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| sent on December 16, 2018 (19:49) | This comment has been automatically translated (show/hide original)
Come on, you're on the good road!
Ale Dai, sei sulla strada buona!
Ale |
| sent on December 16, 2018 (21:05) | This comment has been automatically translated (show/hide original)
Thanks Ale I'm glad, I want to try to improve myself, however I really like, ;-) Good evening
Grazie Ale sono contento ,voglio cercare di migliorarmi ,comunque mi piace molto, buona serata
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| sent on December 28, 2018 (21:33) | This comment has been automatically translated (show/hide original)
I agree with Ingmaggiore that you are on track. I like in fact the technical parameters that you have chosen, which usually guarantee good sharpness and a good depth of field. I only allow a couple of suggestions on the basis of my taste:
1-Since in this photo you have chosen the black bottom, keep the model farther from the bottom, so the fall of power of light will leave the bottom more homogenously black and do not notice the folds (or S I will notice much less)
2-The model is well lit but evenly and perpendicularly to his face; try to play even with the shadows, changing the angle of illumination, the image will acquire in drama and emotional charge.
Ad Majora always Giampy! And sorry for the intromission :-)
Vittorio
Concordo con Ingmaggiore che sei sulla buona strada. Mi piacciono infatti i parametri tecnici che hai scelto, che solitamente garantiscono una buona nitidezza e una buona profondità di campo. Mi permetto solo un paio di suggerimenti sulla base dei miei gusti:
1 - visto che in questa foto hai scelto il fondale nero, tieni la modella più lontana dal fondale, così la caduta di potenza della luce lascerà il fondo più omogeneamente nero e non si noteranno le pieghe (o si noteranno molto meno)
2 - la modella è ben illuminata ma in modo uniforme e perpendicolarmente al suo volto; prova a giocare anche con le ombre, cambiando l'angolo di illuminazione, l'immagine ne acquisterà in drammaticità e carica emotiva.
Ad majora semper Giampy! E scusa per l'intromissione 
Vittorio
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