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Grappazz www.juzaphoto.com/p/Grappazz  |
The following opinions have been automatically translated with Microsoft Translator. | AmazonBasics Treppiede con impugnatura a pistola 177cm Pros: construction, ruggedness, versatility Cons: game center column Opinion: Despite the heaviness, it seems designed for use in the field, as shown by the 'claws' removable. All joints can tighten with an Allen key in the inside pocket of the cover along with a spare plate. The legs can be run as you want, especially for macro photography. The middle column is slow, at least in my case, better not lift it too because it makes the game. Like many non-professional tripod, it gives the best of himself with only two extended sections and at that point it is appropriate to think of an eye in the cockpit. The gun is great but may require adjustment with the usual hex wrench. It holds up well up to 1.5 kg unbalanced (the most I) and probably more if you balance the load on the well head. sent on May 30, 2016 |
 | Nikon AF 75-300mm f/4.5-5.6 Pros: Surprising color rendering, a few artifacts, beautiful building. Cons: slow and problematic autofocus, Unclear focal maximum and maximum aperture Opinion: Bought by a bit 'but little used, I recently rediscovered for nature photos and I really like. Normally a lens like this are wondering performance long focal length, but also I am fine in the range of 75mm to 135. Excellent backlit with very few traces of the primary light source, good bokeh, beautiful color rendering for nature photos. The autofocus is a drama, in spite of this I was able to produce great photos even swifts in flight. sent on May 29, 2016 |
 | Zenit MC 3M-5CA 500mm f/8 Pros: compact, reliable construction, easy handling in focus, affordable cost. Cons: difficulty in focusing, blur / shake-bokeh "donut". Opinion: Despite the difficulties in dealing with this in mind, and the many wasted shots to take my hand, I'm still satisfied with the possibilities it offers. In particular, the extremely shallow depth of field is used to stratify the plans of the composition and give depth. Sure, it's not a choice, and a short distance is a nightmare, but you have to adapt. At low exposure darken the corners a lot, so much so that it is preferable to crop DX format. The dynamic contrast is not much, but in sunny conditions is fully adequate. Overall demanding a perspective that leads to finding unexpected solutions. sent on May 10, 2016 |
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