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| sent on September 25, 2019 (20:50) | This comment has been automatically translated (show/hide original)
Good colors and shooting point. To correct the drooping lines. Location?
Hello, Lauro Buoni i colori e il punto di ripresa. Da correggere le linee cadenti. Località?
Ciao, Lauro |
| sent on September 25, 2019 (20:57) | This comment has been automatically translated (show/hide original)
Great pdr, nice shot. Hello David. Ottimo pdr, bello scatto. Ciao Davide. |
| sent on September 25, 2019 (21:24) | This comment has been automatically translated (show/hide original)
Beautiful ;-) Hello Corrado Bellissima  Ciao Corrado |
| sent on September 25, 2019 (21:38) | This comment has been automatically translated (show/hide original)
Good shot, congratulations. Ottima ripresa, complimenti. |
| sent on September 26, 2019 (15:22) | This comment has been automatically translated (show/hide original)
thank you for all for the compliments!
for falling lines, I'm very reluctant to edit my photos too much, so I preferred to leave it "original".
The place is Craco and is located in Basilicata. grazie per a tutti per i complimenti!
per quando riguarda le linee cadenti, sono molto restio a modificare troppo le mie foto, quindi ho preferito lasciarla "originale".
il luogo é Craco e si trova in Basilicata. |
| sent on September 26, 2019 (20:48) | This comment has been automatically translated (show/hide original)
I understand Leclerc but keep in mind that in architectural photography, however, the vision considered faithful to reality is the perfectly orthogonal one, which preserves the actual parallelism of vertical lines.
Their distortion/tilt accentuated through a photo shoot is unrealistic to the practical side.
Different instead the discourse to exploit this perspective effort to increase the dynamic feeling in certain creative shots (imho) . ;-)
Hello, lauro
Comprendo Leclerc ma tieni presente che nella fotografia architettonica, però, la visione considerata fedele alla realtà è quella perfettamente ortogonale, che preserva l'effettivo parallelismo delle linee verticali.
La loro distorsione/inclinazione accentuata attraverso uno scatto fotografico risulta al lato pratico poco realistica.
Diverso invece il discorso di sfruttare questa sforzatura prospettica per aumentare la sensazione dinamica in certi scatti creativi (imho) .
Ciao, lauro
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| sent on September 27, 2019 (1:15) | This comment has been automatically translated (show/hide original)
Thank you for the advice and explanation, I will treasure it! Ti ringrazio per il consiglio e la spiegazione, ne faró tesoro! |
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