Tokina AT-X Pro 11-16mm f/2.8 DX : Specifications and Opinions

Tokina AT-X Pro 11-16mm f/2.8 DX

The Tokina AT-X Pro 11-16mm f/2.8 DX is a wide-angle lens for APS-C, manufactured from 2007 to 2012 (discontinued). The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price was 620 €;

51 users have given it an average vote of 9.1 out of 10.

Specifications
Focal lenght	11-16 mm
Angle of view	105.2 - 84° (equivalent to a 17-24mm in Fullframe 24x36mm format)
Format	APS-C
Max. aperture	f/2.8
Aperture blades	9
Lenses/Groups	13 elements in 11 groups
Min. focus distance	0.30 meters
Reproduction ratio	0.08x
Features
Zoom type	Ring, interal
Stabilization	No
Focus	Lens AF motor (non-ultrasonic)
Internal Focus	Yes
Built and notes
Tripod ring	No
Extenders	No
Filters	77 mm
Lens hood	Yes, supplied
Weather sealing	No
Weight	560 g
Dimensions	84 x 89 mm
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Reviews

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The following opinions have been automatically translated with Google Translate.

Fabiocicognati

sent on 07 Febbraio 2022

Pros: build quality, aperture, sharpness, colors

Cons: Flare, chromatic aberrations

Opinion: I bought this lens a few years ago approaching landscape photography, it remains my favorite, I use it on a d5200 and it is now my travel companion for landscape photography. Very sharp practically always and the vignetting is always contained, the autofocus works perfectly even if noisy. The build quality is great and of course the lens has its weight. The color rendering for me is fantastic, it suffers from flare but nothing insurmountable as far as I'm concerned, perhaps its biggest problem is the chromatic aberrations.

Alessandro Sussi

sent on 19 Dicembre 2019

Pros: Constructive robustness, sharpness, chromatic rendering, rapid autofocus

Cons: Exaggerated flares, chromatic aberrations in special conditions, noisy self-focus

Opinion: I took this lens found at a heist price on ebay. I use it in conjunction with the D7500 and D3300 (with manual focus, since the autofocus engine is not in the lens, which relies on that of the machine body). Despite the now venerable age, it still churns out some very beautiful rows, personally I love the chromatic rendering, especially when combined with a good polarizing filter. Self-focusing on these focal points may not be often needed, but it is very quick (albeit noisy). You get files with good sharpness, they don't fear the 24 mpx at all, not bad for a lens built when the machines it's aimed at had an average of 12 mpx. The construction is excellent, used in difficult conditions has never betrayed me. I like less, however, the suffering to do really exaggerated, it is normal that on focals so the flare is a problem, but on Tokina is really exaggerated, and in addition they turn out huge. Sometimes he suffers from chromatic aberrations. Overall it's still a very good goal, grade 8.

Sar10

sent on 07 Aprile 2017

Pros: Robust, crisp, maf, the price used, 2.8 x low light

Cons: flare but no worries.

Opinion: It 'was my first lens after the classic 18-55 kit. They 'almost always mounted, 90% of my photos were made with this fantastic wide-angle. I use it for two years even with closed eyes. It 'clear to all diaphragms, but to really !! maf manual or in af, precise, rarely misses a shot. The 2.8 is useful for darker rooms where SDo you can mount the tripod (like museums, etc.). Like all wide-angle suffer from flare but we are talking about extreme focal lengths and is (almost) inevitable, though carefully and sparingly you can find other pdr during shooting and avoid flare. For the money is now used vehicle is a bargain .... (max 300 €) .rnrnPer lovers Straconsigliato landscapes.

user63386

sent on 02 Giugno 2016

Pros: Bright and sharp. When used properly the distortion is imperceptible.

Cons: Hood a bit 'poor

Opinion: It took a couple of days, is giving me only joy. Bucking say that resists well to flare (I'm lucky I got the pictures in full backlighting spotless) Closing a bit 'the diaphragm becomes crystal clear even at the edges. Returns of beautiful colors well contrasted. Very few chromatic aberrations, vignetting almost absent. I caught a glimpse of a hood used .. so 'homemade' side and repaired. Indeed, it seems a bit 'weakling. For me however, is a gem!

Aleg

sent on 23 Ottobre 2015

Pros: Brightness, optical quality, construction

Cons: Problem-Flex Cable, flare, assistance

Opinion: Ultrawide light quality, excellent interior freehand, landscape, night, stars ... Weight and construction demonstrate a degree of build quality, performance of the lens are excellent. Beware flare, avoid direct light sources to frame. Unfortunately subject to breaking the flex cable that carries the information to the diaphragm (as on some Canon 24-105), issue to be settled in the Netherlands requires shipment to the service center and approximately € 150, more than a month without a lens ... Many indicate variability in the quality of construction, perhaps the problem of the whole production Tokina: my example, after the replacement of the flex cable, works smoothly churning pictures sharp and focused at all times

There are 9 more reviews. Show all »

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Tokina AT-X Pro 11-16mm f/2.8 DX : Specifications and Opinions

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Photos taken with Tokina AT-X Pro 11-16mm f/2.8 DX