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Nikon AF-S 14-24mm f/2.8 G ED : Specifications and Opinions


Nikon AF-S 14-24mm f/2.8 G ED

The Nikon AF-S 14-24mm f/2.8 G ED is a wide-angle lens for FF and APS-C, manufactured from 2007. The focus is done by Ultrasonic AF Motor (Ring-USM), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1893 €;
150 users have given it an average vote of 9.8 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.



SpecificationsReviewsCompareBuySample Photos




 Specifications
 Focal lenght   14-24 mm
 Angle of view   114.2 - 84.1°
 Format   FF, APS-C
 Max. aperture   f/2.8
 Aperture blades   9
 Lenses/Groups   14 elements in 11 groups
 Min. focus distance   0.28 meters
 Reproduction ratio   0.15x

 Features
 Zoom type   Ring, interal
 Stabilization   No
 Focus   Ultrasonic AF Motor (Ring-USM)
 Internal AF   Yes
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters  
 Lens hood   Built-in
 Weather sealing   Yes
 Weight   970 g
 Dimensions   98 x 132 mm
Buy Nikon AF-S 14-24mm f/2.8 G ED, buy on Ebay


Reviews



What do you think about this lens?


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avatarjunior
sent on June 30, 2017

Pros: Sharpness, microcontrast, colour rendition, angle of view.

Cons: weight, too strange flare in some situations, coloured "blicks" even with no sun in the frame (sometimes), no possibility to attach filters, price too high.

Opinion: Much better choise than the 16-35/4 Nikkor. Completely different colours and contrast than this competitor. Including all PROS and CONS: the best very wide angle Nikkor lens! The most of little disadvantages of this lens could be easy removed in postproduction. With excellent microcontrast and colours (typical for Nikon lenses) the rest of job at computer screen is very nice - you simply get extraordinary picture. This item is "must have one" for all full frame "Nikonians". Of course one can buy a Zeiss 15/2,8, which is also very good piece of glass with overgrown price.

Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on October 21, 2019

Pros: Edge sharpness, incredible colors, focal range

Cons: Very pronounced flare, fixed lampshade, protruding front lens

Opinion: It is a very high-level lens, but at the moment, since they do it on less interesting lenses, it would require a makeover. I have never appreciated its fixed lampshade and its front lens, too exposed to scratches and weather conditions. Excellent in sharpness, it also has a low distortion, but I was always disappointed by the flares that in difficult conditions are seen and not little. More photos required heavy interventions with Photoshop and not always with positive results. I believe that when you learn to use it well, it will return images comparable only to the fixed (few). Overall, taking into account that it is an extreme zoom, which has incredible autofocus skills, which has high-level optical features, in my opinion it is time to take a step forward (although now everyone is pointing the headlights on the mirrorless). Nikon unfortunately struggles to update some products but this is the only one of the triad that has not yet been modernized (some consider it the holy grail). I am not asking for the vr which I consider useless, but rather a tweak to its nei. Undoubtedly a lens that has made its contribution to the history of digital photography. Cost of the new, in my opinion a little excessive. Weight appropriate to nikon standards.

avatarjunior
sent on August 03, 2019

Pros: Sharpness and chromatic rendering, focal aperture construction and versatility. In the backlight after "taming" it also gives a lot of satisfaction.

Cons: Maybe the delicacy of the front lens and not be able to mount screw filters.

Opinion: I have had this lens for about 10 months, I have used it in many scenarios (even for some improvised portraits) I can say that it is relatively versatile. This does not mean, however, that it is an easy lens to use, in fact you have to learn to "tame" it once you understand it you can even take advantage of the effects it does in the backlight to take particular photos. I don't go into the rendering of colors because they are just spectacular... blue and shades of the yellow greens etc are always well balanced is never excessive. The only flaw is not to be able to mount screw filters and have to be very careful to handle it because of the protruding front lens, but alas and thanks to the one that is so phenomenal.

avatarsenior
sent on February 13, 2019

Pros: Versatility, chromatic rendering and detail at all apertual and constructive solidity.

Cons: At the time no one found.

Opinion: In this focal range I think it's the top in circulation. Magnificently completes the Holy Triad F/2.8 (14-24/24-70/70-200). I honestly do not understand who complains about the weight and for the price. The versatility and quality you pay... With respect to fixed (and costly) targets, it is normal that quality is not the same. But if I choose a zoom, I have to accept a compromise. Otherwise it would be a bit like buying a Ferrari and then complaining that it consumes too much...

avatarjunior
sent on January 13, 2019

Pros: Build Quality

Cons: Front lens delicate and exposed... bad resistance to backlight... lack of incisiveness (available with post-production)... weight and cost!!!

Opinion: I have owned this lens for a few months... but I sold it almost immediately to replace it with fixed wide angles of the Zeiss milvus ZF series. 2 (15 and 21 mm). There is no comparison as a global surrender, as a micro-contrast, as a resistance to backlight, as fidelity colors and tonal transitions: win the Zeiss a man low!!! Basically this is the black sheep of the Nikon f/2.8 zoom triad. It's an outdated lens: it would serve a sound redesign to make it contemporary. But now Nikon will allocate resources and development to the 14-24 f/2.8 Attack for mirrorless use, because that's the future.




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