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Tokina AT-X Pro 11-16mm f/2.8 DX : Specifications and Opinions


Tokina AT-X Pro 11-16mm f/2.8 DX

The Tokina AT-X Pro 11-16mm f/2.8 DX is a wide-angle lens for APS-C, manufactured from 2007 to 2012 (discontinued). The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 620 €;
47 users have given it an average vote of 9.2 out of 10.


If you have used this item, you can add your vote:  


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 Specifications
 Focal lenght   11-16 mm
 Angle of view   105.2 - 84°  (equivalent to a 17-24mm in Fullframe 24x36mm format)
 Format   APS-C
 Max. aperture   f/2.8
 Aperture blades   9
 Lenses/Groups   13 elements in 11 groups
 Min. focus distance   0.30 meters
 Reproduction ratio   0.08x

 Features
 Zoom type   Ring, interal
 Stabilization   No
 Focus   Lens AF motor (non-ultrasonic)
 Internal AF   Yes
 Full Time MF   No

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   77 mm
 Lens hood   Yes, supplied
 Weather sealing   No
 Weight   560 g
 Dimensions   84 x 89 mm
Buy Tokina AT-X Pro 11-16mm f/2.8 DX, buy on Ebay


Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on December 19, 2019

Pros: Constructive robustness, sharpness, chromatic rendering, rapid autofocus

Cons: Exaggerated flares, chromatic aberrations in special conditions, noisy self-focus

Opinion: I took this lens found at a heist price on ebay. I use it in conjunction with the D7500 and D3300 (with manual focus, since the autofocus engine is not in the lens, which relies on that of the machine body). Despite the now venerable age, it still churns out some very beautiful rows, personally I love the chromatic rendering, especially when combined with a good polarizing filter. Self-focusing on these focal points may not be often needed, but it is very quick (albeit noisy). You get files with good sharpness, they don't fear the 24 mpx at all, not bad for a lens built when the machines it's aimed at had an average of 12 mpx. The construction is excellent, used in difficult conditions has never betrayed me. I like less, however, the suffering to do really exaggerated, it is normal that on focals so the flare is a problem, but on Tokina is really exaggerated, and in addition they turn out huge. Sometimes he suffers from chromatic aberrations. Overall it's still a very good goal, grade 8.

avatarsenior
sent on April 07, 2017

Pros: Robust, crisp, maf, the price used, 2.8 x low light

Cons: flare but no worries.

Opinion: It 'was my first lens after the classic 18-55 kit. They 'almost always mounted, 90% of my photos were made with this fantastic wide-angle. I use it for two years even with closed eyes. It 'clear to all diaphragms, but to really !! maf manual or in af, precise, rarely misses a shot. The 2.8 is useful for darker rooms where SDo you can mount the tripod (like museums, etc.). Like all wide-angle suffer from flare but we are talking about extreme focal lengths and is (almost) inevitable, though carefully and sparingly you can find other pdr during shooting and avoid flare. For the money is now used vehicle is a bargain .... (max 300 €) .rnrnPer lovers Straconsigliato landscapes.

user63386
avatarjunior
sent on June 02, 2016

Pros: Bright and sharp. When used properly the distortion is imperceptible.

Cons: Hood a bit 'poor

Opinion: It took a couple of days, is giving me only joy. Bucking say that resists well to flare (I'm lucky I got the pictures in full backlighting spotless) Closing a bit 'the diaphragm becomes crystal clear even at the edges. Returns of beautiful colors well contrasted. Very few chromatic aberrations, vignetting almost absent. I caught a glimpse of a hood used .. so 'homemade' side and repaired. Indeed, it seems a bit 'weakling. For me however, is a gem!

avatarjunior
sent on October 23, 2015

Pros: Brightness, optical quality, construction

Cons: Problem-Flex Cable, flare, assistance

Opinion: Ultrawide light quality, excellent interior freehand, landscape, night, stars ... Weight and construction demonstrate a degree of build quality, performance of the lens are excellent. Beware flare, avoid direct light sources to frame. Unfortunately subject to breaking the flex cable that carries the information to the diaphragm (as on some Canon 24-105), issue to be settled in the Netherlands requires shipment to the service center and approximately € 150, more than a month without a lens ... Many indicate variability in the quality of construction, perhaps the problem of the whole production Tokina: my example, after the replacement of the flex cable, works smoothly churning pictures sharp and focused at all times

avatarjunior
sent on July 11, 2014

Pros: Excellent brightness, quality of construction, solidity, not cheap but the price just in proportion to the yield lente.Ottima cromatica.Obiettivo nice to see at least me.Ottima made with polarizer APSC.

