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Francesco Iorio www.juzaphoto.com/p/FrancescoIorio ![]() |
![]() | Voigtlander 40mm f/1.2 Nokton Pros: Excellent microcontrast; Suggestive blur; Three-dimensional rendering; Compactness and materials; Compatibility; Cons: Nothing Opinion: I own the Leica M version of the Voigtländer Nokton 40mm f/1.2, which I use daily on the Sony A7 IV thanks to the Techart PRO autofocus adapter. It is, in no uncertain terms, a lens that does not limit itself to recording reality: it sculpts it. Its optical rendering is what most distinguishes it: a masterful combination of microcontrast, three-dimensionality and tonal coherence that returns lively, pulsating, almost palpable images. The details emerge not only for their sharpness, but for their stratification and depth: shadows and lights do not mix, but chase each other, drawing volumes with a naturalness that only the most inspired optics can offer. At full aperture, at f/1.2, it surprises with its clarity and control: the subject stands out sharply, wrapped in a blur that vibrates with character without ever becoming intrusive. Closing just to f/1.4, the performance is further refined, while from f/2.8 onwards you enter a realm of absolute precision, keeping intact that analog timbre that makes it unique. The Leica M format offers a significant advantage: compact dimensions, perfect balance and a mechanical aesthetic that refers to the school of fine watchmaking. The rings are precisely turned, the helicoid fluid but never yielding, the diaphragm marks every third of a stop with a dull and reassuring sound. Thanks to the Techart adapter, the lens turns into a small miracle: active AF, ensuring full compatibility with modern Sony mirrorless cameras, all while maintaining the analog soul and mechanical precision of the M mount. sent on May 29, 2025 |
May Beauty Be Everywhere Around Me