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| sent on November 10, 2019 (13:44) | This comment has been automatically translated (show/hide original)
Good colors and setting. An almost perfect parallel.
The maf is uncertain and with an open diaphragm .. the end result is that the subject was sufficiently involved. Iso bass ... better to raise them even to 400-500 to increase the margins of recovery.
Freehand? It is much wiser to use 1 af point and ai-servo this because while you are focused on composing you tend to swing-bascular with the torso then to continuously move the distance between sensor and subject.
(imho)
Hello, laurel Buoni i colori e l'ambientazione. Un parallelismo quasi perfetto.
La maf risulta incerta e con un diaframma aperto .. il risultato finale è che il soggetto è stato coinvolto in maniera sufficiente . Iso bassi ... meglio alzarli anche a 400-500 per aumentare i margini di ripresa.
A mano libera? E' molto più saggio usare 1 solo punto af e ai-servo questo perchè mentre si è concentrati a comporre si tende a dondolare-basculare con il busto quindi a spostare di continuo la distanza tra sensore e soggetto.
(imho)
Ciao, lauro |
| sent on November 11, 2019 (17:28) | This comment has been automatically translated (show/hide original)
Hello Lauro, thank you so much for the advice!
Mah, then, I try to "answer you":
- “ The maf is uncertain and with an open diaphragm „ : how much would you have closed?
- “ Iso bass ... better to raise them even to 400-500 to increase the margins of recovery. „ : eh, with the old 30D already at 400 are at the limit, you start to see a little grain... Try!
- “ It is much wiser to use 1 dot af and ai-servo „ : this in fact already I do (my macro photos are almost all taken with automatic MAF with only center point and possibly slightly recomposed)
Thanks a thousand for advice!! :-) Ciao Lauro, grazie mille per i consigli!
Mah, allora, provo a "risponderti":
- " La maf risulta incerta e con un diaframma aperto" : tu quanto avresti chiuso?
- " Iso bassi ... meglio alzarli anche a 400-500 per aumentare i margini di ripresa." : eh, con la vecchia 30D già a 400 sono al limite, si inizia a vedere un po' di grana...proverò!
- " E' molto più saggio usare 1 solo punto af e ai-servo" : questo in effetti già lo faccio (le mie foto macro sono quasi tutte scattate con MAF automatica col solo punto centrale ed eventualmente leggermente ricomposte)
Grazie mille per i consigli!!  |
| sent on November 11, 2019 (18:01) | This comment has been automatically translated (show/hide original)
Being the three-dimensional subject I would have dared f.11, raising the iso to 320-400 and underexposing accordingly by 2/3i stop.
To reduce noise but also have a slight room to shoot (voice shot time) consider buying a continuous led macro flash with power adjustments such as the eewer Neewer 48 Macro LED that you find for only 29 euros (in the kit you find 8 x adapter rings (49 mm, 52 mm, 55 mm, 58 mm, 62 mm, 67 mm, 72 mm, 77 mm); 4 x flash speakers (orange, blue, platoony white and transparent). Use the transparent speaker.
memo: with ai-servo move the point of maf where you want then compose before shooting ;-)
Hello, Lauro
Essendo il soggetto tridimensionale avrei osato f.11, alzando gli iso a 320-400 e sottoesponendo di conseguenza di 2/3i di stop.
Per ridurre il rumore ma anche avere un leggero margine di ripresa (voce tempo di scatto) valuta l'acquisto di un flash macro a led a luce continua con regolazioni di potenza come il eewer Neewer 48 Macro LED che trovi a soli 29 euro (nel kit trovi 8 x anelli adattatori (49 mm, 52 mm, 55 mm, 58 mm, 62 mm, 67 mm, 72 mm, 77 mm); 4 x diffusori flash (arancio, blu, bianco perlato e trasparente). Usa il diffusore trasparente .
memo: con ai-servo sposti il punto di maf dove vuoi tu quindi quindi componi prima dello scatto 
Ciao, Lauro
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| sent on November 12, 2019 (0:11) | This comment has been automatically translated (show/hide original)
Thanks for the advice, I will try to buy the ring flash and follow your directions! Grazie per i consigli, proverò ad acquistare il flash anulare e a seguire le tue indicazioni! |
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