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  1. Galleries
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  3. Macro and Flora
  4. » Libelloides longicornis

 
Libelloides longicornis...

Neurotteri

View gallery (34 photos)

Libelloides longicornis sent on June 27, 2024 (11:51) by Pangur Bán. 4 comments, 107 views. [retina]

, 1/125 f/4.5, ISO 400, tripod.

Giugno 2024. Focus bracketing manuale di 12 scatti.



View High Resolution 21.1 MP  

3 persons like it: Ambrogio60, Diodato Campagna, Ema49


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avatarsenior
sent on June 27, 2024 (18:21) | This comment has been automatically translated (show/hide original)

Excellent macro: razor-sharp, blurred with wow effect, delicate colors and, last but not least, elegant.
An irritating perfection :-P
Hello, Master

avatarsenior
sent on June 27, 2024 (19:46) | This comment has been automatically translated (show/hide original)

An irritating perfection :-P
:-D I have to say that I am satisfied with this photo. The blurred is not a unique and perfect crayon, but I was using the 100mm and not the 180. The important thing for me is that he was able to catch it with his wings open, but every now and then he closed it again. I wouldn't have had time for a slide stacking, nor was I satisfied with the single shot because I couldn't fit well perpendicular to it.
It is a more beautiful neuroptera than the ascalaphus and I can only find it on high meadows.
Hello, have a nice evening. ;-)

avatarsenior
sent on June 27, 2024 (20:34) | This comment has been automatically translated (show/hide original)

Blur is not a unique and perfect crayon

Fortunately. I find the 'single and uniform pastel' visually really boring, even in the presence of very colorful subjects. But anyway, the practice requires it :-/
And now that I've said that, I'm going to ease my hyperglycemia with a huge ice cream :-D
Good evening to you too :-)

avatarsenior
sent on June 28, 2024 (17:12) | This comment has been automatically translated (show/hide original)

My preferences vary from case to case. If it's the classic shot of the butterfly with closed wings, I look for the best possible blur, without prejudice to the more or less complete sharpness of the subject in the foreground.
I like an uneven blur when the patchwork of the background is made up of vivid colors, but it also depends on the type of textures (i.e. the type of mess) they create. Or when there are elements that are not there to bother but add something. For example:



the yellow flower in the background creates a kind of sun above the easel.




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