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| sent on September 14, 2020 (21:48) | This comment has been automatically translated (show/hide original)
Carlo, very nice picture. Good job!
Hello
Francesco Carlo, molto bella la foto. Bel lavoro!
Ciao
Francesco |
| sent on September 14, 2020 (21:52) | This comment has been automatically translated (show/hide original)
Carlo a great job, pleasant the bn that in my opinion enhances this beautiful... escape
Forte the fxd ;-) Carlo un ottimo lavoro, gradevole il bn che a mio parere valorizza questa splendida...fuga
Forte la fxd |
| sent on September 14, 2020 (21:58) | This comment has been automatically translated (show/hide original)
Beautiful composition and b/n. Mythical Yashica. Have a good evening Bellissima composizione e b/n. Mitica Yashica. Buona serata |
| sent on September 14, 2020 (23:01) | This comment has been automatically translated (show/hide original)
This Carlo is great too!
A question: but did the lady then manage to escape? :-)
Hello,
Carlo Ottima anche questa Carlo!
Una domanda: ma la signora è poi riuscita a scappare? 
Ciao,
Carlo |
| sent on September 14, 2020 (23:05) | This comment has been automatically translated (show/hide original)
And even this, it's in my opinion perfect :-o
Compliments!!!
Gaet. E anche questa, è a mio parere perfetta 
Complimenti!!!
Gaet. |
| sent on September 16, 2020 (21:07) | This comment has been automatically translated (show/hide original)
You Charles and I remember yours on this vivitar series 1 ;-) Si Carlo e mi ricordo il tuo su questo vivitar serie 1 |
| sent on September 16, 2020 (22:16) | This comment has been automatically translated (show/hide original)
Fabio, 8-) at the time he was the direct competitor of vario Sonnar 28-85 Contax Zeiss ;-)
Fabio,  all'epoca era il diretto concorrente del Vario Sonnar 28-85 Contax Zeiss
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| sent on September 17, 2020 (8:18) | This comment has been automatically translated (show/hide original)
Beautiful shooting and composition, great moment picked up, congratulations!
healthy
Bella ripresa e composizione, ottimo il momento colto, complimenti!
ciao Claudio
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| sent on September 17, 2020 (8:20) | This comment has been automatically translated (show/hide original)
this series 1 vivitar is very interesting ;-) questa serie 1 vivitar è molto interessante |
| sent on September 17, 2020 (8:44) | This comment has been automatically translated (show/hide original)
Claudio, thank you, especially for your welcome presence 8-)
Hello, Carlo Claudio, grazie, specialmente per la tua graditissima presenza
Ciao, Carlo |
| sent on September 17, 2020 (8:55) | This comment has been automatically translated (show/hide original)
Fabio, yes. I had the torque: 28-90 f. 2.8-3.5 and the 70-210 f. 2.8-4.0. Really interesting optics, a hair below which slow counterparts Contax-Zeiss. I used them for years on the Yashica FXD Quartz before landing in Contax. I had also taken the Vivitar Series1 28-105 f. 2.8-3.8 but it was not up to the previous model while the 70-210 f. 3.5 fixed was slightly better than 2.8-4.0 at T.A.
Tho, after buying the Contax 139 Quartz, I progressively switched to Vario Sonnar 28-85 f.3.4, 80-200 f.4.0 and 35-70 f. 3.3, all extraordinary... all... extraordinary... all... extraordinary... not to mention the fixtures: Planar 50mm f. 1.4, Distagon 25mm f.2.8 and Distagon 18mm f. 4 (all Germany). The only Yashica piece I had kept in the kit was the 55mm. ML f2.8 Macro which was amazing indeed.
Hello, Carlo Fabio, si. Avevo la coppia: 28-90 f. 2,8-3,5 e il 70-210 f. 2,8-4,0. Ottiche davvero interessanti, un pelino al di sotto delle quasi omologhe lenti Contax-Zeiss. Le ho usate per anni sulle Yashica FXD Quartz prima di approdare a Contax. Avevo preso anche il Vivitar Serie1 28-105 f. 2,8-3,8 ma non era all'altezza del modello precedente mentre il 70-210 f. 3,5 fisso era leggermente migliore del 2,8-4,0 a T.A. anche se riscaldava leggermente i colori.
