| sent on March 11, 2021
Pros: price, sharpness, excursion, MFD, versatility, bokeh, VC
Cons: VC configurations, collar failure, 210mm performance and minimum MFD, lack of AF limiter
Opinion: I've had it for two weeks and I tested it almost daily on the Z6 + FTZ. Before the switch to ML, I had my brother 2.8 G2, which I was very happy about. Now, I decided to have a light 70-200 (pardon, 210), sacrificing a stop of brightness. The construction, although plastic, is very good. Unlike its older brother, the barrel is not metallic, but opaque black polycarbonate (aesthetically beautiful, but easily subject to scratches and marks), the zoom ring is always in an "external" position, so more uncomfortable than the Nikon/Canon version. The two rings (MAF and ZOOM) are precise and fluid. The "tropicalization" is lighter than the older brother, according to tamron specifications, but there are gaskets at all critical points. The collar is not included and the original one costs madness. The AF is not bad at all, especially when the light and/or subject "help" it, but the lack of the limiter is felt, all the more so in more difficult conditions in which it is "forced" to make the complete rounds. Tried on a friend's D500, however, it has improved considerably, of course the camera's AF also matters a lot. The 10 mm more can be noticed, but you can feel even more the excellent minimum distance of MAF (MFD), reaching a magnification ratio far higher than the G2, remarkable I would say. The problem is that at 210mm and at the slightest distance of MAF it is a bit soft, but closing at F8 the situation improves a lot. Outside of these "extreme" uses, it is very sharp already at TA, and has a pleasant bokeh especially at short distances, so it is also suitable for portraits in the absence of a bright fixture. Otherwise, the bokeh is still pleasant, albeit a little nervous with certain backgrounds, but in line with the other 70-200 I had (2.8 included). The overall yield is excellent, except for the flare resistance which is not the maximum (as on almost all canvas zooms). The VC is good, but it is not very customizable: it does not have a pan function and the viewfinder/shot priority must be assigned via console tap-in. By prioritizing the viewfinder, you notice a noticeable improvement precisely in the "viewfinder", but according to Tamron it is less efficient for the actual shooting. Personally, I did not notice this drop in "efficiency", but I still decided to leave it on "standard". For fast-moving subjects, at least in my modest "tests", it is better to turn it off. It is clearly a stabilizer not optimized for a "sport mode", and it can also be seen from the actual lack of a panning mode. All in all, given the price and the characteristics, I consider it a very valid alternative to the 70-200 F4 of the parent companies, another lens that honors the new Tamron line. Grade 9+. (I'll update the review if necessary). |