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Tokina AT-X Pro 11-16mm f/2.8 DX : Specifications and Opinions

Tokina AT-X Pro 11-16mm f/2.8 DX

The Tokina AT-X Pro 11-16mm f/2.8 DX is a wide-angle lens for APS-C, manufactured from 2007 to 2012 (discontinued). The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 620 €;

50 users have given it an average vote of 9.2 out of 10.

Specifications
Focal lenght	11-16 mm
Angle of view	105.2 - 84° (equivalent to a 17-24mm in Fullframe 24x36mm format)
Format	APS-C
Max. aperture	f/2.8
Aperture blades	9
Lenses/Groups	13 elements in 11 groups
Min. focus distance	0.30 meters
Reproduction ratio	0.08x
Features
Zoom type	Ring, interal
Stabilization	No
Focus	Lens AF motor (non-ultrasonic)
Internal AF	Yes
Full Time MF	No
Built and notes
Tripod ring	No
Extenders	No
Filters	77 mm
Lens hood	Yes, supplied
Weather sealing	No
Weight	560 g
Dimensions	84 x 89 mm
Buy
Tokina AT-X Pro 11-16mm f/2.8 DX, buy on Ebay

Reviews

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The following opinions have been automatically translated with Google Translate.

Fabiocicognati

sent on February 07, 2022

Pros: build quality, aperture, sharpness, colors

Cons: Flare, chromatic aberrations

Opinion: I bought this lens a few years ago approaching landscape photography, it remains my favorite, I use it on a d5200 and it is now my travel companion for landscape photography. Very sharp practically always and the vignetting is always contained, the autofocus works perfectly even if noisy. The build quality is great and of course the lens has its weight. The color rendering for me is fantastic, it suffers from flare but nothing insurmountable as far as I'm concerned, perhaps its biggest problem is the chromatic aberrations.

Alessandro Sussi

sent on December 19, 2019

Pros: Constructive robustness, sharpness, chromatic rendering, rapid autofocus

Cons: Exaggerated flares, chromatic aberrations in special conditions, noisy self-focus

Opinion: I took this lens found at a heist price on ebay. I use it in conjunction with the D7500 and D3300 (with manual focus, since the autofocus engine is not in the lens, which relies on that of the machine body). Despite the now venerable age, it still churns out some very beautiful rows, personally I love the chromatic rendering, especially when combined with a good polarizing filter. Self-focusing on these focal points may not be often needed, but it is very quick (albeit noisy). You get files with good sharpness, they don't fear the 24 mpx at all, not bad for a lens built when the machines it's aimed at had an average of 12 mpx. The construction is excellent, used in difficult conditions has never betrayed me. I like less, however, the suffering to do really exaggerated, it is normal that on focals so the flare is a problem, but on Tokina is really exaggerated, and in addition they turn out huge. Sometimes he suffers from chromatic aberrations. Overall it's still a very good goal, grade 8.

Sar10

sent on April 07, 2017

Pros: Robust, crisp, maf, the price used, 2.8 x low light

Cons: flare but no worries.

Opinion: It 'was my first lens after the classic 18-55 kit. They 'almost always mounted, 90% of my photos were made with this fantastic wide-angle. I use it for two years even with closed eyes. It 'clear to all diaphragms, but to really !! maf manual or in af, precise, rarely misses a shot. The 2.8 is useful for darker rooms where SDo you can mount the tripod (like museums, etc.). Like all wide-angle suffer from flare but we are talking about extreme focal lengths and is (almost) inevitable, though carefully and sparingly you can find other pdr during shooting and avoid flare. For the money is now used vehicle is a bargain .... (max 300 €) .rnrnPer lovers Straconsigliato landscapes.

user63386

sent on June 02, 2016

Pros: Bright and sharp. When used properly the distortion is imperceptible.

