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| sent on August 31, 2020 (6:59) | This comment has been automatically translated (show/hide original)
Spectacular I'm black and white! Spettacolare sto bianco e nero! |
| sent on August 31, 2020 (9:08) | This comment has been automatically translated (show/hide original)
Simply extraordinary
Compliments Semplicemente straordinaria
Complimenti |
| sent on August 31, 2020 (11:33) | This comment has been automatically translated (show/hide original)
Great b/n
Hello
Francesco Ottimo b/n
Ciao
Francesco |
| sent on August 31, 2020 (12:21) | This comment has been automatically translated (show/hide original)
I'm not convinced by the cut, there is a lot of stuff and in my opinion the ceiling should be cut, leaving the only dx light inside that illuminates the working environment together with the window. I would have accentuated more in posts with fencing/burns this part of the room including the hood. Too bad for the absence of the blacksmith intent on working.
It's always fascinating about these workplaces.
Marco Non mi convince il taglio, c'è tanta roba e secondo me andrebbe tagliato il soffitto, lasciando la sola luce a dx dentro che illumina l'ambiente di lavoro insieme alla finestra. Avrei accentuato maggiormente in post con lo scherma/brucia questa parte del locale inclusa la cappa. Peccato per all'assenza del fabbro intento a lavorare.
Sempre affascinanti questi luoghi di lavoro.
Marco |
| sent on August 31, 2020 (12:42) | This comment has been automatically translated (show/hide original)
Thanks @Ale Grazie @Ale |
| sent on August 31, 2020 (12:42) | This comment has been automatically translated (show/hide original)
Thank you so much @Parsifal64 Grazie mille @Parsifal64 |
| sent on August 31, 2020 (12:43) | This comment has been automatically translated (show/hide original)
Thanks @Francesco_s :-) Grazie @Francesco_s :-) |
| sent on August 31, 2020 (12:47) | This comment has been automatically translated (show/hide original)
Look @Ilcentaurorosso I actually took another shot that took the whole window and cut a part of the photo on the left but had a micromox that didn't allow me to post it, but I have to say that it didn't particularly enrich the richness of the environment. For the post you suggested I answer that I am not used to use excessive post-production, also because I am not a magician of photoshop, but I definitely know that I could have done more just to highlight some details as you suggested. Thank you for appreciating the blacksmith was unfortunately in the shop :-( Guarda @Ilcentaurorosso in effetti avevo fatto un altro scatto che prendeva tutta la finestra e tagliava una parte della foto a sinistra ma aveva un micromosso che non mi ha permesso di postarla, ma devo dire che non arricchiva particolarmente la ricchezza dell'ambiente. Per la post che hai suggerito ti rispondo che non sono solito usare una post-produzione eccessiva, anche perchè non sono un mago di photoshop, ma sicuramente so che avrei potuto fare di più proprio per risaltare alcuni particolari come hai suggerito tu. Grazie per l'apprezzamento il fabbro purtroppo era in negozio :-( |
| sent on August 31, 2020 (14:16) | This comment has been automatically translated (show/hide original)
There is the approach and I also share I do not like to do posts. But with the BN, fencing and burning helps to improve communication, emphasize things and overshadow others. Then maybe the sense that you wanted to give to the shot is the rich environment and full of things, that is everything is equally important.
The microcosm typically for superpixellate is an ugly beast and in little freehand light is around the corner. As you rightly pointed out in another shot, it sometimes makes you regret the easier approach of the m43 from which it obviously comes off in so many other pleasant aspects.
Sto still looking at the photo and a lot, a lot of stuff (you did well to publish it at max resolution!) Ci sta l'approccio e condivido anche a me non piace molto fare post. Però col BN lo scherma e brucia aiuta a migliorare la comunicazione, enfatizzare cose e portarne in ombra altre. Poi magari il senso che volevi dare tu allo scatto è l'ambiente ricco e pieno di cose, ovvero tutto è ugualmente importante.
Il micromosso in genere per le superpixellate è una brutta bestia e in poca luce a mano libera è dietro l'angolo. Come giustamente hai fatto notare in un altro scatto, a volte fa rimpiangere l'approccio più easy del m43 da cui ovviamente si stacca in tanti altri piacevolissimi aspetti.
Sto riguardando ancora la foto e tanta, tanta roba (hai fatto bene a pubblicarla alla max risoluzione!) |
| sent on August 31, 2020 (14:47) | This comment has been automatically translated (show/hide original)
@Ilcentaurorosso with the Olympus would come sharp 8-) @Ilcentaurorosso con l'Olympus sarebbe venuta nitidissima  |
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