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Nikon AF 28-70mm f/3.5-4.5 D : Specifications and Opinions


Lens photo unavailable

The Nikon AF 28-70mm f/3.5-4.5 D is a standard lens for FF and APS-C, manufactured from 1992 to 1999 (discontinued). The focus is done by In-camera AF motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 120 €;
29 users have given it an average vote of 9.2 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   28-70 mm
 Angle of view   75.4 - 34.4°
 Format   FF, APS-C
 Max. aperture   f/3.5-4.5
 Aperture blades   9
 Lenses/Groups   8 elements in 7 groups
 Min. focus distance   0.39 meters
 Reproduction ratio   0.22x

 Features
 Zoom type   Ring, external
 Stabilization   No
 Focus   In-camera AF motor
 Internal Focus   No

 Built and notes
 Tripod ring   No
 Extenders   Yes
 Filters   52 mm
 Lens hood   Yes (not supplied)
 Weather sealing   No
 Weight   355 g
 Dimensions   67 x 71 mm

 Buy

Nikon AF 28-70mm f/3.5-4.5 D, buy on Ebay Ebay



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Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on May 25, 2023

Pros: resistance, price

Cons: Stiffness and play in the focal length variation dial

Opinion: I align myself with the review that preceded me: slow without infamy and without praise but able to honor the most common needs; it is solid, aesthetically pleasing, returns a good feeling except for a certain rigidity and possible play in the focal length variation ring; Overall the value for money of this glass is more than good. My opinion makes use of an empirical comparison, partial and without any claim to scientific, of this lens at focal lengths 35 and 50, iso 200, on nikon D700 and D780, aperture 5.6 with the following optics: NIKKOR 28-105 f/3.5-4.5 D, 28-300 f/ 3.5-5.6 G ED VR, 28-200 f/3.5-5.6 ED G, 28-80 f/3.3-5.6 G, 28-80 f/3.5-5.6 D, 35-80 f/4-5.6 AF D, 35 f/2 AF-D, 50 f/1.8 AF-S G, 50 f/1.4 AF D, ZEISS ZE/ZF.2 Distagon 35mm f/2, ZENITH HELIOS 58 F/1.2, SIGMA 24-70 f/2.8 EX DG MACRO. I filmed with everyone the same scene strongly contrasted. I considered sharpness (also) at the edges, opening of the shadows and tightness to the highlights, color rendering. In this personal ranking at 35 mm win the 35 f / 2 and the very light 28/80 G, followed by the 28/80D and 35/80 D, also extremely compact and light, follows the massive sigma 24/70; The all-rounder 28/200 and 28/300 arrive last for the modest results at the edges (valid instead in the center). The result at 50 mm is more complex. Considering the D780, the tiny 35/80 achieves exceptional results, almost indistinguishable with the benchmark, namely the 50 f/1.4. Immediately behind are the two tiny 28/80 G and D and the large and heavy 28-300. The helios is a world apart: very sharp in the central area, it has no automatism and has a very particular blur, which you may like or not. With the D700 wins the 50 G f / 1.8, continues to do well in all parameters the 35-80, the sigma is slightly softer but holds the highlights well, the 28/70 D here in comment, the 28/80 D and G the 28/105 and even more pronounced the all-rounders tend to burn the highlights, but problem that I did not encounter with the D780. This 28-70 is in the middle. The 35-80 and 28-80 are featherweights of a few tens of euros of excellent optical yield (the 28-80 especially on the D780), not perceptibly dissimilar from the best fixed, which is shocking, given their multi-decade age, the non-existent cost and the negligible weight. There is a vague suspicion that the manufacturers are taking us by the bottoms, selling us unnecessary weight. The 28-70 here in comment still has a much more robust and consistent construction than the cheap one of the aforementioned microzooms, but the yield is lower than the focal lengths 35 and 50. I did not make comparisons to focal length 70.

avatarjunior
sent on March 02, 2022

Pros: resistance

Cons: none for the price range to which it belongs

Opinion: quite versatile lens, not excellent but still able to meet the most common needs. The only thing that bothers me a bit but it should only be my case is that the bezel that varies the focal length is quite hard (probably due to the dirt accumulated over the years) for the rest fully meets the expectations

avatarjunior
sent on October 06, 2021

Pros: Total and absolute quality. Sharpness, colors, focus, lightness.

Cons: Nothing to report.

Opinion: Simply an exceptional lens . Out of fashion, outdated? Not at all. With little money you can buy a high-level optics that has nothing to envy to the current ones. It is also light and easy to handle, which is now rare, unless you use horrendous and junk plastics. It is definitely worth having it in your kit.

avatarjunior
sent on October 06, 2021

Pros: Total and absolute quality. Sharpness, colors, focus, lightness.

Cons: Nothing makes you report.

