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| sent on July 30, 2016 (13:44) | This comment has been translated
Great in every respect! |
| sent on July 30, 2016 (13:50) | This comment has been translated
Beautiful! |
| sent on July 30, 2016 (16:36) | This comment has been automatically translated (show/hide original)
beautiful series of your cruise! ;-) compliments! A greeting Francis :-) bellissima serie delle tue crociere ! complimenti! un saluto francesco |
| sent on July 30, 2016 (17:15) | This comment has been automatically translated (show/hide original)
Thanks Gary, Valerio and Francesco, hello Siro. Grazie Gaetano, Valerio e Francesco, ciao Siro. |
| sent on August 01, 2016 (18:53) | This comment has been automatically translated (show/hide original)
What a beautiful, great shot Bravo Hi Mario Che bella, grande scatto Bravo Ciao Mario |
| sent on August 01, 2016 (19:31) | This comment has been automatically translated (show/hide original)
Thanks Mario, hello Siro. Grazie Mario, ciao Siro. |
| sent on May 15, 2017 (19:30) | This comment has been automatically translated (show/hide original)
Good stuff, colors, detail and blur. As the near and three-dimensional subject could close the diaphragm to increase the narrower pdc. ;-) (Imho) Hi, Lauro Buoni la compo, i colori, il dettaglio e lo sfocato. Essendo il soggetto vicino e tridimensionale si poteva chiudere di più il diaframma per aumentare la ristretta pdc . (imho) Ciao, Lauro |
| sent on May 15, 2017 (20:10) | This comment has been automatically translated (show/hide original)
The depth of field with certain optics is always a problem in this kind of photography where, given the small size of the subject, one seeks to be as close as possible to the subject itself. Just a few inches and go out of focus. As far as the open diaphragm is concerned, you do not have all the wrongs but not all the reasons, even though they are subjective. A fairly open diaphragm, teach me, gives you a nice blur in the background and in addition allows shorter times rather important in this kind of picture where the subjects are often moving and even often they hope to block a dynamic situation. Hi Siro. La profondità di campo con certe ottiche è sempre un problema specie in questo genere di fotografia dove, visto le piccole dimensioni dei soggetti, si cerca di proposito di essere il più vicini possibile al soggetto stesso. Bastano un paio di centimetri e vai fuori fuoco. Per quel che riguarda il diaframma aperto, non hai tutti i torti ma neanche tutte le ragioni, pur essendo soggettive. Un diaframma piuttosto aperto, mi insegni, regala uno sfuocato piacevole nello sfondo ed in più permette tempi più brevi piuttosto importanti in questo genere di foto dove spesso i soggetti sono in movimento ed anzi spesso ci si augura di bloccare una situazione dinamica. Ciao Siro. |
| sent on May 15, 2017 (20:23) | This comment has been automatically translated (show/hide original)
The choice is always personal but the PDC is palpable: here beacon-cheeky area. With a full frame sensor, 800-1000 iso are on the go, but they can offer a margin to handle a dynamic action action and / or close a pelina to include part of your hip or chest ;-) (Imho) Hi, Lauro La scelta è sempre personale ma la pdc è palpabile : qui area becco-guanciotta. Con un sensore full frame, 800-1000 iso sono alla portata e possono però offrire un margine per gestire un'azione con accenno dinamico e/o chiudere un pelino per includere parte del fianco o del petto (imho) Ciao, Lauro |
| sent on May 16, 2017 (6:58) | This comment has been automatically translated (show/hide original)
I did not say that is not the case, you have often set the parameters to achieve a goal and, in this kind of photo, you are struggling to reset them depending on the shot, also the speed with which you have to act. See, frames, shots! Hi Siro. Non ho detto che non sia così, semplicemente spesso hai settato i parametri per ottenere uno scopo e , in questo genere di foto, fai fatica a resettarli a seconda dello scatto vista anche la velocità con cui devi agire. Vedi, inquadri, scatti ! ciao Siro. |
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