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| sent on 28 Giugno 2017
Pros: Quite clear, imperceptible distortion, controlled vignetting, is small and light
Cons: Colors less saturated than other Canon, and a bit cold, loud noises
Opinion: Taken used many years ago, it gave me great satisfaction and opened a world on film. I did some trips with me only this 24 f2.8 and 50 f1.8, with my trusted Eos 50E (prehistoric!). The Eos 5D Old has been heavily penalized by a rather marked back-focusing, which in practice has led me to limit its use to closed landscape diapers (f8-f11). The problem is fortunately solved with the 5D MkII, on which the BF was immediately revealed to be more content (mysteries ...) and in any case it was totally correctable with the micro-regulation AF (-7, and now it's perfect). Loved just now, like 50 f1.8, because of the Lilliputian dimensions, which make it stand in a pocket and when you mount it on the car many look at you strange as if missing something. Unlike 50, however, necessarily requires the hood (its dedicated is petals, very nice), which reduces its punctuality. The yield is already discrete in TA, where it is actuallyUsable, although the best comes to f4, where the engraving is really great, as well as f5.6, where they further improve the margins. A f5.6-f8-f11 detail at a frame angle (if not completely out of focus) on 100% pc monitors looks as sharp as those in the center of the frame. In fact, the best quality of this Objective is the uniformity of rendering and the excellent correction: the distortion is virtually imperceptible (not bad for a 24mm designed almost thirty years ago ...), and it is surprisingly limited also the vignetting, already in TA, so that it disappears Totally f4rnThe AF is dated, slow and noisy (cric-tic), but for me this is not a problem. RnPace for color rendering, visibly less saturated and somewhat cold than Canon standards (in fact It may depend on the front lens, which is visually slightly blue), which according to my tastes forces me intoPlan to PP on this aspect in almost all shots. How do I vote for 9 and not 10 for this, and how much did I make back-focusing with the 5D mkI: I was used to focusing on a point closer than the subject ... rn |
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