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| sent on October 14, 2021 (13:47) | This comment has been automatically translated (show/hide original)
The lamppost in the foreground is in focus ... Cyclists under no ... = incorrect shutter speed - on the others, in addition to the f 2.8 absolutely to be avoided, even the shutter speed, evidently must be reviewed Il lampione in primo piano e' a fuoco ... I ciclisti sotto no ... = tempo di scatto non corretto - sulle altre, oltre alla f 2.8 assolutamente da evitare, anche il tempo di scatto, evidentemente va rivisto |
| sent on October 14, 2021 (14:06) | This comment has been automatically translated (show/hide original)
Hello Maury thanks for your answer.
I didn't understand what you mean about shutter speed, how does it affect the portion of photos in focus? I put it so fast just to avoid the move on the cyclists.
Instead as for the diaphragm I realized I was wrong I wanted to give light and blur the background but I did the calculations wrong Ciao Maury grazie della tua risposta.
Non ho capito cosa intendi circa il tempo di scatto, come fa a influire sulla porzione di foto a fuoco? L'ho messo così veloce proprio per evitare il mosso sui ciclisti.
Invece per quanto riguarda il diaframma ho capito di aver sbagliato volevo dare luce e sfocare lo sfondo ma ho fatto male i calcoli |
| sent on October 14, 2021 (15:10) | This comment has been automatically translated (show/hide original)
In analog, with 1/1000" you stopped almost everything - in digital, in particular with the new sensors > 20 mpx things change - x a distant subject and an f 50mm, they would have been + that adequate - x close subjects and with f > 100mm, are no longer enough - personally, in these contexts, I prefer to use panning - long times, closed aperture, burst and uncertain result, but when they succeed, (even with a modest Canon RP), they make the dynamism of the scene well - the shots in dynamic contexts, require patience and experimentation - in each specific context its parameters - MTB is different from the enduro race on a motorcycle - triathlon from rugby etc ... ! x every situation you have to know well the behavior of the equipment you use and it is extremely reductive to argue that ML is better than slr - in some contexts where reactivity is needed, I prefer the 1d4, in others where the precision of maf is needed, the RP In analogico, con 1/1000" fermavi quasi tutto - in digitale, in particolare con i nuovi sensori > 20 mpx le cose cambiano - x un soggetto lontano e una f 50mm, sarebbero stati + che adeguati - x soggetti vicini e con f > 100mm, non bastano più - personalmente, in questi contesti, preferisco usare il panning - tempi lunghi, diaframma chiuso, raffica e ....... risultato incerto, ma quando riescono, ( anche con una modesta Canon RP), rendono bene la dinamicità della scena - gli scatti in contesti dinamici, richiedono pazienza e sperimentazione - in ogni specifico contesto i suoi parametri - MTB e' diverso dalla gara di enduro in moto - il triathlon dal rugby ecc ... ! x ogni situazione devi conoscere bene il comportamento dell'attrezzatura che usi ed e' estremamente riduttivo sostenere che ML sia meglio di reflex - in alcuni contesti dove serve reattività, preferisco la 1d4, in altri dove serve la precisione di maf, la RP |
| sent on October 14, 2021 (19:06) | This comment has been automatically translated (show/hide original)
To stop close subjects as in this case with length >100 are you telling me that I should have increased the shutter speed maybe to 1/1500 or more? Per fermare soggetti vicini come in questo caso con lunghezza >100 mi stai dicendo che avrei dovuto aumentare la velocità di scatto magari a 1/1500 o più? |
| sent on October 14, 2021 (19:57) | This comment has been automatically translated (show/hide original)
Basically yes ....! Sostanzialmente si ....! |
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