Opinion: Simply an exceptional lens . Out of fashion, outdated? Not at all. With little money you can buy a high-level optics that has nothing to envy to the current ones. It is also light and easy to handle, which is now rare, unless you use horrendous and junk plastics. It is definitely worth having it in your kit.

avatarsenior
sent on May 13, 2020

Pros: Af-D works on all my analog and D bodies, light, compact, fast and precise (of course there's better), plastic but durable, good overall yield

Cons: a little washed out and with little contrast of its own in the final surrender compared to other my goals, but I do not know if it is a counter to 28mm and TA has a slight glossy/dreamlike effect but it can be interesting

Opinion: was my first purchase, I had to choose a zoom quickly because the 60 micro on the d200 was too long and I was undecided, between him and the 28-105, read the opinions here on juza and those of kenR , I threw myself on this that I paid at the end 40 degrees, on the d200 was a little long and slowly I joined it with the 19-35 , but on film or D610 is a real all-rounder the mount and not the deadlift anymore, in fact not to use it usually I start already with another goal, as it is said in these cases does not excel in anything but is good for everything, it is not a macro but focuses very close, it is not a blade but nn knead, I do not have the lampshade , but it has a resistance to flares commendable the maximum gives it with two stop closing from TA but it is discreet even TA as long as it is not at the shorter focals generates a glossy effect that is not always said to have. the thing I noticed compared to the 70-210 and the 60 micro is the less "saturation" of colors and a lower contrast, if you do not like anything unsolvable with settings in the room or in PP. on the d610 it was necessary to make the fine AF adjustment, on the d200 no, fortunately since nn exists :-D




Photos taken with Nikon AF 28-70mm f/3.5-4.5 D

Foto
The sunrise is tinged with red
by Marco Riccardi
192 comments, 9737 views  [editors pick]  
HI RES 24.2 MP

Foto
That the light is with you ..
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161 comments, 9062 views  
HI RES 12.1 MP

Foto
Freezer
by Marco Riccardi
135 comments, 6379 views  
HI RES 24.1 MP

Foto
Watching the river
by Marco Riccardi
120 comments, 6310 views  
HI RES 12.1 MP

Foto
Chamomile and poppies
by Marco Riccardi
113 comments, 7920 views  
HI RES 24.2 MP

Foto
The fortress of Soncino
by Marco Riccardi
100 comments, 6951 views  
HI RES 12.1 MP

Foto
Hut overlooking ..
by Marco Riccardi
92 comments, 5140 views  
HI RES 24.2 MP



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Foto
Spring Colors
by Marco Riccardi
82 comments, 5574 views  
HI RES 12.1 MP

Foto
What's the weather like .......
by Fabrizio Federici
92 comments, 971 views  
HI RES 3.8 MP

Foto
Night falls ..
by Marco Riccardi
87 comments, 4345 views  
HI RES 24.2 MP

Foto
The lantern and the Vitti
by Fabrizio Federici
104 comments, 940 views  
HI RES 3.8 MP

Foto
Moment of light
by Marco Riccardi
82 comments, 2691 views  
HI RES 12.1 MP

Foto
The paths of St. Paul
by Marco Riccardi
64 comments, 4480 views  
HI RES 22.9 MP

Foto
Sunset from the Passo Sella
by Marco Riccardi
66 comments, 3192 views  
HI RES 24.2 MP

Foto
A breeze ..
by Marco Riccardi
65 comments, 2830 views  
HI RES 24.2 MP

Foto
Between the autumn leaves
by Marco Riccardi
77 comments, 3052 views  
HI RES 11.1 MP

Foto
Castelluccio
by Lollo 77
26 comments, 4423 views
Foto
The kiss of the sun
by Marco Riccardi
79 comments, 2319 views  
HI RES 24.2 MP

Foto
2 x cherry finish ..
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63 comments, 3560 views
Foto
Shades of the lake ..
by Marco Riccardi
67 comments, 3080 views  
HI RES 11.4 MP

Foto
Dawn with Cristho ..
by Marco Riccardi
50 comments, 3460 views  
HI RES 24.2 MP

Foto
The utima light ..
by Marco Riccardi
40 comments, 2442 views  
HI RES 12.1 MP

Foto
Atmospheres of the lake ..
by Marco Riccardi
45 comments, 1779 views  
HI RES 20.9 MP

Foto
With his back to the three peaks
by Marco Riccardi
78 comments, 1782 views  
HI RES 23.7 MP

Foto
Gorge of Cellina
by Ilmore52
27 comments, 4578 views
Foto
Among the rows ..
by Marco Riccardi
34 comments, 2323 views
Foto
... by Crodon of S.Candido
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30 comments, 2995 views
Foto
Ivo fashion ...
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27 comments, 2908 views
Foto
The Wheel at Night
by Fotodelu
48 comments, 987 views  
HI RES 12.0 MP

Foto
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by Caneca
19 comments, 2239 views  
HI RES 12.1 MP

Foto
In the mirror
by Fotodelu
76 comments, 1062 views  
HI RES 22.3 MP



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Foto
Hotel Comacchio
by Fotodelu
42 comments, 605 views  
HI RES 21.2 MP

Foto
Lidia
by Giancarlo Carrisi
5 comments, 5637 views  
HI RES 13.9 MP

Foto
Perspective, colors and reflections
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32 comments, 296 views  
HI RES 13.7 MP

Foto
Colors of Val Calanca
by Renato Togni
30 comments, 1002 views  
HI RES 10.0 MP

Foto
The bed is mine ...
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20 comments, 2072 views
Foto
.
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4 comments, 788 views  
HI RES 12.1 MP


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