Cons: Flare, can not stand very high lights, almost impossible to mount polarizer on FF.

Opinion: I am a happy owner of this lens for several years and I keep it mounted on APSC is almost always that you have understood even ff ff canon 6 d works very well, canon 650 d APSC works wonders on both gorgeous colors perhaps with a slight tendency to cold, being in contrast with canon that tends to hot this produces a good connubio.Inutile say that about ff, 16 f and a nice grandangolo.Non possible use of ff focal 11,12,13,14, 15,16 the focal si.Certo buy it now Tokina 16-28/2.8 ATX Pro-FX (IF), but then I did not think you can go ff and use this lens, pleasant surprise.




Photos taken with Tokina AT-X Pro 11-16mm f/2.8 DX

Foto
Torchlight Mt. Lussari!
by Bruno Pisani
198 comments, 31274 views  [editors pick]
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Quiver Trees By Night 1
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173 comments, 54491 views  [editors pick]  
HI RES 2.5 MP

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176 comments, 22984 views  [editors pick]
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Night at the Three Peaks
by Daniel Maran
153 comments, 22225 views
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by Carlo Bassi
202 comments, 16288 views  
HI RES 4.5 MP



RCE

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Foto
Follow the Light
by Bruno Pisani
66 comments, 10563 views  [editors pick]
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69 comments, 8471 views  [editors pick]
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196 comments, 14304 views
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121 comments, 14230 views
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65 comments, 6313 views  [editors pick]
Foto
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125 comments, 11714 views
Foto
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by Jypka
155 comments, 10362 views
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161 comments, 10673 views
Foto
Corte Milanese
by Valerio Zanicotti
55 comments, 6302 views
Foto
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by Bruno Pisani
42 comments, 6150 views
Foto
Quiver Trees by Night 3
by Florian
46 comments, 8556 views  
HI RES 3.5 MP

Foto
Sunset lagoon
by Carlo Bassi
144 comments, 3427 views
Foto
Triptych
by Valerio Zanicotti
64 comments, 4890 views
Foto
After the rain
by Carlo Bassi
140 comments, 5463 views
Foto
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by Carlo Bassi
131 comments, 5241 views
Foto
The summer is gone
by Carlo Bassi
70 comments, 7587 views
Foto
The long way
by Carlo Bassi
119 comments, 3440 views
Foto
Sunset over a field of bales
by Carlo Bassi
138 comments, 3568 views
Foto
Sunset at Rocca di Calascio
by Ruben.Reggiani
97 comments, 8278 views
Foto
Sunset on the Lagoon
by Alberto Gagliardi
108 comments, 7734 views  
HI RES 12.2 MP

Foto
Baricella
by Carlo Bassi
42 comments, 5469 views
Foto
Knives
by Bruno Pisani
35 comments, 4916 views
Foto
Dipianura geometries.
by Carlo Bassi
123 comments, 3486 views
Foto
Sunset Lagoon 2
by Carlo Bassi
149 comments, 3194 views
Foto
A sunset on the plains
by Carlo Bassi
120 comments, 3166 views  
HI RES 4.1 MP

Foto
Sunset in front of us
by Carlo Bassi
97 comments, 7044 views
Foto
The rainbow
by Carlo Bassi
62 comments, 5258 views


RCE

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Foto
Corte Milanese
by Valerio Zanicotti
29 comments, 3454 views
Foto
Round bales
by Carlo Bassi
69 comments, 6322 views
Foto
Sunset Arc de trionphe
by Carlo Bassi
87 comments, 5738 views
Foto
Birdwatchers
by Jypka
58 comments, 5967 views

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