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| sent on October 15, 2014 (21:40) | This comment has been automatically translated (show/hide original)
Great shot Mario ... congratulations.
A greeting Ottimo scatto Mario...complimenti.
Un saluto |
| sent on October 15, 2014 (21:55) | This comment has been automatically translated (show/hide original)
Boys but how beautiful it is?
Congratulations Mario! Ragazzi ma quanto bella è?
Complimenti Mario! |
| sent on October 15, 2014 (22:33) | This comment has been automatically translated (show/hide original)
Thanks again to everyone! :-P
Hello, Mario Ancora tante grazie a tutti! 
Ciao, Mario |
| sent on October 15, 2014 (23:12) | This comment has been automatically translated (show/hide original)
Beautiful night shot with 2000 ISO and well worn !!
I agree with the idea of ??mitigating the cyan in a selective manner.
Congratulations!
Hello:-)
Ilario Bellissima inquadratura e notturno con 2000 ISO ben portati!!
Condivido l'idea di attenuare il cyan in maniera selettiva.
Complimenti!
Ciao 
Ilario |
| sent on October 15, 2014 (23:25) | This comment has been automatically translated (show/hide original)
Favolosa, a totally different view of the three peaks. Favolosa, una visione totalmente differente delle tre cime. |
| sent on October 15, 2014 (23:29) | This comment has been automatically translated (show/hide original)
Too beautiful!
Hello Troppo bella!
Ciao |
| sent on October 16, 2014 (2:15) | This comment has been automatically translated (show/hide original)
Hello Mario, very beautiful image and atmosphere and everything in the right place apart from the dominant cyan made note that then also being present on the scree slopes of the 3 peaks is not consistent with the tone of the peaks themselves ... so I have to advise you of to revise the post ... well then I do not understand where does all that brightness and cleanliness of the peaks and in any case even if due to double exposure I find excessive and inconsistent with the brightness of the sky ...
Ciao Mario , immagine molto bella e d'atmosfera e tutto al posto giusto a parte la dominante ciano fatta notare che poi essendo presente pure sui ghiaioni delle 3 cime non trova coerenza con la tonalità delle cime stesse ... quindi mi viene da consigliarti di rivedere per bene la post ... poi non capisco da dove deriva tutta quella luminosità e pulizia sulle cime e che comunque anche se dovuta alla doppia esposizione trovo eccessiva e non coerente con la luminosità del cielo ...
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| sent on October 16, 2014 (2:49) | This comment has been automatically translated (show/hide original)
Fantastic, even in the sense that, while portraying the reality speaks to the imagination. I think that all the effects, even a little '"loaded", are contraddistinguano and took a picture that almost becomes a landscape that most known in an alien world. According to me, introduce correctives to "normalize" (de gustibus:-D). I take it, for the way you played and I like it very much! Congratulations, Francesca-):-) Fantastica, anche proprio nel senso che, pur ritraendo la realtà, parla alla fantasia. Penso che tutti gli effetti, anche quelli un po' "caricati", siano voluti e contraddistinguano una foto che quasi trasforma un paesaggio più che noto in un mondo alieno. Secondo me, introdurvi dei correttivi la "normalizzerebbe" (de gustibus  ). Io la prendo così, per come l'hai interpretata e mi piace molto! Complimenti, Francesca |
| sent on October 16, 2014 (7:18) | This comment has been automatically translated (show/hide original)
Beautiful tops, and the reflection makes me crazy ... I could not choose between the reality and the "fairy tale" that is below ... !! :-D Bella bella ...
Hello Paul Bellissime le cime, e il riflesso mi fa impazzire... Non saprei scegliere tra la realtà, e la "fiaba" che sta sotto...!! Bella bella...
Ciao Paolo |
| sent on October 16, 2014 (7:35) | This comment has been automatically translated (show/hide original)
Cabbages Mario !!!! Vertente beautiful, magical interpretation!
Compliments!
A greeting
MN Cavoli Mario!!!! Vertente bellissima, un'interpretazione magica!
Complimentoni!
Un saluto
MN |
| sent on October 16, 2014 (7:43) | This comment has been automatically translated (show/hide original)
Mario ....... one of the most beautiful photos taken at the three peaks.
Truly spectacular.
Composition, reflection are super, as a PP masterful.
Bravissimo.
Hello Marco Mario,.......una delle più belle foto fatte alle tre cime.
Veramente spettacolare.
Composizione, riflesso sono super, altrettanto una PP magistrale.
Bravissimo.
Ciao Marco |
| sent on October 16, 2014 (8:23) | This comment has been automatically translated (show/hide original)
Hello Mario !!!
Really a great shot !!!
Congratulations !!!! Ciao Mario !!!
Davvero un grande scatto !!!
