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The following opinions have been automatically translated with Google Translate.
Pros:Sturdy, well-built, high color rendering and flesh tones, possibility to use all the Nikon lenses, including those of 40 years ago.
Cons:Size of the display insufficient to give the idea of ??the picture taken. overweight, rumorisità shooting.
Opinion:I wanted to buy a used body but practically new (14,000 shots) to take off on a whim, given the positive reviews of users and have not regretted. The biggest flaw, that none of the advertisers found, in my opinion, just the dimensone of the display and the low light, especially in pienarn light that does not allow a correttarn exposure assessment of rnfoto reproduced. Despite all the rnricomprerei, it is a product rnsenza time, a true icon. rnPurtroppo I also noticed that during the night rnfoto some, several, pixels are burned, leaving white dots on blacks funds, such as the sky or dark parts, albeit irrelevant defect that day, requires corrections in postproduction.
Pros:color gamut, made of white gorgeous with the absence of burned areas, unequaled tonal depth, underestimated resolution, absence of noise in the night pictures up to 400 ISO, wealth of information in the details.
Cons:Slowness and weight.
Opinion:I own this camera since 2007 (the year 2016) and, having tried many of the latest generation of curiosity, so far I would not change with any, even with full frame ... you're probably wondering why rightly. I'll explain it; before taking this camera, I came from the Nikon f6 that I used with Provia 100F or 400F and sporadic use of a 4x5 'shen-hao always used with Provia 100F.rnBene, the images coming out of this camera have nothing to envy to these films ... the fuji has specially developed this type of SuperCCD which has characteristics as those to be designed, as well as taking as a reference the human eye, also that of the technology to silver halide of their films fuji slides . I can assure you, shooting on a tripod night pictures at 100 ISO, you can draw out of this camera unrivaled quality for typical characteristics of its Super CCD technology! Just want to talk about this ... this sensor is now out of production, eqT his regrets to me not a little, thinking of a subsequent replacement for the s5 with super CCD and a fullframe from (eg.) 24 or 36mpx. It was the last of a generation of CCD spectacular ... if you notice there is no digital camera that uses a CCD but now all come with CMOS ... this is because the CMOS consumes less batteries and costs less in its production ... but the CCD brings out a higher quality ... it is no coincidence that scanners use CCD and not the cmos. Anyway associated optics high quality boys have a camera that is still afraid! My 100x70 prints are in the Art Galleries. I not sell it mai.rn
Pros:professional body with seals against dust and moisture, Super CCD sensor, ISO held, dynamic range, film simulation and negative Fuji, live view, GPS support.
Cons:Operating relative slowness, burst unusable, not great battery life.
Opinion:Taken recently, after 10 years after its introduction. Even today in 2016, produces beautiful photographs to be left stunned, in some incomparable verses (especially the press). We start from the body: it is the same as the Nikon D200 so strong and solid, no frills and with all the keys where they serve. Coming from D80, the first time taken over by the feeling of not hold a camera, but a working tool. The sensor: Super CCD 6Mpx type S + 6 megapixel type R, for a total of 12 Mpx; designed by imitating the behavior of the human eye (rods and cones) by the color rendering and very interesting dynamic range. The iso estate is really good up to 2000, although the noise reduction function is not exactly the best. Other interesting features are the Fuji Film Simulation of 5 types, live view (although uncomfortable), GPS support via cable Nikon MC-35 or compatible, and the curious barcode support (for industrial areas). A reflex born for the study but excellent in all areas, except for the photographsports because slow burst. If you find one under 100,000 shots and in good condition, take it with your eyes closed!
Pros:Color rendering and unmatched dynamics, strength of the tank, reliability on the job, multiple shots, functions HDR inserted with a button, simulating analog films Fuji from negative professional slides.
Cons:Weight, slow burst, writing on the board (RAW + JPG).
Opinion:A camera for the extraordinary beauty of the pictures it produces. In architectural photography, portraits and street photography ambientati, the coupled-S5 PRO + Sigma 10-20mm is deadly and has no rivals, including tilt & shift. A camera and unrepeatable serious, from which I never would separate. Too bad that Fuji has stopped a production that, with today's technologies, would give a hard time to reflex increasingly super expensive, which have monopolized the professional market but that road is not worth that half of what they cost.
Pros:Outstanding Super CCD sensor from the superb color rendering, excellent camera body robust and reliable, mounts all nikon lenses also manual focus.
Cons:Burst not exciting; excessive slowness in the registration of the RAF; small display.
Opinion:After using it for several years before I sold it to move to the Nikon D90, the D700 and then finally to the latest Fuji (X100, X100S and XE2). Want to know how it ended up? ... I bought back because I could not stand senza.rnBisogna try to realize what brings out this old camera now, not to mention the press where, in my humble opinion, I assure you that only a few rivali.rnPeccato Fujifilm has abandoned the project of the Super CCD sensor with extraordinary qualities for both color rendering for dynamic range. It is true that it does not shine at high ISO, but it is also true that produces a grain type film, with almost no color noise, which to me garba molto.rnAdesso I only S5 coupled with the Tamron 17-50 and Sb 800 and live happy, try it!
user36759
sent on January 30, 2014
Pros:Quality of Jpeg files (and also lightweight), Super CCD sensor still unmatched as yield (also from modern Fuji X series), the only sensor that amazes me along with the Foveon mounted on the Sigma, robust machine body (the same as the nikon D200), Nikon F graft, durability battery is sometimes higher than the one declared
Cons:a little slow in recording especially of raw, battery life if not used frequently, is not Full Frame
Opinion:Just take a look at the images that have been posted below to realize the quality, the surrender of the complexion for which it is proverbial, and it is not one of those legends that create a particular aura around certain objects enhancing them more than that Are... it's reality. The AF is quite fast and precise and the optical fleet exterminated as it uses, like previous models, the Nikon F graft. automation at the top of the agenda. The recording of the images is a bit slow but I have never had any problems about it. The gust is 2ftg per century. It's not a sports shooting machine. But other than that he does everything else very well. The high iso seal is very good, better than the competition of its time, although sometimes the filtering of noise to sensitivities type 2000-3200 iso slaps a bit the details. But you can select a smaller filter that is also ideal for astronomical shooting. If you do not rush and look for quality and yield of the superior complexion, this is machine is for you. Battery life obviously varies a lot depending on the condition and frequency of use. Using it every day for work, I got to do 600 shots, 200 more than those declared!! To this day I don't know what to replace it with. Unfortunately, it was the last Fujifilm DSLR, and especially the latest device equipped with the Super CCD sensor in aps-c format.
The following opinions have been automatically translated with Google Translate.
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