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| sent on December 14, 2015 (17:03) | This comment has been automatically translated (show/hide original)
Very beautiful. Poetic, the film gives it an aura timeless. Molto bella. Poetica, la pellicola gli dona un'aurea senza tempo. |
| sent on December 14, 2015 (20:00) | This comment has been automatically translated (show/hide original)
graze thousand MattewX! graze mille MattewX! |
| sent on February 29, 2016 (10:56) | This comment has been automatically translated (show/hide original)
David BN all these are very beautiful and return a significant atmosphere.
Questions: When did you take? In addition to the canon you brought along the zenith, then you have developed negative and from there digital, why?
again congratulations Davide tutti questi BN sono molto belli e restituiscono un ambiente in modo significativo.
Domande: quando le hai scattate? Oltre alla canon ti sei portato appresso la zenit, poi hai sviluppato negativi e da lì digitale, perché?
Ancora complimenti |
| sent on March 21, 2016 (20:54) | This comment has been automatically translated (show/hide original)
hello beyond! first of all thank you!
The photos were taken about a year ago, it was Easter 2015.
I decided to take me along with lazenit 40d for two main reasons: the first is that I wanted to take advantage of the film ilford FP4, which I love as a rendered image, on a very special urban landscape with a machine that would allow me to capture istantane without giving in ' eye or intimidating subjects.
the second reason is the very inconspicuous in general. I have traveled many places not quite definable tourism, sometimes at unlikely times. take me behind the 40d would be too risky. TTL zenith buy it with 20 €!
the negatives that are results I get them scanned at high resolution and often mold them. however, then the negatives remain, you can make what you want.
obviously lose some with ptaste in digital, but not much. the thing that interests me and that is respected as much as possible tonal range, because this film is able to capture shades of black and white that the digital dreams because of the installation of this high latitude film. printed make it a little more (I say this because those in this series I printed all)
ciao beyond! innanzi tutto grazie!
le foto sono state scattate circa un'anno fa, era pasqua 2015.
Ho deciso di portarmi lazenit insieme alla 40d per 2 principali motivi: il primo è che volevo sfruttare la pellicola ilford FP4, che adoro come resa di immagine, su un paesaggio urbano molto particolare con una machina che mi permettesse di catturare istantane senza dare nell'occhio o mettere in soggezione i soggetti.
il secondo motivo è proprio il dare nell'occhio in generale. ho girato in molti posti non proprio definibili turistici, a orari improbabili a volte. portarmi dietro la 40d sarebbe stato troppo rischioso. la zenit TTL la compri con 20 euro!
i negativi che ne sono risultati li faccio scannerizzare ad alta risoluzione e spesso li stampo. comunque poi i negativi rimangono, puoi farne cosa vuoi.
ovviamente perdono un po col passaggio in digitale, ma non molto. la cosa che mi interessa e che sia rispettata il più possibile la gamma tonale, perchè questa pellicola è capace di catturare sfumature di nero e di bianco che il digitale si sogna a causa della latitudine di posa altissima di questa pellicola. stampate rendono un po di più (lo dico perchè quelle di questa serie le ho stampate tutte)
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| sent on March 28, 2016 (9:33) | This comment has been automatically translated (show/hide original)
Thanks David, I've put curiosity and maybe resurrected my response nikon and do some shooting!
good light Grazie Davide, mi hai messo curiosità e magari riesumo la mia riposta nikon e faccio qualche tiro!
Buona luce |
| sent on November 24, 2017 (19:24)
really nice, lovely softness... |
| sent on November 24, 2017 (22:11) | This comment has been automatically translated (show/hide original)
Thanks a lot for comments Patu! :-P Grazie mille peri i commenti Patu! |
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