Cons: Hood a bit 'poor

Opinion: It took a couple of days, is giving me only joy. Bucking say that resists well to flare (I'm lucky I got the pictures in full backlighting spotless) Closing a bit 'the diaphragm becomes crystal clear even at the edges. Returns of beautiful colors well contrasted. Very few chromatic aberrations, vignetting almost absent. I caught a glimpse of a hood used .. so 'homemade' side and repaired. Indeed, it seems a bit 'weakling. For me however, is a gem!

Aleg

sent on October 23, 2015

Pros: Brightness, optical quality, construction

Cons: Problem-Flex Cable, flare, assistance

Opinion: Ultrawide light quality, excellent interior freehand, landscape, night, stars ... Weight and construction demonstrate a degree of build quality, performance of the lens are excellent. Beware flare, avoid direct light sources to frame. Unfortunately subject to breaking the flex cable that carries the information to the diaphragm (as on some Canon 24-105), issue to be settled in the Netherlands requires shipment to the service center and approximately € 150, more than a month without a lens ... Many indicate variability in the quality of construction, perhaps the problem of the whole production Tokina: my example, after the replacement of the flex cable, works smoothly churning pictures sharp and focused at all times

There are 9 more reviews. Show all »

Photos taken with Tokina AT-X Pro 11-16mm f/2.8 DX

Torchlight Mt. Lussari!

by Bruno Pisani
201 comments, 34396 views [editors pick]

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HI RES 2.5 MP

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204 comments, 18593 views

HI RES 4.5 MP

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Follow the Light

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67 comments, 11714 views [editors pick]

Red Flow

by Mattbre
69 comments, 9149 views [editors pick]

Ruin

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199 comments, 15710 views

Bologna, Piazza Maggiore

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123 comments, 16030 views

Still and Move

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65 comments, 6781 views [editors pick]

I miss you

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157 comments, 11378 views

Sunset in the marsh

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125 comments, 12994 views

Dream

by Carlo Bassi
162 comments, 11593 views

Corte Milanese

by Valerio Zanicotti
56 comments, 7046 views

30 seconds on Heaven

by Bruno Pisani
42 comments, 6904 views

Quiver Trees by Night 3

by Florian
46 comments, 9139 views

HI RES 3.5 MP

Sunset lagoon

by Carlo Bassi
144 comments, 4126 views

After the rain

by Carlo Bassi
140 comments, 6004 views

Triptych

by Valerio Zanicotti
64 comments, 5332 views

The long way

by Carlo Bassi
120 comments, 4150 views

Stations for eel fishing in comacchio

by Carlo Bassi
131 comments, 6016 views

The summer is gone

by Carlo Bassi
70 comments, 8073 views

Sunset on the Lagoon

by Alberto Gagliardi
114 comments, 8816 views

HI RES 12.2 MP

Sunset over a field of bales

by Carlo Bassi
138 comments, 4246 views

Sunset at Rocca di Calascio

by Ruben.Reggiani
97 comments, 8796 views

Baricella

by Carlo Bassi
42 comments, 5779 views

Sunset Lagoon 2

by Carlo Bassi
149 comments, 3997 views

Knives

by Bruno Pisani
35 comments, 5577 views

Dipianura geometries.

by Carlo Bassi
123 comments, 3918 views

A sunset on the plains

by Carlo Bassi
120 comments, 3704 views

HI RES 4.1 MP

Sunset in front of us

by Carlo Bassi
97 comments, 7464 views

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Corte Milanese

by Valerio Zanicotti
29 comments, 3773 views

The rainbow

by Carlo Bassi
62 comments, 5655 views

The earth is delighted to hear your bare feet ...

by Lara Zanarini
48 comments, 2653 views

Sunset Arc de trionphe

by Carlo Bassi
87 comments, 6142 views

Round bales

by Carlo Bassi
69 comments, 7100 views

The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.

Reviews » Lenses » Lenses Tokina » Tokina AT-X Pro 11-16mm f/2.8 DX