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The following opinions have been automatically translated with Google Translate.
Opinion:Really incredible lens, razor sharp to TA, the only flaw in the really important weight that therefore involves stands and heavy heads to hold the entire structure. Lens that from the maximum on sensors with an adequate pixel count. The high price is the cost to pay for such a bright wide angle. Ultra quiet and fast Focus. The ART series is amazing, nothing to envy with the Nikon home Lenses.
Pros:Silent and fast autofocus, plastic and soft bokeh, excellent sharpness already in the center from the largest openings that becomes uniform from f / 2.8 onwards, tropicalized construction, robust and elegant, very low distortion and fall of light
Cons:Weight (1.1Kg) and overall dimensions, backlit, minimum diaphragm at f / 16
Opinion:I come from two Canon EF14 / 2.8 and a Tamron 15-30 / 2.8 this lens seems on another planet, it is really impressive positively below on all aspects. It 'sa small masterpiece of optics that have it or not have it makes the difference in a kit of a professional photographer or advanced amateur photographer. Vignetting is visible logically at f / 1.8, but just close one stop to eliminate it almost completely. You deserve sensors from at least 40Mpx
Pros:Extreme sharpness even at TA, distortion absent to be a 14, flare and aberration control, construction, lightning strike AF is imperceptible, USB dock, f1.8, great packaging and accessories
Cons:We know them before buying it: it does not come out ready to pack, it's calibrated with the dock, it's heavy and big (but if you want the quality ...)
Opinion:I come from a Nikon 16-35 VR and a Samyang 14, what do you say? The resolution of this Art to 1.8 if they also dream about it f11. Optically represents perfection: distortion absent for a 14, really impressive that all lines, even the neighbors are perfectly straightforward, flare and aberrations absent. The AF is lightning and silent, of course it becomes accurate after having fine tuned it with the dock. The construction is superior to the original optics, not much of a lot. It's heavy and big that the d800's illuminator Af is eclipsed. CAPOLAVORO, only 14 f1.8.
Opinion:I bought it to replace a fake Samyang 14 f2.8 accidentally. A unique lens of its kind. Also on a resolute sensor (Sony 42MP in my case) is incredibly resolving already at full opening. Negligible distortion. Comparing with sacred monsters like the Samyang is overwhelming. At night there are no signs of astigmatism or chromatic aberrations of any kind (unlike the Samyang at full opening). The real and unique problem remains the coma: the stars are linear to the edges, to the rays of rays. The problem is reduced to f2.8 and disappears almost to f4, but it can be improved with accurate focus. However, it is better than any other lens I have tried this (or almost) focal point at f4. Weight is the only real problem for those who have back problems.
Pros:Sharpness at TA, excellent, fast focus, chromatic aberration and low distortion, excellent, tropicalized construction
Cons:Weight, minimum diaphragm f16
Opinion:The lens is solid and in the hand it feels. The building is impeccable, the materials are cared for and there is no fault on the barrel. It's a professional lens, and you notice it immediately. It's aesthetically beautiful. The frontal element is very large and the green-blue coating is noticeable by looking at it frontally. Obviously, no screw-type filter can be fitted, and the back does not allow the use of gelatin filters. At f1.8 breaks the hair (at least on my 5D Mark III). I did not have to make any adjustments to the focus. Significant vignetting at f1.8, significantly improves to f2.8, from f4 onwards fairly constant, disappears to f11. Minimum and well-controlled flare. Clarity at f1.8 is impeccable in the center and discreet on the edges. F2.8 is already excellent everywhere. From f4 onwards it's really stellar. From this point of view, the lens is amazing at any opening. Fantastic. F1.8 is coma, and it's obvious, but nothing that makes the photos unusable. There areOr lenses that make f4 worse (Canon 16-35 f4 IS). At f2.8 coma is minimum, at f4 disappears. RnArchitecture is minimal and optimally controlled. Distortion is easily correctable and not excessive. Now like now, the only problem I see is weight, but I'm a bit "sensitive" to this topic, and I'm sure that for other users this is not important. In the end, lens recommended. If you want to read the full-scale miniaturization and download the RAW test, I opened this forum discussion: https://www.juzaphoto.com/topic2.php?l=en&t=2412303
The following opinions have been automatically translated with Google Translate.
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