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sent on August 16, 2020 (16:42) | This comment has been automatically translated (show/hide original)
Good colors, blurring and composition. The pdc is surgical, maybe too much. (white circled areas) Azasing the iso (x security) and closing the diaphragm af 11-13 probably got an intriguing blurry but increased by a few millimeters the pdc involving more the areas indicated here in red. Always (imho) ;-) Heo, lauro [URL?https://imageshack.com/i/pnXo76sTj] Buoni i colori, lo sfocato e la composizione. La pdc risulta chirurgica, forse troppo. (zone cerchiate in bianco) Alzando di poco gli iso (x sicurezza) e chiudendo il diaframma af 11-13 probabilmente si sarebe ottenuto comunque uno sfocato intrigante ma si aumentava di qualche millimetro la pdc coinvolgendo di più le zone qui indicate in rosso.
sent on August 16, 2020 (16:44) | This comment has been automatically translated (show/hide original)
I'm always too cautious with iso. I must have more courage and lift them up, right! Sono sempre troppo cauto con gli iso. Devo avere più coraggio e alzarli, giusto!
sent on August 16, 2020 (16:54) | This comment has been automatically translated (show/hide original)
Fix me if I'm wrong but the sequence on this SLR is 100 200 400th 800th 1600 3200 6400 12800 iso right? There are no 250-320-500-620 iso for example. Osa quietly the 200-400iso because the closer we get to the ratio 1:1 and less pdc we have and our only resource is to close that diaphragm. There is to opt for a strangely open diaphragm to play with the blurred or to focus the observer only on a sharp precise area. The most intriguing part is to vary the approach with awareness 8-) Correggimi se sbaglio ma la sequenza su questa reflex è 100 | 200 | 400 | 800 | 1600 | 3200 | 6400 | 12800 iso giusto? Non ci sono 250-320-500-620 iso ad esempio. Osa tranquillamente i 200-400iso perchè più ci avviciniamo al rapporto 1:1 e meno pdc abbiamo e l'unica nostra risorsa è chiudere quel diaframma. Altro discorso è quello di optare volutamemte per un diaframma stranamente aperto per giocare con lo sfocato o per concentrare l'osservatore solo su una zona precisa nitida. La parte più intrigante è quella di variare l'approccio con consapevolezza