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The Canon EF 24-105mm f/4 L IS USM II is a standard lens for FF and APS-C, manufactured from 2016. The focus is done by Ultrasonic AF Motor (Ring-USM), it has image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1070 €;
68 users have given it an average vote of 9.1 out of 10.
MOUNT
This lens is available with the following mounts:
Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.
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The following opinions have been automatically translated with Google Translate.
Opinion:It is a very heavy and economically demanding all-rounder objective. These two characteristics, however, are commensurate with the great constructive care. My specimen shows at 24mm at the edges marked chromatic aberrations. Perhaps staying on a 28-105 f.4 would have had greater optical quality and less weight. If flanked by the 16-35 f.4 there would have been no problems covering focal distances. The stabilizer is appreciable. It's a great piece of optics.
Opinion:Great all-rounder, best for Canon. Used for over a year I can say that you can do from landscapes to portraits. Really good optical quality to have a great focal excursion. At f4 already good but at 5.6 really the maximum. Goal to have if you want to exit without changing Too many fixed. Autofocus good and great stabilization.
Cons:A little soft TA, chromatic aberrations, 24mm distortions
Opinion:A versatile lens with the classic range of focals that on FF allows you to cover many needs. Excellent build quality and excellent stabilizer. I have never tried the previous version so I can not say what the improvements are. Soft to TA, it suffers from chromatic aberrations and 24mm distortions. It's definitely the classic "all-rounder" lens that allows you to go out with a "minimal" body-goal set, which I needed for the "daily" and "holiday" outings. Obviously my assessment of quality is very influenced by the fact that I do the comparison with the surrender of the 16-35 f/4 IS, a monster of sharpness from board to board also to TA and poor distortion.
Opinion:Compared to the first version, those ugly dark 24 mm corners have disappeared, the optical quality I judge it more than good, not only, but to perceive differences with more ephaly ephaly opticals, such as. The 24-70 2 8 II, you have to enlarge a lot and does not always come out to the worst: the 24-70 I owned but I preferred the most compromised solution between the two. Often I find myself traveling only with that optics on the 6D2: the perceived quality of the images is definitely satisfying and even the blurred, if used at f/4 is pleasant, of course you can not expect the same bokeh of the 85 superlumbosis. Impeccable autofocus, excellent construction and excellent stabilizer. Only the weight was in favor of the old version.
Pros:Sharpness, no deformation at 24 mm, excellent focus on the entire frame.
Cons:A bit soft at f 4 and slightly on the outer corners.
Opinion:I use it with 6D Mk. II for about 3 months both in the open and in the studio. Considerable improvement over everything compared to the previous series. Excellent yield also to f 4, but it gives the best of itself from F 6.3. Great focus on the whole frame. Very efficient Stabilizer. I Would say it is a great compromise between price and quality.
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The following opinions have been automatically translated with Google Translate.
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