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Fujifilm XF 16-55mm f/2.8 R LM WR : Specifications and Opinions


Fujifilm XF 16-55mm f/2.8 R LM WR

The Fujifilm XF 16-55mm f/2.8 R LM WR is a standard lens for APS-C, manufactured from 2015. The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 981 €;
70 users have given it an average vote of 9.6 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Fujifilm X-mount: this lens is compatible with mirrorless APS-C Fuji.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   16-55 mm
 Angle of view   84 - 29.3°  (equivalent to a 24-83mm in Fullframe 24x36mm format)
 Format   APS-C
 Max. aperture   f/2.8
 Aperture blades   9
 Lenses/Groups   17 elements in 12 groups
 Min. focus distance   0.30 meters
 Reproduction ratio   0.16x

 Features
 Zoom type   Ring, external
 Stabilization   No
 Focus   Lens AF motor (non-ultrasonic)
 Internal AF   Yes
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   77 mm
 Lens hood   Yes, supplied
 Weather sealing   Yes
 Weight   655 g
 Dimensions   83 x 106 mm

 Buy

Fujifilm XF 16-55mm f/2.8 R LM WR, buy on Ebay Ebay



Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on October 07, 2021

Pros: Professional-grade optics

Cons: All those related to bulk and weight for those who see limitations from these two factors.

Opinion: Found used only four months at a great price, I could not fail to seize the opportunity. It was therefore more of a whim than a real necessity. I will not go into the positive technical details because they are known and I have verified them too: the lens is of a non-questionable quality and the images it imprints on the sensors are just as much. I can only add that it is not suitable for those who love to be light, for those who love the street, for those who like not to give too much in the eye with the digital in hand and for those who have a reduced camera body like the X-S10 on which I grafted it. And I would add that it is a frankly wasted object for aspiring student photographers like me. Kept twenty days and resold to return to the most suitable for me 18-55 and 35 f / 1.4.

avatarjunior
sent on September 18, 2021

Pros: Construction, sharpness really top to all apertures. A truly professional zoom. Excellent quality.

Cons: Stabilization and hood.

Opinion: I must say that this fuji 16-55 is a really high quality lens. Truly impeccable construction. Top sharpness at all apertures also a very nice aesthetic look. Some say the weight for me mounted on an xh1 I have no problem on the weight. Of course, in smaller camera bodies, perhaps the weight of the lens can somehow create some discomfort. Surely the stabilization is missing and this involves buying a car with the stabilizer perhaps the negative thing is that. The hood is not always effective at mounting it. Lens absolutely recommended.

avatarjunior
sent on July 24, 2021

Pros: Absurd sharpness, quality from materials, photo/video autofocus

Cons: There is a lack of stabilization. External zoom, with the barrel (at least in my case) that does not transmit solidity when it is completely leaked. MAF obscene manual, very uncomfortable.

Opinion: Zoom required if you own fuji system. Optically incredible, bearable weight and allows you to do anything almost without compromise, as if it contained four prime lenses. The loss of "bokeh" compared to a 24-70 FF in my opinion is not as important as you want to make believe, I invite you to go and see a comparative to get an idea, especially when you consider that for a few millimeters of blur more you have to pay triple compared to an apsc system. With her I shoot often at 2.8 and the image is very clear, the only drawback is a slight vignetting only at TA. Perfection is achieved by closing at 5.6, as we are now used to with any lens. Absolutely recommended, too bad for the OIS, although they say that they did it to reduce the size, weight and optical quality, and that on the contrary it would not have been so compact. I prefer lenses with internal zoom for reasons of robustness and resistance to atmospheric agents but it is a personal opinion, so it is undoubtedly comfortable to store in a possible bag. Last note is perfect for video, resolution in the 4k upscalate of the XT3 that leaves you breathless, soft and silent focus, even if you are forced to use the continuous af, since the ring of the maf returns an unpleasant feeling of non-precision and does not allow work up. It counts the fundamental focal lengths to shoot and so much below 2.8 you never go down if you want to have the faces completely in focus. P.S. all lenses with internal magnetic focus (so practically the whole fuji system) look like maracas when they are turned off, since the optical assembly is free to slide on the rails. It does not happen only to fuji but to anyone who produces the af with this method, it is not a reason not to buy it, nothing happens.

avatarjunior
sent on July 24, 2021

Pros: Absurd sharpness, quality from materials, photo/video autofocus

Cons: There is a lack of stabilization. External zoom, with the barrel (at least in my case) that does not transmit solidity when it is completely leaked. MAF obscene manual, very uncomfortable.

Opinion: Zoom required if you own fuji system. Optically incredible, bearable weight and allows you to do anything almost without compromise, as if it contained four prime lenses. The loss of "bokeh" compared to a 24-70 FF in my opinion is not as important as you want to make believe, I invite you to go and see a comparative to get an idea, especially when you consider that for a few millimeters of blur more you have to pay triple compared to an apsc system. With her I shoot often at 2.8 and the image is very clear, the only drawback is a slight vignetting only at TA. Perfection is achieved by closing at 5.6, as we are now used to with any lens. Absolutely recommended, too bad for the OIS, although they say that they did it to reduce the size, weight and optical quality, and that on the contrary it would not have been so compact. I prefer lenses with internal zoom for reasons of robustness and resistance to atmospheric agents but it is a personal opinion, so it is undoubtedly comfortable to store in a possible bag. Last note is perfect for video, resolution in the 4k upscalate of the XT3 that leaves you breathless, soft and silent focus, even if you are forced to use the continuous af, since the ring of the maf returns an unpleasant feeling of non-precision and does not allow work up. It counts the fundamental focal lengths to shoot and so much below 2.8 you never go down if you want to have the faces completely in focus. P.S. all lenses with internal magnetic focus (so practically the whole fuji system) look like maracas when they are turned off, since the optical assembly is free to slide on the rails. It does not happen only to fuji but to anyone who produces the af with this method, it is not a reason not to buy it, nothing happens.

