Canon EF 70-200mm f/2.8 L IS III USM : Specifications and Opinions

Canon EF 70-200mm f/2.8 L IS III USM, front

Canon EF 70-200mm f/2.8 L IS III USM, back

Canon EF 70-200mm f/2.8 L IS III USM, top

The Canon EF 70-200mm f/2.8 L IS III USM is a tele lens for FF and APS-C, manufactured from 2018 to 2026 (discontinued). The focus is done by Ultrasonic AF Motor (Ring-USM), it has image stabilization. The average price was 2259 €;

39 users have given it an average vote of 9.7 out of 10.

MOUNT

This lens is available with the following mounts:

Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.

Specifications
Focal lenght	70-200 mm
Angle of view	34.4 - 12.4°
Format	FF, APS-C
Max. aperture	f/2.8
Aperture blades	8
Lenses/Groups	23 elements in 19 groups
Min. focus distance	1.20 meters
Reproduction ratio	0.21x
Features
Zoom type	Ring, interal
Stabilization	Yes (built in lens)
Focus	Ultrasonic AF Motor (Ring-USM)
Internal Focus	Yes
Built and notes
Tripod ring	Yes
Extenders	Yes
Filters	77 mm
Lens hood	Yes, supplied
Weather sealing	Yes
Weight	1440 g
Dimensions	89 x 199 mm
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Reviews

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The following opinions have been automatically translated with Google Translate.

Gerry888800

sent on 21 Novembre 2024

Pros: Excellent image quality with consistent sharpness throughout the focal range. Constant f/2.8 aperture for soft bokeh and great low-light performance. Very effective image stabilization system (up to 3.5 stops). Robust construction and resistant to dust and weather.

Cons: High weight, not ideal for long handheld sessions. Imposing size, not very discreet for reportage or casual events.

Opinion: The Canon EF 70-200mm f/2.8L IS III USM is one of the best telephoto lenses on the market, perfect for professional photographers looking for versatility and high performance. The image quality is extraordinary: impeccable sharpness, vibrant colors and wonderful bokeh thanks to the f/2.8 aperture. This makes it ideal for portraits, sports, wildlife and even landscapes, ensuring excellent results in almost any situation. The extremely effective optical stabilization helps compensate for weight and size, but after long sessions the weight can be tiring, especially without a monopod. The robust construction, typical of the L-series, is an advantage for those working in harsh conditions, but the price makes it a significant investment. In summary, the 70-200mm f/2.8 IS III USM is an exceptional lens, which repays every penny invested with breathtaking images and reliable performance.

Franco Pastorino

sent on 25 Giugno 2024

Pros: Perfect focal range for arenas, 2.8, stabilizer, anti-glare treatment and internal zoom

Cons: Nothing of note

Opinion: I have owned the 2.8 version for more than 10 years, which is used to the hilt in all conditions. After trying the IS3 I couldn't help but upgrade. It is a stratospheric optic, with spectacular sharpness and a blur that is absolutely noteworthy. I didn't see any particular improvement on the MAF mounting it on the R6 compared to the 1Ds3 or 1Dx, which means either that I was lucky or that the optics are absolutely perfect. Mounted on the 1Ds3 it has a splendid performance, merging in the shots (portrait) the sharpness of a modern lens with a paste that brings you back to the film. Some time ago I was thinking of getting rid of it considering the little use considering that I use much more the 135/2 EF and lately also the adapted 135/2 C/Y, but in certain situations it is a "mandatory" lens. I tried the RF equivalent a few months ago and I was stunned by the size (it looks like a 24-70 2.8 first series), the sharpness and the effectiveness of the IS: I didn't make a side-by-side comparison but I have the impression that it is better. However, for those who work in arenas or in any case in the sports field, I think the EF version is better for two reasons: compatibility with TCs (with the 1.4/3 practically nothing changes in terms of AF and sharpness, I don't know with the 2x because I don't have it) and internal zoom: in arenas it often happens to put the body and optics on the ground, And in my opinion, having the "obligation" to retract the zoom before putting it down is a real disadvantage, not to mention that the possibility of pulling in the dust is real (even if very difficult). For studio or portrait use only, the size of the R version is absolutely an advantage. Advised? Absolutely ;)

Maurizio Cascone

sent on 21 Giugno 2024

Pros: Sharpness, F/2.8, AF speed, flare and backlight resistance, internal zoom, tropicalization.

Cons: I would have preferred a shorter minimum AF distance.

Opinion: Excellent optics, very versatile and reliable in any circumstance. The previous model, the EF 70-200MM F2.8L IS II USM, has accompanied me everywhere, sporting events, ceremonies, mountain excursions, included in nature photography, with and without extenders of the 3rd series, in short, an adventure companion that has never made a fuss even in the most extreme weather (snow, sea, rain, etc.). Now, after years of honorable service, it has been replaced with this latest version, the EF 70-200MM F/2.8L IS III USM. Apparently it would seem that there are no big news, already the previous version was fantastic, but the current one adds better backlight control, AF speed, greater overall sharpness, slightly improved stabilization, as well as the new coloring that improves its resistance to the heat of the sun, in addition to the legendary tropicalization (thanks also to the internal zoom), I think it's really worth the upgrade! Grade 10 laude!

Angela Platania

sent on 26 Settembre 2023

Pros: comparing it to version 2 NONE

Cons: COMPARING IT TO VERSION 2. lack of sharpness.

Opinion: I decided to review this lens that I bought, kept three days and returned to the sender, because DISGUSTED by the non-quality of this optics. I don't know if I have trimmed a defective optics and to know I would have to try another. But this one, new, is really pitiful. I used it twice, at the Zarrillo concert, because I use this lens for concerts, and I had brought only this, the photos taken were blurred, blurred, without detail. A colleague of mine told me, look it was probably because of the lights that were actually quite poor. But the next day I went to the POOH concert and this time not to risk, given the event, I also brought version 2. At that point I had no more doubts. The optics were poor, not very sharp, not very focused and gave that blur effect. I repeat I do not know if the optics were defective, but I certainly had no intention of sending it to canon for a check and waste time. I can only say that if Canon makes a lens like this... Don't complain if you lose customers. I will try to borrow this lens, for another concert, but now they have almost all switched to sony and those who do not have sony have switched to mirroles and therefore has RF optics, so if you are going to buy this lens, I advise you to try it first... For concerts it is not good at all. For other things I don't know.

Nicoli Giuliano

sent on 05 Aprile 2023

Pros: Sharpness, AF speed, price with the release of the new RF

Cons: Nothing to report

Opinion: I come from the first version of the 70 200 f 2.8, you can clearly see the difference in sharpness and speed of the AF, having never tried the mark II I can not give a judgment of comparison with the predecessor. the lens proves to be very resistant and ductile, you feel a bit the difference in weight with the new RF but the quality is not discussed, I tried it both on R3 and on 1DX and I did not notice any difference, it has always given its best on all occasions. Excellent UPGRADE from the first version.

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Canon EF 70-200mm f/2.8 L IS III USM : Specifications and Opinions

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Photos taken with Canon EF 70-200mm f/2.8 L IS III USM