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| sent on February 17, 2016 (19:59) | This comment has been automatically translated (show/hide original)
Interesting, to say the truth which has tried, he missed the last flicker !!!!
Hello
Fabrizio Interessante, a dir la verità c'ha provato, gli è mancato l'ultimo guizzo!!!!
Ciao
Fabrizio |
| sent on February 17, 2016 (21:43) | This comment has been automatically translated (show/hide original)
The heart, in fact, his head over the last hurdle! :-D Il cuore, anzi, la testa oltre l'ultimo ostacolo !  |
| sent on February 18, 2016 (15:30) | This comment has been automatically translated (show/hide original)
Congratulations Andrea
After carefully reading your I really like! They are beautiful, interesting and think
Federico hello :-) Complimenti Andrea
Dopo una attenta visione le tue mi piacciono molto! sono belle, interessanti e pensate
Federico ciao  |
| sent on February 18, 2016 (15:46) | This comment has been automatically translated (show/hide original)
Oh. It makes me a great pleasure this series of complimentoni, obvious, and those of you makes me even embarrassed. But it galvanizes !! :-) Oh. Mi fa un gran piacere questa serie di complimentoni, ovvio, e detti da te mi mette pure in imbarazzo. Ma mi galvanizza !! |
| sent on March 11, 2016 (21:23) | This comment has been automatically translated (show/hide original)
I like it! Mi piace! |
| sent on March 11, 2016 (21:35) | This comment has been automatically translated (show/hide original)
I appreciate, of course, but help me: you like it ?? Apprezzo, certamente, ma aiutami : ti piace perché ?? |
| sent on March 11, 2016 (23:00) | This comment has been automatically translated (show/hide original)
The shadows probably as human presence, the track that recalls the grain, probably damp so translucent, the contrast with the manhole metal, the texture of the shadows of the branches from tree-lined avenue, the top cut without the horizon which contextualizes the scene and fills (otherwise trivial, for me). Leave room for thought, what I call "conceptual." Le ombre probabilmente umane come presenza, l'asfalto che richiama la grana, probabilmente umido quindi traslucido, il contrasto col metallo del tombino, la trama delle ombre dei rami da viale alberato, il taglio superiore senza l'orizzonte che contestualizza la scena e la riempie (altrimenti banale, per me). Lascia spazio al pensiero, ciò che io definisco "concettuale". |
| sent on March 11, 2016 (23:08) | This comment has been automatically translated (show/hide original)
I agree with what he writes Matt, photos that goes "studied" a bit.
Shame about the "burning" of the whites of the manhole.
Ben view though.
Hello, Condivido quanto scrive Matt, foto che va "studiata" un pochino.
Peccato solo per la "bruciatura" dei bianchi del tombino.
Ben vista però.
Ciao, |
user55929 | sent on March 11, 2016 (23:25) | This comment has been automatically translated (show/hide original)
Fottatin 'data that matters here is not even the technique as the very beautiful composition Fottatin' dei dati quel che conta qui non è neanche la tecnica quanto la composizione molto bella |
| sent on March 12, 2016 (15:33) | This comment has been automatically translated (show/hide original)
To you, friends, thank you. A Voi, amici, grazie. |
| sent on October 25, 2016 (23:01) | This comment has been automatically translated (show/hide original)
Nice picture
Hello
Peter Ottimo scatto
Ciao
Pietro |
| sent on October 25, 2016 (23:37) | This comment has been automatically translated (show/hide original)
Thanks Peter and see you soon! Grazie Pietro ed a presto ! |
| sent on April 24, 2017 (14:34)
Well seen!
Ann :)) |
| sent on April 24, 2017 (14:36) | This comment has been automatically translated (show/hide original)
Thank you!
... better; THANKS. ;-) Grazie!
... better; THANKS.  |
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