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Fujifilm XF 50-140mm f/2.8 R LM OIS WR : Specifications and Opinions


Fujifilm XF 50-140mm f/2.8 R LM OIS WR

The Fujifilm XF 50-140mm f/2.8 R LM OIS WR is a tele lens for APS-C, manufactured from 2014. The focus is done by Lens AF motor (non-ultrasonic), it has image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1377 €;
69 users have given it an average vote of 9.7 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Fujifilm X-mount: this lens is compatible with mirrorless APS-C Fuji.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   50-140 mm
 Angle of view   32.1 - 11.7°  (equivalent to a 75-210mm in Fullframe 24x36mm format)
 Format   APS-C
 Max. aperture   f/2.8
 Aperture blades   7
 Lenses/Groups   23 elements in 16 groups
 Min. focus distance   1.00 meters
 Reproduction ratio   0.12x

 Features
 Zoom type   Ring, interal
 Stabilization   Yes (built in lens)
 Focus   Lens AF motor (non-ultrasonic)
 Internal Focus   Yes

 Built and notes
 Tripod ring   Yes
 Extenders   Yes
 Filters   72 mm
 Lens hood   Yes, supplied
 Weather sealing   Yes
 Weight   995 g
 Dimensions   176 x 83 mm

 Buy

Fujifilm XF 50-140mm f/2.8 R LM OIS WR, buy on Ebay Ebay



Reviews



What do you think about this lens?


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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarsenior
sent on September 21, 2022

Pros: Sharp, good aperture, relative footprint, AF speed, WR

Cons: Weight , noises during transport.

Opinion: Used on X-T3 gave me excellent results. The autofocus is fast and both the build quality and the rendering in terms of sharpness and blur are great. The noises that come from the lens during transport with the machine off will not be dangerous, but they are certainly not reassuring. The weight is felt and I can safely say that after a day spent with two cars in the bag (I kept an X-T3 with the 50-140 and another X-T3 with the 10-24) I regretted having sold the 55-200, so if you do not need large openings or tropicalization, I recommend taking the 55-200, darker but with good performance and much lower weight, if you want the maximum, well, take the 50-140 with your eyes closed, it will hardly disappoint you.

avatarjunior
sent on April 27, 2022

Pros: All

Cons: Diaphragm ring

Opinion: We are certainly talking about a masterful lens. Super bright to be a super canvas. It competes with the legendary Canon 70-200 2.8 (which I own and use for years for work). The only negative note that I would like to point out is the fact that the diaphragm ring, in my opinion, should be a little harder, like that of the X100F, to be clear. The complaints about the hood of other users, in my opinion, leave the time they find, ditto the criticisms on noise, for me absent. To photograph football matches I use it in combination with the 1.4x multiplier and it is more than fine.

avatarjunior
sent on February 06, 2021

Pros: AF Speed, Stabilization, Construction, Minimum MaF Distance, Optical Yield, Weight and Size, Weather Resistant, Internal Zoom Excursion, Price

Cons: Aesthetics, Paraluce Construction

Opinion: [Review after one year of use] The optics I have been using more and more is the 70-200 so this 50-140 was the first lens I purchased in conjunction with my switch from Sony to Fuji. The optics have a really remarkable construction, a lot of metal and even the rubber of the rings is of excellent quality (and flows internally), too bad for the plastic (ccia) lampshon really not in line with the construction quality of Fuji. As for the really important point of view, that of practical use and optical quality, here there is little to say: a perspective studied and developed really carefully, allows to make incredible close-ups thanks to the very short focus distance and has incisiveness and a TA yield with relative blurry truly noteworthy. All this like a bit of all Fuji optics, offered at a really ridiculous price when compared to FX competitors, because net of paranoid/inferiority syndromes of those who see only the Full Frame as the only format with which to work this system offers excellent value for money and in many cases exceeds fx offers such as optical yield and performance (see the distance of MaF in this case). It also behaves egregiously on Video with a really precise tracking (and customizable from menu in the car) that I personally use little by almost always turning in MF or with focus assist but that represents an excellent feature for those who approach the video world and want an optics with which to learn and take home the shot without too much trouble. Finally aesthetically maybe it is the visually ugliest optics I have had, I understand the philosophy of compact (or as many say "mirrorless philosophy", I get the chills every time I read it) but to date I still do not understand this obstinacy on the part of Fuji to make optics that tighten at the tip.

avatarsenior
sent on September 11, 2020

Pros: Construction, internal zoom, WR, focal

Cons: Nothing

Opinion: Purchased together with the 1655 I immediately appreciated the quality of the files with incredible detail. The Af is amazing and never makes mistakes. I often use it in conjunction with the mcex10-16 extension tubes and allows you to make excellent macros while maintaining the usual quality and even a certain range of maf. Sometimes I blur it in particular light conditions, I think it's nervous.

avatarsenior
sent on March 15, 2020

Pros: Sharpness, Construction, Ghiere.

Cons: Foot Tripod, Bokeh under certain light conditions, Weight.

Opinion: Used for a period the 50-140 then sold for weight reason. Put on the scales the 50-140 complete with foot tripod caps and lampshade comes to weigh 1200g for me tabu. As sharpened various optical errors this almost perfect optics no distortions, chromatic aberrations, only very light vineyard with focal 140 mm. The tripod foot did not or found a nice thing not possible to detach even the ring on this optics that would have saved a can of weight. Those looking for the best Bokeh and made very high better the Fuji 90 f2 optical record maximum opening quality, instead photography landscapes recommend the 55-200 lighter in addition comes to focal 200 mm. Mechanical construction Ghiere AF WR perfect only one internal higher stabilizer noise respects the other Fuji optics, the noise remains even when you turn off the stabilizer. This optical 50-140 recommended best Zoom Fuji in absolute hard alternatives we find a 55-200 zoom but compared to the 50-140 nothing to do lower almost everything else one made negative the weight of 50-140.




Photos taken with Fujifilm XF 50-140mm f/2.8 R LM OIS WR

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