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The following opinions have been automatically translated with Microsoft Translator. | Nikon 35mm f/2 AI-s Pros: clear, solid, strictly mf Cons: that Nikon does not do it anymore Opinion: I acquired this vision many years ago, even at the time of the film, by a photojournalist who used it both around the world to do interviews for famous newspapers and for services on motocross races. He said that the 35 mm f2 and the 180 mm f2.8 were according to him (at that time) the best Nikon lenses. He was right. The 35 mm nowadays will also be vintage, but it is incisive and clear even in the pixel world. After half of the life spent around the world and in the mud of the motocross tracks, and been knocked to the ground a thousand times, mine is bruised, scuffed, with the small fork made to rebuild and the front glass rigatissimo, but the rings fire and diaphragms turn that is a pleasure, so that does not make me want to change it, because it still offers incredible images. sent on January 25, 2018 |
 | Nikon 80-200mm f/2.8 AF (1987 version) Pros: absolute clarity and guaranteed results Cons: it makes you fall in love Opinion: I had found it online for 390 euros two years ago. It is an ancient lens, even if slow, but professional and reliable. Although it was born in other times it is built with superb glass. The weight is the main peculiarity that determines a pleasant and reassuring feeling of metal between the hands, which can also be used to avoid blur. Evaluation, framing, relaxation, exhalation and away! Also grafted onto a D 50 and with only 6 megapixels, and especially in the portrait, can prove to be able to make real masterpieces. With the D3, then, once again provoking the provocative young of the past. sent on January 25, 2018 |
 | Nikon D3 Pros: Beautiful, robust, heavy, professional, all the controls are there and are always available Cons: Nothing Opinion: I found it second-hand online for exactly 1000 euros and with 64,000 shots. It is an FF with which I use mainly (but not only) all the manual focus lenses of a long time; and it makes me savor the pleasure of fixed optics and the taste of the intriguing and classic maneuver to focus and shoot with real, consistent 'glasses', as they used to be. It is very pleasant to hold even in one hand, the grip is perfect and after a while you do not notice it. Any field adjustment becomes intuitive and fast, and just a little bit of practice is needed that results always come. After a brief period of acquaintance, the D3 gave me an impression of reliability and security such that sometimes I feel like I'm still holding that old, glorious and unrepeatable 'iron' handyman answering to the name of Nikon FM 2. sent on December 26, 2017 |
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