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Zeiss ZE/ZF.2 Distagon T* 35mm f/1.4 : Specifications and Opinions


Zeiss ZE/ZF.2 Distagon T* 35mm f/1.4

The Zeiss ZE/ZF.2 Distagon T* 35mm f/1.4 is a wide-angle lens for FF and APS-C, manufactured from 2010 to 2017 (discontinued). The focus is done by Manual Focus, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1627 €;
16 users have given it an average vote of 9.3 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   35 mm
 Angle of view   63.5°
 Format   FF, APS-C
 Max. aperture   f/1.4
 Aperture blades   9
 Lenses/Groups   11 elements in 9 groups
 Min. focus distance   0.30 meters
 Reproduction ratio   0.20x

 Features
 Stabilization   No
 Focus   Manual Focus
 Internal Focus   No

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   72 mm
 Lens hood   Yes, supplied
 Weather sealing   No
 Weight   830 g
 Dimensions   78 x 120 mm

 Buy

Zeiss ZE/ZF.2 Distagon T* 35mm f/1.4, buy on Ebay Ebay

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Reviews



What do you think about this lens?


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avatarjunior
sent on September 27, 2020

Pros: Value when bought used. Bulid quality.

Cons: It's definintely not a point and shoot lense!

Opinion: The lense is not an easy to use. One have to figure out the right application. The background blur is visible from 0,30 to 1,50m. After 1,50m the out of fokus areas are sharp, too. It's possible to reduce the mininum focus distance with the Nikon Auto Extension Tube PK-11. Other Auto Extension Tubes do not work for me, when I'm using my Sony A7II. The lense shows purple fringing in some contrasty situations. When I use my D810, setting the focus is an issue. Nikon's magnifying Eyepies DK-17M should be helpful. The Multi-field exposure metering on D810 does not work very well with this lens. Switch to center weight exposure metering. Currently it's the less expensive Zeiss 35mm f1.4. The lenses build for Rollei medium format cameras and Contax SLR are more expensive then this one. At the moment I cannot say much more, cause I have not an exposure about I can say, this is it. It seems that the perfect use are low light situations. My recommendation is when you like Zeiss look to compare it against the Zeiss ZE/ZF.2 Distagon T* 35mm f/2. It might be for many of us the better lense ;-)

Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on December 18, 2023

Pros: Very high quality of the product and its rendering in images

Cons: Nobody

Opinion: This is a lens for real photography, a jewel, a real pearl for those who love to condense reality with shots. Photographing with this Zeiss, and not all Zeiss are like that, means becoming a craftsman as soon as you hold the lens; In fact, you have full control of the image you are "preparing". With this Zeiss you can only play clean, you can't cheat. The manual focus and the astonishing rendering, given by the lens, of the world around us implies great attention on every level of the thinkable in making composition. The depth of the shadows is disarming, the contrast always measured, never vulgar, never coarse, elevated in the metaphysical sense of the term, the lights looking like the gaze of a generous and benevolent god, delicate and evocative. This is a pure, non-egoic, fresh lens, with a rich but detached character capable of translating reality into images as it presents itself through the eye to man. Post-production can become unnecessary. This is the lens of no return, it is the qualitative leap from which there is no escape. Seeing is believing. Andrea

avatarsupporter
sent on July 10, 2018

Pros: It's fascinating

Cons: Weight and size. Poor value hold.

Opinion: In the lab, he's not the best of 35/1.4, not even lower-ranking ones. Chromatic aberration, a little flare and TA vignetting, important weight, high price (in acceptable used). But it's very charming especially at TA. It is also thanks to this lens that I realized that behind the optical engineering of some rank companies there are alchemies that add something that goes beyond the numbers, create atmosphere. I recommend it.

avatarsenior
sent on February 10, 2016

Pros: impeccable construction, as zeiss tradition; exceptional optical quality

Cons: weight, size, price

Opinion: I have this light now for a year, having preferred the Zeiss f: 2 after a field test, and use with Nikon Df and 810. It has many drawbacks, such as weight, excessive dimensions, price, a curvature of field appreciable Aperture 1,4 and 2; but, being careful in focheggiatura, gives absolutely fantastic images, far more attractive than allow others 35mm; not so much for the sharpness (still excellent throughout the golf f: 2.8 and up), but because of the color rendering, the ability to enter into the shadows, following the dispute which assures the filming scenes for the pleasure the focus. It also gives an absolute pleasure when handling it and use it. Of course it is not very suitable when you need a particular speed of action, because with reflex today the focus manually is not easy. In my opinion a way that gives a lot of satisfaction. For the diaphragms 1,4 and 2, in which the sharpness at the center is high however, also it allows a considerable creativityA just taking advantage of the field curvature is suffering.

