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| sent on April 28, 2014 (21:13) | This comment has been automatically translated (show/hide original)
Bella! Bella! |
| sent on April 28, 2014 (21:17) | This comment has been automatically translated (show/hide original)
Thank you! Grazie! |
| sent on April 28, 2014 (21:44) | This comment has been automatically translated (show/hide original)
luca compliments!!!! complimenti luca!!!!!!!!!! |
| sent on April 28, 2014 (21:52) | This comment has been automatically translated (show/hide original)
thanks paul! grazie paolo!!! |
| sent on April 28, 2014 (22:05) | This comment has been automatically translated (show/hide original)
Bravo Luca Hello vittorio Bravo Luca Ciao vittorio |
| sent on April 29, 2014 (0:34) | This comment has been automatically translated (show/hide original)
Thank you Victor! short-coming the other! Grazie Vittorio!!! a breve arrivano le altre!! |
| sent on April 29, 2014 (8:31) | This comment has been automatically translated (show/hide original)
Beautiful Bellissima |
| sent on April 29, 2014 (9:00) | This comment has been automatically translated (show/hide original)
Very beautiful! The light is gorgeous! congratulations! hello joseph. Molto bella! La luce è stupenda! complimenti! ciao giuseppe. |
| sent on April 29, 2014 (9:53) | This comment has been automatically translated (show/hide original)
Beautiful portrait taken well and managed all technical components, congratulations Greetings Franco 8-) Bel ritratto ben ripreso e gestito in tutte le componenti tecniche, complimenti Un saluto Franco |
| sent on April 29, 2014 (9:58) | This comment has been automatically translated (show/hide original)
Excellent ;) Ottima ;) |
user5755 | sent on April 29, 2014 (10:23) | This comment has been automatically translated (show/hide original)
Very Beautiful Compliments Hello Marco Molto Bella Complimenti Ciao Marco |
| sent on April 29, 2014 (10:24) | This comment has been automatically translated (show/hide original)
thank you very much to all! grazie mille a tutti!! |
| sent on April 29, 2014 (15:57) | This comment has been automatically translated (show/hide original)
Delicate ... ;-) Bravissimo! Delicata... Bravissimo! |
| sent on April 29, 2014 (18:28) | This comment has been automatically translated (show/hide original)
A nice shooting Hello and good Un bello scatto Ciao e bravo |
| sent on April 29, 2014 (20:25) | This comment has been automatically translated (show/hide original)
Thank you so much! They make me very happy for your comments! Grazie davvero! Mi fanno molto piacere i vostri commenti! |
| sent on May 06, 2014 (8:56) | This comment has been automatically translated (show/hide original)
beautiful picture, it also makes the clothes she wears .... hello Pier ;-) bellissima la foto, rende anche l'abbigliamento che indossa.... ciao Pier |
| sent on May 06, 2014 (9:46) | This comment has been automatically translated (show/hide original)
Hello Luke, I congratulate you because from your pictures it denotes a well-defined style that I like, especially the ease with which you have always your subjects always kissed by a beautiful light, precisely because of these rare qualities I own venture to make a generic criticism in this shot. You should do a little more attention to the prospects for recovery in this case you've been too heavy-handed with the "liquify" reducing too much leg in the foreground, when you make corrections to the size of the limbs must always contemplate that these above dimensions should be to influence the proportions of the rest of the body, in this case the difference between the two calves and knees is too obvious and the leg behind prospectively should even be even smaller than that in the foreground. So you went to invasively by Get offand the detail of the shoes in the foreground, a texture very important that now is too fuzzy and decidedly deformed, acting with the "liquify" you can work on the shape of the limbs, but you must always work within the original file trying to protect the detail and adapt with a new light to the new form. In the same speech because of the pose with your back excessively closed the purchase of the head too large, the complete opening of the left shoulder ine would give a softer and more feminine in the back and a better balance to the upper bust. The light is very pleasing to the total but little suited to the round face of the model, amplifies the graceful little double chin and neck, or do you do in these cases separately to mask (with velvet black) to darken the side or we work pp doing an intervention meticulous about luminosity & agrave; and three-dimensional contour of the face and double chin. I do not know which character you have I hope you enjoyed my comments otherwise I apologize. Greetings.
Buongiorno Luca, ti faccio i miei complimenti perchè dalle tue immagini si denota uno stile ben definito che a me piace, soprattutto la naturalezza con la quale disponi sempre i tuoi soggetti baciati sempre da una bella luce, proprio a causa di queste tue rare doti mi permetto di fare una critica generica a questo scatto. Dovresti fare un pochino più attenzione alle prospettive di ripresa, in questo caso sei stato troppo invasivo col "fluidifica" riducendo di troppo la gamba in primo piano, quando effettui delle correzioni alle dimensioni degli arti devi sempre contemplare che codeste dimensioni vanno ad influenzare le proporzioni di tutto il resto del corpo, in questo caso la differenza tra i due polpacci e le ginocchia è troppo evidente e la gamba retrostante prospetticamente dovrebbe essere addirittura ancor più piccola di quella in primo piano. Così invasivamente facendo sei andato a togliere il dettaglio della calza in primo piano, una texture molto importante che ora risulta troppo sfocata e decisamente deformata, agendo col "fluidifica" puoi lavorare sulla forma degli arti ma all'interno devi sempre lavorare sul file originale cercando di proteggere il dettaglio ed adattarlo con una nuova luce alla nuova forma. Nello stesso discorso a causa della posa con le spalle eccessivamente chiuse la testa acquista delle dimensioni eccessive, la completa apertura della spalla sinistra avrebbe donato una inea più morbida e femminile alla schiena e un maggiore equilibrio al mezzobusto superiore. La luce è molto gradevole per il totale ma poco si adatta al viso tondo della modella,le amplifica il doppiomento ed il collo poco aggraziato, in questi casi o ti occupi separatamente di mascherare (con del velluto nero) il lato da scurire o ci lavori in pp facendo un intervento meticoloso su luminosità e tridimensionalità del viso e scontorno del doppiomento. Non so che carattere tu abbia spero che abbia gradito queste mie osservazioni in caso contrario me ne scuso. Saluti. |
| sent on May 06, 2014 (10:53) | This comment has been automatically translated (show/hide original)
Hello George! make me very welcome your advice and definitely I will take it! But I can assure you that I have absolutely nothing touched with liquify! (It is already in my style changes apply invasive) in this picture I just adjusted the usual settings and slightly skin but otherwise nothing! if you want I can send you the original NEF leg .. honestly I had not noticed, but I have not changed anything of that sort!
Thank you very much! and see you soon .. Ciao Giorgio! mi fanno molto piacere i tuoi consigli e sicuramente ne terrò conto!! però ti posso assicurare che non ho assolutamente toccato nulla con fluidifica!! ( non è già nel mio stile applicare modifiche invasive) in questa foto ho solo regolato le solite impostazioni e leggermete la pelle ma per il resto nulla!! se vuoi ti posso mandare il NEF dell'originale.. sinceramente alla gamba non ci avevo fatto caso, ma non ho proprio modificato nulla di quel genere! Grazie mille!!! e a presto.. |
| sent on May 06, 2014 (11:44) | This comment has been automatically translated (show/hide original)
uhmmm ... Giorgio, can not be a different pressure against the mattress to make them so, prospectively, incongruent? uhmmm...Giorgio, non può essere una diversa pressione contro il materasso a renderle così, prospetticamente, incongruenti? |
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