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| sent on February 15, 2020 (18:34) | This comment has been automatically translated (show/hide original)
The papier-mache giants of Foiano della Chiana, here at rest but during the parade of up to the fourth floor of the buildings of the old town, monstrous but beautiful and of fine art, excellent the use of fisheye ;-)
Bravo my Frankie :-P
Babbo Loris I giganti di cartapesta di Foiano della Chiana, qui a riposo ma durante la sfilata di ergono fino al quarto piano dei palazzi del centro storico, mostruosi ma belli e di arte sopraffina, ottimo l'uso del fisheye
Bravo il mio Frankie
Babbo Loris |
| sent on February 15, 2020 (18:50) | This comment has been automatically translated (show/hide original)
Thank you, Dad. It's a pretty good game. Grazie babbo. E' un giochino niente male. |
| sent on February 15, 2020 (19:16) | This comment has been automatically translated (show/hide original)
too bad for those tsed fingers, otherwise a truly perfect and original photo ;-) peccato per quelle dita tronche, altrimenti una foto veramente perfetta ed originale |
| sent on February 20, 2020 (15:13) | This comment has been automatically translated (show/hide original)
Congratulations,
the photo is very nice, with a great use of the fisheye, although the first thing I noticed were those fingers... "cut."
Hello, Paul Complimenti,
la foto è molto bella, con un ottimo uso del fisheye, anche se la prima cosa che ho notato sono state quelle dita... "tagliate".
Ciao, Paolo |
| sent on February 20, 2020 (15:32) | This comment has been automatically translated (show/hide original)
Spectacular, congratulations on the photo. Greetings. Spettacolare, complimenti per la foto. Un saluto. |
| sent on February 20, 2020 (16:29) | This comment has been automatically translated (show/hide original)
The monster of the wagon moves everything. I had to sacrifice my fingers to shoot at the maximum opening of the arms, with the head sufficiently visible (it also moves that) and with the view free from subjects.
Thank you for your consideration and appreciation. Il mostro del carro si muove tutto. Ho dovuto sacrificare le dita per scattare alla massima apertura delle braccia, con la testa sufficientemente visibile (si muove anche quella) e con la visuale libera da soggetti.
Grazie per le considerazioni e gli apprezzamenti. |
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