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| sent on 24 Dicembre 2020
Pros: Amazing quality of the file that churns out, fantastic resolution for exaggerated crops, Pro body, beautiful viewfinder, excellent AF, original anthracite coating that differentiates it from smooth 5D3, possibility of on-camera cropping 1.3 and 1.6 directly on the RAW file at your fingertips, very accurate exposure meter and improved WB compared to 5D3, infinite possibilities (with series lenses)
Cons: Noise, noise, noise, you have to deal with the extremely dense sensor, 6400 ISO are already emergency, absolutely needs SERIES lenses!!, not for all genres.
Opinion: Then... let's start by saying that, this is a machine that caters to some photographic genres and can never, ever be a handyman like 5DMk4 for example. Portrait and landscape are his favorite genres, his sensor is truly extraordinary in the range between 100 and 3200 ISOs capable of churning out extremely detailed images and with exemplary colors! great quality therefore of raw that remains really very workable. with 50Mp the crop possibilities are almost infinite in more, genius of Canon it is possible to crop / cut directly in the machine on the RAW file in various formats, 1,3, 1,6 4:3 etc... this involves the possibility of exploiting the available optics in a very flexible way especially with clipping 1.6 (APS-C format) and, at crop carried out you still have a file of about 20 Mp of great quality. But... every medal, always has its downside and after all these Pros that are many, let's talk about the cons ... Noise! ehhh yes, forget about going around in the evening using it freehand, the range available to get a good file must not exceed 3200 ISO, beyond the noise it becomes quite invasive and is rather difficult to eliminate without losing the finer detail, therefore, for any night you will need a good easel. Another sore note... THE LENSES! even here, there is no escape, to make it to the maximum of its possibilities, it is necessary to equip it with OBJECTIVE GENTLEMEN such as fixed of the Art series of Sigma (BEN TARATI!!!) and L Canon series optics, in particular I recommend the 35mm f1.4II and the 135mm f2 L, beautiful in combination with this body. In conclusion, I can say with extreme certainty that the 5Ds is a fantastic reflex for lovers of portraiture and / or landscape able to show the most meticulous details of an image that often escape the eye during shooting but ... mind you, she's NOT a handyman!!! it's like a Formula 1 Ferrari to make a comparison, it only runs on the track and that's enough to understand us, you can't do everything about it, so much better the 5D4 is a machine with an extremely limited ISO range, 6400 ISO are the latest native sensitivity but they are already to be used for emergencies! so no night outings with reflex around the neck :-) but exclusively with easel as a result, SERIOUS LENSES without compromise otherwise, the high browning will highlight all the crap of underperforming lenses and the shot will be a all kneaded. With TOP lenses, therefore, for portrait and landscape no one will be disappointed by this reflex that, if used properly will create not a little dependence, recommended absolutely to be combined with a reflex all do or as the only machine body for super fine palates in search of the maximum possible detail and giving up stratospheric ISO and the use and abuse of the freehand chamber. |
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