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ZioKlaus www.juzaphoto.com/p/ZioKlaus  |
The following opinions have been automatically translated with Microsoft Translator. | Canon EOS R6 Mark II Pros: Autofocus, Maneuverability & Grip, Image Quality, Balance, Burst, ISO Sealing, Electronic Viewfinder Cons: Currently, the incompatibility with direct capture on Lightroom Opinion: Five months after the purchase and after intensive use on a film set (for set photos) I must say that the satisfaction and enthusiasm are still skyrocketing. I say this as a former defender of full-frame SLRs (especially for the electronic viewfinders that I had tried so far and that punctually made me immediately let go)... Going from the 6D to the R6mkII, then, literally makes you shudder (in a good way, of course) despite the years of faithful and devoted service of the former. And if I think it is a rather "common" and shared feeling in the transition from reflex to mirrorless, I also believe that the satisfactions are not so obvious. What is astonishing about the R6mkII is that it has something distinctly complete and versatile in its hands to the point of being able to place it, in my opinion, on the borderline that separates the consumer market from the pro. And I say this because the feeling is that it has nothing to envy to its older sister R5 (at least until the mkII of the same comes out, of course). Lightning-fast, intelligent autofocus, where the point-and-shoot composition is perfect, just adapt the search for the point of focus to the type of subject. Exceptional tracking. Custom adjustments of all kinds. Perfect ergonomics when combined with a battery pack that extends it in height. Frightening gusts, bordering on believable. The 24 megapixels are a fair balance in terms of weight and file handling, neither too much nor too little, and this is demonstrated by the exceptional ISO sealing. The electronic viewfinder makes you throw away every last doubt as an old admirer of reflex cameras. The only real criticism (but I hope it will be resolved in the next software updates) is the current incompatibility with direct capture on Lightroom, temporarily surrogated by real-time wifi sharing of shots (for which it is advisable to shoot RAW+JPG sending only the latter to the computer). What else to say, in two words, except that I think he is one of the best signings made in this field, to date. sent on April 11, 2024 |
 | Canon EF 70-200mm f/4.0 L USM Pros: Personality, bokeh, weight Cons: In some cases it suffers from the absence of the stabilizer, lens hood "important" Opinion: I am always ready to mount this lens whenever I need to "enter" the emotional part of the photograph. While it is not easy to handle, at first, with practice it offers unforgettable shots. And 'what I would call a good "beginning", waiting to go to a possible big brother, with greater openness. While loving the fixed lenses I can not help but take it on the stock market, especially in the more impromptu occasions, because it can save you from many unexpected. Personally I love it, although not extremely sharp and not having magical blurred a 135mm. Focusing is fast, but suffers in situations of low light, the construction is sturdy, almost spartan. very long hood, it makes it extremely difficult to use when mounted turned to the camera body. Practice the pouch to protect it on the stock exchange. I just would separate to level up. sent on November 30, 2016 |
 | Tamron 24-70mm f/2.8 Di VC USD Pros: Sharpness, Aperture, Quality / Price, Stabilization Cons: difficult to find Opinion: A great lens for those seeking certain focal lengths and a great versatility in different situations without the need to shell out astronomical figures. I was lucky enough to buy one used in mint condition and I must say I have never regretted essermene. One can not define a target "magic", the kind that enchant at first use, but certainly a "faithful" companion and trusted. It boasts a fast AF speeds and better driveability fire, despite having a fairly important role. Surely an excellent purchase on the quality / price ratio. For those not enormi.rnPs claims: In my opinion routs emblazoned 24-105 Canon, these 30mm more NOT make a difference if you do not, in the negative, for the Canon. sent on November 30, 2016 |
 | Sigma 50mm f/1.4 DG HSM Art Pros: Sharpness at TA, color fidelity, focus, bokeh Cons: Slight vignetting at RT. To my even pleasant taste. Opinion: By mounting this lens will immediately appreciate the "weight" important but completely balanced, which makes it almost superfluous. Tried in portraiture offers photographs perfect already during shooting and post becomes an option in many cases. Sbaraglia competitors with high-sounding names for both yield and price. What to say? We expect anxious 85. sent on May 29, 2016 |
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