avatarjunior
sent on June 02, 2015

Pros: Construction, Defocused, Magic brings

Cons: Weight, dimensions, Vignette to TA

Opinion: It 's my first lens Zeiss after long possessed and tried every Nikon lens catalog, besides my fourth 35mm f / 1.4 G after Nikon, Sigma and Samyang Art. I will not repeat the happiness at finding herself in his hands a lens finally built to last, which does not give the impression of having to break at any moment, that is worth all the money it costs every cent, which once mounted on the machine not staccheresti more. But its merits obviously come out when you start to photograph them: though less etched TA of the other three mentioned above by f2 on I did not find differences in sharpness even with the much praised Sigma Art that should be the best of the 4. There a huge difference as regards the overall performance of the scene, with shadows much more open and slightly higher contrast to other (always talking about RAW file). Returning to the chapter TA that is ultimately the reason why you buy a lens like this I find it magical albeit not incisissimo and veryvignetting is perhaps the first time that I do not put the tick to the correction lens and almost not touch sliders on LR. The weight and size can be a counter, but given the level constructive accettabili.rnPurtroppo are addictive and once tried Zeiss everything else is true plasticaccia: be careful ...




Photos taken with Zeiss ZE/ZF.2 Distagon T* 35mm f/1.4

Foto
Castello del Mug
by Raamiel
85 comments, 17195 views  [editors pick]  
HI RES 36.2 MP

Foto
Behind a Poppy
by Carlo Girola
29 comments, 1042 views  
HI RES 3.8 MP

Foto
Aurora Borealis near Reine
by Vergefio
21 comments, 3075 views
Foto
First blue
by Carlo Girola
9 comments, 554 views  
HI RES 3.2 MP

Foto
Soon the rain
by Carlo Girola
9 comments, 616 views  
HI RES 3.8 MP

Foto
First sunrise of 2024
by Carlo Girola
12 comments, 271 views  
HI RES 3.2 MP

Foto
My phone lady
by Massimo P
16 comments, 1654 views  
HI RES 7.7 MP



RCE

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Foto
Fog
by Carlo Girola
6 comments, 370 views  
HI RES 3.2 MP

Foto
The Roda of Vael at sunset
by Carlo Girola
8 comments, 456 views  
HI RES 3.2 MP

Foto
The pigs of Sasso Piatto
by Carlo Girola
8 comments, 361 views  
HI RES 3.8 MP

Foto
Owl with Beetle
by Venturini Giorgio
4 comments, 820 views  
HI RES 4.2 MP

Foto
Untitled Photo
by Vergefio
1 comments, 1613 views
Foto
Ticino after dark
by Carlo Girola
8 comments, 408 views  
HI RES 3.8 MP

Foto
The scraper
by Carlo Girola
6 comments, 351 views  
HI RES 3.8 MP

Foto
Ticino, small snowfall
by Carlo Girola
5 comments, 392 views  
HI RES 3.8 MP

Foto
Fog
by Carlo Girola
6 comments, 366 views  
HI RES 3.8 MP

Foto
Emirates today mark II
by Mevill
10 comments, 1389 views  
HI RES 11.1 MP

Foto
I feel observed.
by PaoloGalli
31 comments, 985 views  
HI RES 24.0 MP

Foto
February 6th, in the Ticino woods
by Carlo Girola
14 comments, 443 views  
HI RES 3.2 MP

Foto
The first
by Carlo Girola
7 comments, 379 views  
HI RES 3.8 MP

Foto
Black Diagonal
by Mevill
3 comments, 783 views  
HI RES 21.0 MP

Foto
Untitled Photo
by Manzoni Michel
13 comments, 613 views
Foto
The Pale di San Martino and the Gerridi
by Carlo Girola
0 comments, 255 views  
HI RES 3.2 MP

Foto
Collalto/Hochgall and Collaspro/Wildgall
by Carlo Girola
2 comments, 289 views  
HI RES 3.2 MP

Foto
Untitled Photo
by Dariun
0 comments, 2439 views
Foto
Sunset of the winter solstice
by Carlo Girola
3 comments, 133 views  
HI RES 3.2 MP

Foto
Narcissus of poets (Narcissus poeticus)
by Carlo Girola
7 comments, 414 views  
HI RES 3.8 MP

Foto
Mount Baldo
by Carlo Girola
3 comments, 361 views  
HI RES 3.2 MP

Foto
Postcard beginning Century
by Mevill
5 comments, 806 views  
HI RES 20.2 MP

Foto
Refuge Vetta d'Italia
by Carlo Girola
4 comments, 482 views
Foto
Lights
by Carlo Girola
0 comments, 445 views  
HI RES 3.8 MP

Foto
A look from Val Duron
by Carlo Girola
7 comments, 197 views  
HI RES 3.2 MP



RCE

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Foto
Croda rossa/Hohe gaisl
by Carlo Girola
2 comments, 278 views  
HI RES 3.8 MP

Foto
Cheese!
by Massimo P
6 comments, 1105 views  
HI RES 9.0 MP

Foto
Sunrise at Ticino
by Carlo Girola
4 comments, 350 views  
HI RES 3.2 MP

Foto
One star
by Carlo Girola
10 comments, 322 views  
HI RES 3.8 MP

Foto
First lights at Ticino
by Carlo Girola
2 comments, 393 views  
HI RES 3.2 MP


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