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| sent on February 10, 2024 (20:50) | This comment has been automatically translated (show/hide original)
No, come on (seriously): the
human fuigura that stands out in the metropolitan darkness on top of a bridge (an architectural structure connecting nothing and everything, in a context as complex as the metropolitan one) captivates for its neatness (urban( and the truthfulness of its message is boundless solitary alienation.
Furthermore (like the button on the mailbox), the complementarity of the colors of the flashes (yellow/orange and light blue/blue) gives the frame a delicious effect that is satisfying to the eye and reassuring to the spirit,
in this world made of renunciations and torpor, of wickedness ingested by force between a moral slap and another, between the strength of wanting to be there at all costs and the temptation to give up everything to send the world and His own life in Vattela'acchisene, he doesn't give a damn.
Yours sincerely, condolences, etc... the usual stuff. No, dai (serio):
la figura umana che si staglia nell'oscurità metropolitana serale, sopra ad un ponte (struttura architettonica di collegamento tra il nulla ed il tutto, in un contesto così complesso come quello metropolitanEo) avvince per la sua nettezza (urbana) e per la veridicità commovente del suo messaggio, che esprime una sconfinata alienazione solitaria, vissuta in un contesto difficoltoso e molteplice come quello di una grande cittadina (una specie di ossimoro).
Inoltre (tipo il pulsante sulla casella di posta), la complementarità delle tinte dei bagliori (giallo/arancio e azzurro/blu) conferisce al frame un delizioso effetto appagante alla vista e rassicurante per lo spirito,
in questo mondo fatto di rinunce e di torpori, di nefandezze ingerite a forza tra uno schiaffo morale ed un altro, tra la forza di volerci essere a tutti i costi e la tentazione di mollare tutto e mandare il mondo e la proria vita a vattela'acchisenefreganulla.
Distinti saluti, coRdoglianze, ecc... le solite robe insomma. |
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