Poi, dopo aver acquistato la Contax 139 Quartz, sono passato progressivamente ai Vario Sonnar 28-85 f.3,4, 80-200 f.4,0 e 35-70 f. 3,3, tutti straordinari... per non parlare poi dei fissi: Planar 50mm f. 1,4, Distagon 25mm f.2,8 e Distagon 18mm f. 4 (tutti Germany). L'unico pezzo Yashica che avevo mantenuto in corredo è stato il 55mm. ML f2,8 Macro che era straordinario davvero. L'unico pezzo Contax Zeiss che non mi ha soddisfatto del tutto è stato il Vario Sonnar 28-70 MM f.3.5-4.5, in kit con la Contax Aria (stupenda!!!) tant'è che l'ho dato via quasi subito sebbene fosse relativamente leggero e poco ingombrante.
Ciao, Carlo |
| sent on September 17, 2020 (10:39) | This comment has been automatically translated (show/hide original)
And Carlo thinks that the 28 70 digitally does well especially at short distances, even if the older brothers are better. Having to choose between 28 85 and 35 70 which would you recommend me? Excluding the almost untraceable 35 135 :-o
P.S. apologizes for late-summer chatter :-D E Carlo pensa che il 28 70 in digitale se la cava bene soprattutto alle brevi distanze, anche se i fratelli più grandi sono migliori. Dovendo scegliere tra 28 85 e 35 70 quale mi consiglieresti? Escludendo il quasi introvabile 35 135
P.s. scusa le chiacchiere di fine estate |
| sent on September 17, 2020 (12:00) | This comment has been automatically translated (show/hide original)
Fabio, nice talk of late summer, and not only those :-)
The 35-70 is quite light but is less extensive. The 28-85 is fantastic, but quite heavy and bulky. If you don't need a large focal trip, I would opt for the 35-70 great for ML; if you want to use them on a FF reflex then I would choose the 28-85.
The 28-70 (MM) was good between 28 and 35, then, frankly, it wasn't up to 35-70 and 28-85 on the focals over 35mm. and then it was darker than almost a diaphragm... so I sold it almost immediately with no regrets.
The mythical 35-135 was nowhere to be found (at a reasonable price) even then :-D
Hello, Carlo
Fabio, belle le chiacchiere di fine estate, e non solo quelle
Il 35-70 è abbastanza leggero ma è meno esteso. Il 28-85 è fantastico, ma abbastanza pesante ed ingombrante. Se non ti occorre un'ampia escursione focale, io opterei per il 35-70 ottimo per ML; se vuoi usarli su una reflex FF allora io sceglierei il 28-85.
Il 28-70 (MM) era buono tra 28 e 35, poi, francamente non era all'altezza del 35-70 e del 28-85 sulle focali oltre 35mm. e poi era più buio di quasi un diaframma... perciò l'ho rivenduto quasi subito senza rimpianti.
Il mitico 35-135 era introvabile (a un prezzo ragionevole) già allora
Ciao, Carlo
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| sent on September 17, 2020 (15:18) | This comment has been automatically translated (show/hide original)
Carlo, I renew the compliments, different kind of the previous but equally beautiful.
a greeting.
Paolo Carlo, ti rinnovo i complimenti, genere diverso dalla precedente ma ugualmente bella.
Un saluto.
Paolo |
| sent on September 17, 2020 (16:24) | This comment has been automatically translated (show/hide original)
Paul thank you. Especially for your very welcome presence as well as appreciation ;-)
Hello, Carlo Paolo grazie. Specialmente per la tua graditissima presenza oltre che per l'apprezzamento
Ciao, Carlo |
| sent on September 17, 2020 (19:54) | This comment has been automatically translated (show/hide original)
I return to comment on the previous loss shot for the server issue
Amene composition and prospective leak as well as light management in the original shot.
Congratulations on the recovery from dia.
A greeting
Andrea Torno a commentare lo scatto causa perdita precedente per il problema al server
Ottima composizione e fuga prospettica così come gestione della luce nello scatto originale.
Usuali complimenti per il recupero da dia.
Un saluto
Andrea |
| sent on September 17, 2020 (20:24) | This comment has been automatically translated (show/hide original)
Alternating lights and shadows beautiful shot.
Gians :-) Luci e ombre alternate bellissimo scatto.
Gianni |
| sent on September 17, 2020 (20:56) | This comment has been automatically translated (show/hide original)
Geometrically perfect, nice even the wist..congratulations. ;-) Geometricamente perfetta, bello anche il viraggio..complimenti.. |
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