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The Canon RF 24-105 mm f/4 L IS USM is a standard lens for FF and APS-C, manufactured from 2018. The focus is done by Ultrasonic AF Motor (Ring-USM), it has image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1349 €;
57 users have given it an average vote of 9.2 out of 10.
MOUNT
This lens is available with the following mounts:
Canon RF: this lens is compatible with mirrorless fullframe Canon RF.
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Pros: Sharpness, excursion up to 105, speed AF Great all-rounder, well built, good focal excursion, excellent AF.
Cons: Nothing if it is used for the purposes for which it was designed (travel-reportage)
Opinion: A great optics, ideal all to do for the trip, I consider It an ideal destination for travel,The construction is very good and compact and has a balanced weight. Stabilization and a plus. AF Fast and accurate does not mistake a shot. Sharp already at F4, but for me the best comes from F/5.6 to F/11. I bought this lens mainly to replace the already Canon EF 24-105mm L
The following opinions have been automatically translated with Google Translate.
Pros:Solid, fast, beautiful, few distortions, excellent stabilizer, quiet and overall very sharp.
Cons:Sharpness under "my" expectations at full opening from 24 to 70mm
Opinion:The best 24 105 of canon house on all aspects, I use it since it came out and considering the cost I would have expected a sharpness greater than full opening from 24 to 70mm which does not occur from 70 to 105mm... But you can't have everything from life. This applies to my specimen or maybe I'm not satisfied anymore after using rf 28-70 f/2
Pros:SHARPNESS, AF speed, ring, tropicalization, size
Cons:Switches for AF and IS too little marked to the touch, noise during transport (or IS module or barrel probably)
Opinion:I purchased this RF 7 months ago together with Eos R, coming from RP + 24-105L first series. I took them everywhere: Norwegian fjords in the rain, stormy sea, windy beaches.. I did all kinds of photography: landscape, portraiture, sports, product, astrography, disco events and parties. After this long test I consider him the all-rounder par excellence. I start by saying that it has absolutely nothing to do with the old 24-105, neither first nor second series (200) and it is totally worth the change. It is EXTREMELY SHARP on a sensor like that of the R at any focal point and already from f/4, autofocus significantly faster and quieter and very effective stabilizer (I arrived at 0.5 to 35mm seconds without micromosso). I have no idea how he behaves for vignetting and AC, as working with RAW active the correction and they both disappear totally, I no longer find it sensible as a problem in 2020. The flare is very small and in terms of tropicalization, although it does not look like a tank to the touch, I consider it perfect. I worked on it in the rain, salt water and sand and it didn't have the slightest infiltration or hesitation. The only two criticisms I would like to make to this lens are the IS and AF switches on the barrel, which are too little marked to the touch and I often happen to confuse them in the dark or without looking directly at them and a noise that happens by shaking or carrying the lens, probably due to the IS module or the barrel, which however I would have preferred not to hear on an L series.
Pros:Excellent lens, sharp even at full opening and decidedly well contrasted with very little flare.
Cons:Plastic construction not from L series
Opinion:Excellent lens overall versatile and quite sharp a remarkable step up from the EF 20-105 vers I and II. Recommended basic kit lens for both landscapes and portraits set and not. The customizable selector is also convenient. The price is obviously from L series but as written above the quality of the materials no .
Pros:Construction, autofocus, sharpness, control dial
Cons:Loses sharpness and contrast to f4 with subjects less than 1m
Opinion:A globally excellent view, it has a very fast and quiet autofocus, it is well built, pleasant to the touch and in the sliding of the dials and the dinghy, beautiful the lampshade with release key. The sharpness is generally great: with subjects over 1 meter away, you can afford to play with focals and diaphragms, knowing that you always get results close to the maximum possible sharpness. Going to do the fussy and the nerd tests with the brick walls (who is without sin throws the first stone), I would say that between f5.6 and f8 you reach the peak of sharpness. The minimum distance of maf is 45cm, which at 105mm allows you to approach discreetly, however beware, that in close proximity to the minimum distance of maf the images to f4 are soft and free of contrast. Closing at f8 becomes a razor even in closeups at 105mm ... on the intermediate focal points and up to 70mm just close at 5.6 ... This is the only optical limit I have encountered (and that will soon make me flank by the 35mm macro) otherwise a great all-rounder
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