translated (show/hide original)
it is a pro body, but his years .... and the sensor has been improved, in successive bodies from D4, indeed .... then you have to also take into account my limited capacity in post, probably many shots in the box, made by those who passed is better in the subscribed to various PS, Dfine2 etc., would be more like this fact to me if only postprodotti with LR ..... :-D a warm greeting! è si un corpo pro, ma ha i suoi anni....ed il sensore è stato migliorato, nei corpi successivi dalla D4, appunto.... poi devi mettere in conto anche la mia ridotta capacità in post, probabilmente molti scatti che vedi qui, fatti da chi è più bravo del sottoscritto passati ai vari PS, Dfine2 ecc., sarebbero più simili a questo fatto da me se postprodotti solo con LR..... un caro saluto! |
| sent on March 03, 2017 (1:00) | This comment has been automatically translated (show/hide original)
That will begin to feel less, but the noise does not bother me :-D I find it wonderful, converting to sepia and deliberately left the noise, make it a painting to be hung, to be sure that the hand does not tremble, with the time and freehand: -o See, the prosecco after fatografia :-D great Mario, like a bang
claudio c Sarà che comincia a sentirci meno , ma il rumore non mi disturba la trovo stupenda, la conversione a seppia e quel rumore volutamente lasciato , la rendono una tela da appendere , certo che la mano non trema, con quel tempo e a mano libera Vedi , i prosecchi dopo la fatografia grande Mario , mi piace un botto claudio c |
| sent on March 03, 2017 (6:53) | This comment has been automatically translated (show/hide original)
Mamma mia! Ok, photographing Venice with me backgrounds an open door, but this is a marvel. Beautiful location, beautiful pdr, very very beautiful conversion. Congratulations Mario. A salutone. Hello. Andrew. Mamma mia! Ok, fotografando Venezia con me sfondi una porta aperta, ma questa è una meraviglia. Bella la location, bello il pdr, molto molto bella la conversione. Complimenti Mario. Un salutone. Ciao. Andrea. |
| sent on March 03, 2017 (7:17) | This comment has been automatically translated (show/hide original)
very beautiful ... Hello Fabio molto bella... ciao Fabio |
| sent on March 03, 2017 (8:04) | This comment has been automatically translated (show/hide original)
Beautiful bela beautiful. Quoto Claudio Cozzani. Clicks as well, out of time, with this color range is comfortable with a little 'noise, given the subject. Very nice play of light that pushes the prospect of the channel and highlights the essential characteristics of the first floor. Eye and good taste. Compliments Gabbia65 Bella bela bella. Quoto Claudio Cozzani. Uno scatto così, fuori dal tempo, con questo range cromatico, sta bene con un po' di rumore, dato il soggetto. Molto bello il gioco di luci che spinge la prospettiva del canale e pone in risalto i caratteri essenziali del primo piano. Occhio e buon gusto. Complimenti Gabbia65 |
| sent on March 03, 2017 (9:31) | This comment has been automatically translated (show/hide original)
Great beautiful Venetian Night, excellent composition. Mariomax Bravo! Hello! Sergio ;-) :-P Gran bel notturno veneziano, ottima la composizione. Bravo Mariomax! Ciao! Sergio |
| sent on March 03, 2017 (9:45) | This comment has been automatically translated (show/hide original)
Nice night. I like the composition, conversion and sepia lights. A greeting, Oreste. Bel notturno. Mi piacciono la composizione, la conversione seppia e le luci. Un saluto, Oreste. |
| sent on March 03, 2017 (11:50) | This comment has been automatically translated (show/hide original)
Nice night sepia version. Mario hello and congratulations. Simone ;-) Bel notturno versione seppia. Ciao Mario e complimenti. Simone |
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