Complimenti !!!! |
| sent on October 16, 2014 (8:54) | This comment has been automatically translated (show/hide original)
if the lake was not finished I would tell you that a step back perhaps gave him a coat of breath at the end of the reflection. it's still a great photo
Hello se il lago non era finito ti direi che un passo indietro forse dava un pelo di respiro alla fine del riflesso. è comunque una foto ottima
ciao |
| sent on October 16, 2014 (9:21) | This comment has been automatically translated (show/hide original)
Many thanks to all for the comments! ;-)
The photo is the result of a double exposure done just before sunset astronomical (at the blue end of the hour), when there was still a minimum of light, with long lead times and low ISO to extract more detail from the Three Peaks and soil The other ten minutes later, just started the night astronomical, for the sky and the reflection. The three peaks are located much higher than the plateau below and the walls are therefore more enlightened than the lower part.
Gianmarco, I assure you that the composition was obliged, he took to a focal length of 14 mm and pulling back I did not have a reflection, also wanted to give more space to the sky.
With regard to the alleged inconsistency of brightness compared to realitycarry a sentence of Alister Benn from his book on the photo and spelling Night "Seeing the Unseen"
"I believe Landscape Photography is an expressive medium and Should our images, first and foremost, communicate something of how it was to be there. We are not bound by the literal or firm boundaries of reality are as photojournalists, we are bound by our own self-regulating code. comes along Until the room to capture the dynamic ranges of naturally occurring scenes as our eyes see them we will have to compromise, either by not accurately recording the real scene, Extending the dynamic range of our cameras capture in processing, controlling the exposure During capture techniques or making multiple exposures to harvest the Available Light and blend them ourselves to express the landscape as we
saw it and felt it. "
What is the reality? that the camera's sensor that & egravand; imperfect half with a dynamic range greatly inferior to that of the human eye or the one we have seen and we want to bring in the image?
Thanks again to all;-)
Hello, Mario Tante grazie a tutti per i commenti! 
La foto è il frutto di una doppia esposizione una effettuata appena prima del tramonto astronomico (alla fine dell'ora blu), quando c'era ancora un minimo di luce, con tempi lunghi e bassi ISO per estrarre maggiore dettaglio da Tre Cime e terreno, l'altra dieci minuti dopo, appena iniziata la notte astronomica, per il cielo e parte del riflesso. Le Tre Cime si trovano in posizione molto più elevata rispetto all'altopiano sottostante e le pareti sono quindi più illuminate rispetto alla parte più bassa.
Gianmarco, ti assicuro che la composizione era obbligata, ha scattato ad una focale di 14 mm ed arretrando non avevo più il riflesso, inoltre volevo dare più spazio al cielo.
Riguardo alla presunta incoerenza di luminosità rispetto alla realtà riporto una frase di Alister Benn dal suo libro sulla foto grafia notturna "Seeing the Unseen":
"I believe Landscape Photography is an expressive medium and our images should, first and foremost, communicate something of how it was to be there. We are not bound by the literal or firm boundaries of reality as photojournalists are, we are bound by our own self-regulating code. Until the camera comes along to capture the dynamic ranges of naturally occurring scenes as our eyes see them we will have to compromise, by either not recording the real scene accurately, extending the dynamic range of our cameras capture in processing, controlling the exposure during capture techniques or making multiple exposures to harvest the Available Light and blend them ourselves to express the landscape as we
saw it and felt it."
Qual'è la realtà? quello del sensore della fotocamera che è un mezzo imperfetto con un gamma dinamica enormemente inferiore a quella dell'occhio umano o quella che abbiamo percepito e vogliamo riportare in immagine?
Ancora grazie a tutti
Ciao, Mario |
| sent on October 16, 2014 (10:07) | This comment has been automatically translated (show/hide original)
Very nice
Congratulations !!!! Molto bella
Complimenti !!!! |
| sent on October 16, 2014 (11:34) | This comment has been automatically translated (show/hide original)
Seeing this photo all the adjectives become commonplace. Bravo compliments. Vedendo questa foto tutti gli aggettivi diventano banali. Bravo complimenti. |
| sent on October 16, 2014 (12:11) | This comment has been automatically translated (show/hide original)
Beautiful !!! Greetings Silvia Bellissima!!! Un saluto Silvia |
| sent on October 16, 2014 (12:47) | This comment has been automatically translated (show/hide original)
Many thanks to Mario Barbieri, Sergio and Silvia Darsie! :-P
Hello, Mario Tante grazie a Mario Barbieri, Sergio Darsie e Silvia!
Ciao, Mario |
| sent on October 16, 2014 (13:06) | This comment has been automatically translated (show/hide original)
" fabulous ";-) " fiabesca " |
| sent on October 16, 2014 (13:08) | This comment has been automatically translated (show/hide original)
Congratulations .. Very nice ..:-) Complimenti.. Molto bella.. |
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