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| sent on January 31, 2019 (12:05) | This comment has been automatically translated (show/hide original)
Beautiful document well illustrated and well-told.
Hello.
Mauro. Bel documento ben illustrato e ben raccontato.
Ciao.
Mauro. |
| sent on January 31, 2019 (13:53) | This comment has been automatically translated (show/hide original)
Definitely an unforgettable moment supported by a beautiful image.
Congratulations
Francis Sicuramente un momento indimenticabile supportato da una bella immagine.
Complimenti
Francesco |
user146621 | sent on January 31, 2019 (16:07) | This comment has been automatically translated (show/hide original)
Great reportage your memy
Fabio Grandi reportage i tuoi Memy
Fabio |
| sent on January 31, 2019 (16:37) | This comment has been automatically translated (show/hide original)
Excellent reportage, inspiration and research of the detail.. Good job. ottimo reportage, estro e ricerca del dettaglio.. ottimo lavoro. |
| sent on January 31, 2019 (19:43)
Perfect b/w frame. |
| sent on February 01, 2019 (10:59) | This comment has been automatically translated (show/hide original)
Narrow framing that lends itself well to context.
on these people along the Omo River, whose destiny has become to be a tourist reminder and to become models for the visitors ' photos, I have had an idea since I visited the Ethiopian plateau and neighboring Eritrea.
A very picturesque world thanks to the wonderful photos proposed by you too, I do not know how now authentically spontaneous or induced 8-) inquadratura stretta che ben si presta al contesto.
Su queste genti lungo il fiume Omo, il cui destino è divenuto di fare da richiamo turistico e diventare modelli per le foto dei visitatori, mi sono fatto un'idea fin da quando visitai l'altopiano etiope e la confinante Eritrea.
Un mondo molto pittoresco grazie anche alle splendide foto proposte anche da te, non saprei quanto ormai autenticamente spontaneo o indotto  |
| sent on February 01, 2019 (21:56) | This comment has been automatically translated (show/hide original)
Memy, the photo is nice and interesting. I make a critical comment, not at all negative, aimed at providing a cue for reflection. To a trained eye, what jumps immediately in evidence in this picture is that it is composed of two parts, the foreground subject and the people in the background. These two parts differ in sharpness, and also, and perhaps above all, because of their tonal mapping. It is an interesting trick to give prominence to the prevailing subject. We photographers normally are accustomed to using the drone out and the blur to get effects of the prominence of certain parts of the image. Here the solution is different and is created in post-production. Someone who feels strongly attached to a certain photographic orthodoxy might find this effect unconvincing, perhaps a matter of habit.
soon, bye, Mark. Memy, la foto e' bella e interessante. Faccio un commento critico, niente affatto negativo, volto a fornire uno spunto di riflessione. Ad un occhio allenato, cio' che salta immediatamente in evidenza in questa immagine e' che essa sia composta da due parti, il soggetto in primo piano e le persone sullo sfondo. Queste due parti si differenziano per nitidezza, ed anche, e forse soprattutto, in ragione della loro mappatura tonale. E' un interessante escamotage per dare rilievo al soggetto prevalente. Noi fotografi normalmente siamo abituati a usare il fuori fuco e il mosso per ottenere effetti di risalto di certe parti dell'immagine. Qui la soluzione e' diversa ed e' creata in postproduzione. Qualcuno che si sentisse fortemente legato ad una certa ortodossia fotografica potrebbe trovare questo effetto non convincente, forse questione di abitudine.
A presto, ciao, Marco. |
| sent on February 02, 2019 (8:11) | This comment has been automatically translated (show/hide original)
Great moment read, congratulations!
Hello,
Gigi Grande momento colto, Complimenti!
Ciao,
Gigi |
| sent on February 02, 2019 (21:23) | This comment has been automatically translated (show/hide original)
Hello Memy,
for "sharpness" I did not mean blurring increase for distant elements, I meant increase in engraving (clarity) in the near one, then, more noticeable, is the tonal mapping. I do not think that these differences can be created by a goal, but that matter, they jump to the eye and in one way or another it is good to take this into account.
soon, bye, Mark. ciao Memy,
per "nitidezza" non intendevo incremento di sfocatura per gli elementi lontani, intendevo incremento di incisione (clarity) in quello vicino, poi, piu' evidente, e' la mappatura tonale. Io non credo che queste differenze possano essere create da un obiettivo, ma che importa, saltano all'occhio e in un modo o nell'altro e' bene tenerne conto.
A presto, ciao, Marco. |
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