JuzaPhoto uses technical cookies and third-part cookies to provide the service and to make possible login, choice of background color and other settings (click here for more info).
By continuing to browse the site you confirm that you have read your options regarding cookies and that you have read and accepted the Terms of service and Privacy.
You can change in every moment your cookies preferences from the page Cookie Preferences, that can be reached from every page of the website with the link that you find at the bottom of the page; you can also set your preferences directly here
The Nikon AF 80-200 f/2.8 ED D is a tele lens for FF and APS-C, manufactured from 1998 to 2018 (discontinued). The focus is done by In-camera AF motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1012 €;
108 users have given it an average vote of 9.6 out of 10.
MOUNT
This lens is available with the following mounts:
Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.
Do you want add your opinion? You do it by joining JuzaPhoto, it is easy and free!
There is more: by registering you can create your personal page, publish photos, receive comments, join discussions and you can use all the features of JuzaPhoto. With more than 248000 members, there is space for everyone, from the beginner to the professional.
The following opinions have been automatically translated with Google Translate.
Opinion:I had this lens given as a gift (in front of a gift how do you say no?) despite already having a lens of identical focal length (Tokina 828 80-200 F2.8), and since I have owned it, I have practically not detached it from the Nikon D3. It is its age but I consider it a very good lens, very well built and, as absurd as it is, it does not even weigh too much (compared to the aforementioned rival Tokina). The performance is really surprising, the performance already at F2.8 is really incredible, it remains extremely constant always, clearly that helping with a little aperture it improves even more. The colors it reproduces, especially in the complexion, are truly surprising, very bright and realistic. Great definition but never exasperated like the most current lenses, it is much more "sincere". So far I have never encountered chromatic aberrations even at the edges of the poles or on the "cut" of the snow where many lenses collapse. Built very well but despite everything it remains one of the lightest in its category in my opinion, the Canon of the same series weighs a little more, the Tokina in my possession we don't even talk about it ... Today it is found at prices all in all accessible to most, so it is even more tempting, let's pay attention to the fact that it is not stabilized, slow AF if you decide to do sports, but I don't care as I don't do any. Perhaps the only real sore point that I would never have expected on a lens of such caliber is the AF/MF selector, a light plastic ring with a delicate appearance, for everything else I consider it a truly amazing lens, so much so that it is always with me everywhere. Another drawback, the lens hood cannot be mounted backwards, so in certain situations it becomes uncomfortable to have it behind.
Pros:A dated lens but made without compromise for professional-journalistic purposes (for the time). Sharpness without excessive micro-contrast and excellent color balance, churns out remarkable photos. It is very reasonably priced and can be easily repaired in case of need 9
Cons:The stabilizer is not present and given the weight a bit massive and this will discourage more than a few. It has a very flimsy plastic AF/MF mode dial that can be annoying and require repair which is never too cheap.
Opinion:It's a lens that I bought for the F100 but then began to use with satisfaction with the D750. It's a dated but still valuable lens that in the right hands doesn't make you regret more modern tools in the slightest. The sacrifices are only on the image stabilizer which is absent, but it must be forgiven by virtue of the approximately 350 euros at which it is sold on average used. The focus is sincere and also fast, remember that it uses the motor inside the camera body so if you couple the lens to cameras without the focusing shaft work only in manual. Were it not for the fact that sometimes I feel it heavy by the arms I would always want it with me, it is damn good in portraiture as well as in landscapes, a reference in that range of focal lengths.
Pros:color and atmosphere, bokeh, razor-sharp at intermediate apertures, beautiful design, fastness
Cons:Output at 2.8 (at least mine), noisy, fragile m/af selector
Opinion:A great former Pro lens with which the spark was never triggered. Taken thinking I was making a deal, however, I used it in the wrong way: anxiety-inducing work situations where I absolutely had to bring home the result. A wire too soft for me at 2.8, too noisy in certain locations, not performing enough for my standards the autofocus in low light situations and without VR. I asked an instrument from 25 years ago to be on par with recent professional lenses and it was clearly an exaggerated claim. I make a mea culpa. The result is that it has too often remained closed in the bag and on balance it does not deserve it because taken in another way it is a great lens: closed just a thread on a high-performance camera body (even dated) it becomes sharp and fast and can be used for non-prohibitive sporting events but also for landscaping because it returns beautiful colors and for portraiture because it has a truly delicate and dreamlike bokeh. But for this unfortunately I already had dedicated lenses. So worse for me but better for those who immediately understood how to use it.
Pros:AF-S MODEL REVIEW. Construction, aesthetic appearance (it's really beautiful!), Sharpness and blur.
Cons:AF-S MODEL REVIEW. AF motor that can break and that, in many examples, does not work as it should. Weight and size.
Opinion:I had the first 80 200 2.8 pump-engine, then the AFD ring nut and finally the AF-S big winder. This one is visibly and substantially superior to the previous ones in terms of overall performance: sharper, especially at maximum aperture, but above all with an absolutely beautiful bokeh that its predecessors did not have... A truly uncompromising blur, like a real portrait optic!!! At 135, 150, 180mm focal length, it easily plays with fixed luminaires: I also have the 180 AFD 2.8 and I often use the 135 f2 AI and, honestly, at the same focal length I don't see any noteworthy differences!! We could to all intents and purposes define the latest version of the 80 200 (AF-S, in fact) as a "portrait tele zoom" being able to compete with bright fixed cameras such as, for example, an 85 1.8, a 105 f2 or a 135 f2... In "less" and "worse" than these, it has only the weight and versatility factor, having considerable dimensions and dimensions. The autofocus, if it works well (!), is fast and accurate..... Unfortunately in many examples this is already broken, or is about to break, due to the well-known problems with the ultrasonic engine that also afflict the 28 70 and the 17 35 always F2.8 Costante of the same series. What a shame! Look: if you can still find it on sale today at the not insignificant sum of 400-500 euros, even considering that it is a model that is no longer recent, that it does not have VR (like the later 70 200 2.8) and that the sword of Damocles of engine breakage looms over its durability... well..... The reason, believe me, is there! I use it on D3s and D700....... I think that mounted on the Z (it keeps the AF motor!), and becoming stabilized as a result, it really becomes an almost unbeatable lens in its focal range!
Cons:I don't really know, maybe the weight but, being really a professional lens in every perspective, you can forgive that too.
Opinion:Holding it in your hand you understand that you have a spectacular professional lens, built in other times, made in Japan......, I've said it all! The only flaw is that I didn't buy it earlier; with the D5 it's just a perfect combination. Lens, truly unique for everything: street, portrait, sport. Excellent at f2.8, mind-blowing in sharpness from f3.5 onwards up to f11. The stabilization is absolutely not regretted as it is very balanced and built in an era in which people really cared about the professional and not only on paper or in price. Truly unique; Old yes, heavy yes but stratospheric and to have absolutely. If it was in production from 1998 to 2018 there must be a reason......, lenses like this are no longer built!
The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.
The following opinions have been automatically translated with Google Translate.
![[editors pick]](shared_files/layout/ep_badge.jpg){kind=icon}
JuzaPhoto contains affiliate links from Amazon and Ebay and JuzaPhoto earn a commission in case of purchase through affiliate links.
