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mille colline e mille sorrisi

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sent on April 22, 2014 (10:40) | This comment has been automatically translated (show/hide original)

Bei subject to workers in front of the children 'do not lose the lens' chance to play.
I am not convinced the cut of the legs and I also think that if they looked in your direction, rather than in that of another who was photographing (or at least I think ...) would have been much more exciting ...

sent on April 22, 2014 (18:28) | This comment has been automatically translated (show/hide original)

You're right: I am eaten hands I also look for the boys (it would be enough to move a little more to the right to have their undivided attention), but their faces before the camera was too funny to be discarded.
The feet are cut brutally unfortunately quite common in my shots, since the beginning I tend not to lend them a lot of attention and you're not the first to make me notice that for some hassle!
(It will be the first thing I look at in the next step)
Thank you very much for the visit and good advice: I have a great need!

sent on April 22, 2014 (19:27) | This comment has been automatically translated (show/hide original)

Good evening. Bel seeds close-up! Why are you justifying? Moving on to the pictures! I think of Fellini's Amarcord! A poor man, simpleton, pulling a wheelbarrow full of bricks, sees his master, he stops and asks him: "My grandfather was a brick, the brick was my father, I make the bricks ... but where is my home? - -
Sorry if I have dwelt. Brava!

sent on June 10, 2014 (11:40) | This comment has been automatically translated (show/hide original)

Agree with Buffalmano, the focal point of interest are the bricks with grass that sprouts and baby that mimics the look of the shot. Beautiful candid photo, hello Piergiovanni

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