JuzaPhoto uses technical cookies and third-part cookies to provide the service and to make possible login, choice of background color and other settings (click here for more info).
By continuing to browse the site you confirm that you have read your options regarding cookies and that you have read and accepted the Terms of service and Privacy.
You can change in every moment your cookies preferences from the page Cookie Preferences, that can be reached from every page of the website with the link that you find at the bottom of the page; you can also set your preferences directly here
Do you have questions or curiosities about this image? Do you want to ask something to the author, give him suggestions for improvement, or congratulate for a photo that you really like?
There is more: by registering you can create your personal page, publish photos, receive comments and you can use all the features of JuzaPhoto. With more than 253000 members, there is space for everyone, from the beginner to the professional.
sent on August 26, 2020 (20:47) | This comment has been automatically translated (show/hide original)
Good colors and detail. It was preferable to backtrack to reduce the strong drooping lines and to give breathing space to the location. Syy you feel the need for a super-enlargement 10-18/20mm you could one day think of a multipurpose optics as a 17-70mm sigma os macro or 15-85mm canon is ... 1 or 3 mm more in the lower part can make a difference by avoiding changes of optics and sensor dirt as on this occasion ;-) (imho) Hello, Lauro Buoni i colori e il dettaglio. Era preferibile arretrare per ridurre le forti linee cadenti e per dare respiro alla location. Se non si sente la necessità di un supergrandangolare 10-18/20mm si potrebbe un domani pensare ad un'ottica multiuso come un 17-70mm sigma os macro o 15-85mm canon is ... 1 o 3 mm in più nella parte bassa possono fare la differenza evitando cambi d'ottica e sporcature del sensore come in questa occasione (imho) Ciao, Lauro
sent on August 27, 2020 (9:34) | This comment has been automatically translated (show/hide original)
Hello Lauro, thank you very much for the advice that are always welcome! It must also be said that in that circumstance I was still little "navigated" and I corrected almost nothing in PP, for the targets instead currently I also have a 24 mm that could have come in really very useful in that context... thank you so much for the compliments! ;-) Ciao Lauro, grazie mille per i consigli che sono sempre ben accetti! Va detto anche che in quella circostanza ero ancora poco "navigato" e ho corretto quasi nulla in PP, per gli obiettivi invece attualmente ho anche un 24 mm che sarebbe potuto tornare davvero molto utile in quel contesto...grazie mille per i complimenti!
sent on August 27, 2020 (11:08) | This comment has been automatically translated (show/hide original)
Ni, you shot at 18mm and you were tight, imagining yourself with a 24mm. 8-) With a 24mm you can make street or natural landscapes (very difficult urban). .. that's why I usually recommend a multifaceted zoom and different from the classic optical kit with a few mm gnawed in the lower part and taking into account that in some environments less optical changes we have better is (dust) Last note: difphering.... if we close in an exaggerated way it presents itself, it re-asserts the poor detail. f.8 classic value , f.9-f13 are the maximum values for this optics ;-) Always (imho) Lauro Ni, hai scattato a 18mm ed eri stretto, immaginati con un 24mm. Con un 24mm puoi fare street o paesaggi naturali (urbani difficilissimo). .. ecco perchè di solito consiglio uno zoom poliedrico e diverso dalla classica ottica da kit con qualche mm rosicchiato nella parte bassa e tenendo conto che in certi ambienti meno cambi ottiche abbiamo meglio è (polvere) Ultima nota: diffrazione.... se chiudiamo in maniera esagerata si presenta, riosserva lo scarso dettaglio. f.8 valore classico , f.9-f13 sono invece i valori massimi per questa ottica sempre (imho) Lauro