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| sent on February 01, 2014 (16:51) | This comment has been automatically translated (show/hide original)
... Beautiful ... congratulations. Hello. GM ...bellissima...complimenti. Ciao. GM |
| sent on February 01, 2014 (17:27) | This comment has been automatically translated (show/hide original)
Thank you, Gian Mario, glad you like it, I was afraid that bothered the strong dominant lights, I have tried to mitigate, but beyond this limit, lost much of brightness and naturalness, I always found it difficult to handle this type of lighting in the color balance.
All the best, Luke Grazie mille Gian Mario, lieto che ti piaccia, avevo paura che desse fastidio la forte dominante delle luci, che ho cercato di attenuare, ma oltre questo limite, perdeva nettamente di luminosità e naturalezza, ho sempre trovato difficoltà a gestire questo tipo di illuminazione nel bilanciamento colore.
Un saluto, Luca |
| sent on February 01, 2014 (22:12) | This comment has been automatically translated (show/hide original)
Luke ... I really appreciate your comment self-analytical ... but ... "welcome to the group," we are many! I'm just experimenting with the photographs at night and in addition to not spend hours in the field to comprehend for the results I get, then I come home to your Mac and begin the second battle ... anyway, persevering something good you bring home ( if you want to jump in my galleries you find one entitled "The world by night") .... your shooting "suffers slightly" highlight, but do not bother at all (the detail on the buildings is OK, to limit the lights of the avenue ...), at least on my Mac ... I've noticed that more clarity is reached on a sunny (without glare from the clouds), moonless and small apertures (13 and over) for the ... less, I like it ... then, there is always the factor "c" ... Hello and see you soon. GM Luca...apprezzo molto il tuo commento auto-analitico...ma..."benvenuto nel gruppo", siamo in molti!!! io sto sperimentando da poco le fotografie in notturna ed oltre a trascorrere ore in campo a non capacitarmi per i risultati che ottengo, poi torno a casa al Mac ed inizia la seconda battaglia...comunque, perseverando qualcosa di buono si porta a casa (se vuoi fare un salto nelle mie gallerie ne trovi una intitolata "The world by night")....il tuo scatto "soffre leggermente" di alte luci, ma non disturbano per niente (l dettaglio sui palazzi è OK, al limite le luci del viale...), almeno sul mio Mac....ho notato che si raggiunge maggior nitidezza con cielo sereno (senza bagliori provenienti dalle nuvole), senza luna e diaframmi chiusi (da 13 in su)...per lo meno, a me piace così...poi, c'è sempre il fattore "c"...Ciao e a presto. GM |
| sent on February 01, 2014 (23:33) | This comment has been automatically translated (show/hide original)
Thanks Gian Mario, you here are the highlights, especially those of some way of conciliation to the limit, I had to almost a stop underexposed already in the car, but it all depends on where you point the meter. As for the color temperature, the lights will inevitably heat up as soon as I'm going to act a bit with the command pointing to the curved "S" to give a bit of contrast, I can think of, I should probably already in the room most of the raw cool due the tones in order to compensate for the next operation. However, these lights are yellow ostiche own, give little margin:-D
I think not excellent sharpness is due to all those lights that create a sort of veil and could not fight that much, worth all the yellow-red (which we were at the stadium was also good:-D)
Tomorrow I take a ride in your gallery ;-)
<br /> Best regards, Luca Grazie Gian Mario, si qui ci sono le alte luci, specie quelle di via della Conciliazione un po al limite, avevo già sottoesposto di quasi uno stop gia in macchina, ma tutto dipende da dove si punta l'esposimetro. Per quanto riguarda la temperatura colore, inevitabilmente le luci mi si scaldano non appena vado ad agire un po con il comando curve accennando la "S" per dare un po di contrasto, mi viene in mente, forse dovrei già in camera raw raffreddare più del dovuto i toni in modo da compensare l'operazione successiva. Comunque ste luci gialle sono proprio ostiche, danno poco margine
Credo che la non eccellente nitidezza sia dovuta a tutte quelle luci che creano una sorta di velo e dal non poter contrastare più di tanto, pena tutto giallo-rosso( il che se eravamo allo stadio andava anche bene)
Domani faccio un giro tra le tue gallerie
A presto, Luca |
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