avatarjunior
sent on April 23, 2021

Pros: Robust, crisp and great AF

Cons: 16 mm distortion, plastic lampshed

Opinion: I use it mainly for work, on the go I prefer the 18-55 because it is lighter and more comfortable even if it is not comparable. For concerts and events I use it constantly and it is very reliable, it is one of those optics that gives you safety. The AF is quiet and it's very good even on x-t1 on x-t2 and x-t3 on single AF is a sniper. I also like the chromatic rendering and when I have to photograph the actors during make up it also makes a great blur so it makes it a lens on which a professional can rely for a moment and for the price it costs it is a bargain. I come from nikon's 24-70 2.8 which is a fantastic lens, and that doesn't make me regret it. In fact, since it weighs almost half, I'd say I'd never go back. I also like how it makes at 2.8 I don't see visible flaws on the image. The only thing is that it's not an optics to do architecture because it distorts exactly like nikon's 24-70, but they're optics born to do something else and so a professional knows it. I personally always carry with me the 14 2.8 because for the photos where I want the straight lines I mount on the 14th which is a show! Ultimately, professional optics in every respect, a tank, mounted on an x-t2 with grip you can really go to war.




Photos taken with Fujifilm XF 16-55mm f/2.8 R LM WR

Foto
Epic sunrise!
by Fabrizio Fortuna
105 comments, 13575 views
Foto
Lisbon
by Nicholas N.h.
97 comments, 15188 views  [editors pick]
Foto
New Horizons to photograph
by Frapaso
52 comments, 7390 views  [editors pick]  
HI RES 12.0 MP

Foto
Sunrise at Lagazuoi
by Mattia Kers
39 comments, 5738 views
Foto
Country road.
by Luigi Mossali
81 comments, 1488 views
Foto
The sky in the aqcua.
by Luigi Mossali
74 comments, 1480 views


RCE

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Foto
Sunset on Seiser Alm
by Nicoruffato
32 comments, 4910 views  
HI RES 3.8 MP

Foto
Light and casino
by Fabrizio Fortuna
31 comments, 7373 views  
HI RES 10.6 MP

Foto
La recherche
by Giorgio Meneghetti
102 comments, 5782 views
Foto
Chasing the Muzza.
by Luigi Mossali
77 comments, 2128 views
Foto
Riga 2018
by Left
40 comments, 4161 views
Foto
Sleepy Lake, Lake
by Alessandro AK
44 comments, 1445 views
Foto
After the storm.
by Luigi Mossali
66 comments, 1629 views
Foto
To the small pond 2
by Luigi Mossali
71 comments, 1071 views  
HI RES 6.0 MP

Foto
The white arrow at sunset.
by Luigi Mossali
74 comments, 1724 views
Foto
Bikers also do .....................
by Jerry Vacchieri
56 comments, 6134 views  
HI RES 14.1 MP

Foto
Epic Light.
by Fabrizio Fortuna
17 comments, 2502 views
Foto
Lonely Spectator
by Albertorossi
40 comments, 1319 views  
HI RES 24.0 MP

Foto
Tergola path
by Lamberto
60 comments, 4317 views
Foto
Saving images
by Salvacasco Immagini
17 comments, 4402 views  
HI RES 18.6 MP

Foto
The sun in a flower.
by Luigi Mossali
42 comments, 1474 views
Foto
Slowly I'm taking you to the sea.
by Luigi Mossali
51 comments, 1346 views
Foto
Mendy
by Marioreds61
40 comments, 10818 views  
HI RES 10.2 MP

Foto
China-fishermen
by Csd949
22 comments, 4699 views  
HI RES 16.7 MP

Foto
Bayoke Sky
by Fabrizio Fortuna
17 comments, 4491 views  
HI RES 16.0 MP

Foto
Yellow Rapeseed and the wind.
by Luigi Mossali
61 comments, 882 views
Foto
... Put a day in Rome.
by Fabrizio Fortuna
24 comments, 2066 views  
HI RES 16.0 MP

Foto
Chasing color 2.
by Luigi Mossali
45 comments, 1224 views
Foto
Monument Valley
by Apinzone
14 comments, 5650 views
Foto
Playa de Benijo
by Francesco Casalenuovo
21 comments, 3024 views  
HI RES 3.8 MP

Foto
Abreast of the Times ma...in delay
by Roby54
43 comments, 3542 views  
HI RES 6.4 MP

Foto
Untitled Photo
by Nicoruffato
15 comments, 10851 views  
HI RES 3.8 MP



RCE

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Foto
Hong Kong
by Fabrizio Fortuna
13 comments, 4512 views  
HI RES 34.7 MP

Foto
Subheading
by Alessandro AK
22 comments, 530 views
Foto
Bruma.
by Luigi Mossali
52 comments, 1330 views  
HI RES 10.7 MP

Foto
Rotoballe, like a small army.
by Luigi Mossali
39 comments, 1177 views
Foto
Last light
by Fabrizio Fortuna
20 comments, 2875 views  
HI RES 16.0 MP


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