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| sent on December 01, 2018 (9:27) | This comment has been automatically translated (show/hide original)
Gorgeous!!!! Hi, Shaun Stupenda!!!! Ciao, Shaun |
| sent on December 01, 2018 (9:49) | This comment has been automatically translated (show/hide original)
Thanks my dear... Grazie Carissimo... |
| sent on December 01, 2018 (21:34) | This comment has been automatically translated (show/hide original)
Nice whole series. I would like to know if possible:
1-what kind of light do you use.
2-if it is a Light painting.
3-If the background is natural or is added later.
Thanks and good job. Bella tutta la serie. Vorrei sapere se possibile:
1 - Che tipo si luce usi.
2 - Se è un Light painting .
3 - Se lo sfondo e' naturale o viene aggiunto dopo.
Grazie e buon lavoro. |
| sent on December 02, 2018 (0:17) | This comment has been automatically translated (show/hide original)
Thanks Carlo, is a light painting, I use a common torch, filtering the light with semi-transparent tights type fabric very close to the subject, the funds are not added are natural. It is a single shot with very long time impressing detail for detail. Grazie Carlo , è un light painting, uso una comune torcia , filtrando la luce con stoffa semitrasparente tipo collant molto vicino al soggetto , i fondi non sono aggiunti sono naturali . È un unico scatto con tempo molto lungo impressionando dettaglio per dettaglio. |
| sent on December 02, 2018 (13:10) | This comment has been automatically translated (show/hide original)
Thanks Paolomariam.
I would like to try it too but I am documenting before and am ' asking for advice on that.
I ask you again, if it is a single shot, how do you control the right amount of light, and how do you have the subjects all in focus even when they are at different distances?
Thank you and keep it up. Grazie Paolomariam.
Vorrei provare anche io ma mi sto documentando prima e sto' chiedendo consigli in merito.
Ti chiedo ancora, se e' uno scatto unico, come controlli la quantita' giusta di luce , e come fai ad avere i soggetti tutti a fuoco anche quando sono a distanze diverse?
Grazie e continua così. |
| sent on December 02, 2018 (14:18) | This comment has been automatically translated (show/hide original)
Bella, a light painting less cpmune and more compit than the usual black cloth, beautiful composition beautiful objects beautiful everything! Bella, un light painting meno cpmune e più compesso del solito telo nero , bella composizione belli gli oggetti bello tutto! |
| sent on December 02, 2018 (15:58) | This comment has been automatically translated (show/hide original)
Hello Charles.... for the control of light on the various elements I go to tests... I do a test shot I see the result and then decide in subsequent shots.... until I get to what satisfies me.... of average 4 or 5 prove...ma sometimes even at the first I have the result... However after a while ' you set yourself... the light colors less tempo...la torch always in motion rotating and try to give shape and three-Dimensionalita to the object... to make a shot I keep shutter open even 5... 10 min. I suggest you set in the machine "noise reduction for the long exposures"... for the fire I'm far enough away from the subject... precisely I keep target at 70 mm.. And I close diaphragm to 16... 18.... thanks is if you need ask as well... a greeting Paul.. Ciao Carlo....per il controllo della luce sui vari elementi vado a prove...faccio uno scatto di prova vedo il risultato e decido poi negli scatti successivi ....fino ad arrivare a quello che mi soddisfa....di media 4 o 5 prove...ma a volte anche al primo ho il risultato...comunque dopo un po' ti regoli da solo...i colori chiari meno tempo...la torcia sempre in movimento rotatorio e cerchi di dare forma e tridimensionalita all'oggetto ...per fare uno scatto tengo otturatore aperto anche 5... 10 min. Ti consiglio di impostare nella macchina "riduzione disturbo per le lunghe esposizioni " ...per il fuoco sto abbastanza lontano dal soggetto...precisamente tengo obbiettivo a 70 mm..e chiudo diaframma a 16...18....Grazie è se hai bisogno chiedi pure...un saluto Paolo.. |
| sent on December 02, 2018 (15:59) | This comment has been automatically translated (show/hide original)
Thanks Marco Grazie Marco |
| sent on December 02, 2018 (22:44) | This comment has been automatically translated (show/hide original)
Thanks Paolomariam for your advice I had forgotten another thing;
You work completely in the dark or in some way see the subjects to illuminate?
Hello Carlo Grazie Paolomariam per i tuoi consigli avevo dimenticato un' altra cosa;
Lavori completamente al buio o in qualche modo vedi i soggetti da illuminare?
Ciao Carlo |
| sent on December 02, 2018 (23:56) | This comment has been automatically translated (show/hide original)
Completely in the dark... Completamente al buio... |
| sent on December 03, 2018 (22:20) | This comment has been automatically translated (show/hide original)
Wonderful and thanks for the valuable tips I've read Meravigliosa e grazie dei preziosi suggerimenti che ho letto |
| sent on December 03, 2018 (23:10) | This comment has been automatically translated (show/hide original)
Thanks Giovanna...ci mancherebbe it is a pleasure.. Grazie Giovanna...ci mancherebbe è un piacere.. |
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