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| sent on June 09, 2020 (23:03) | This comment has been automatically translated (show/hide original)
You can feel a lot the limitations of the sensor but here it could be helped underexposed by at least 2/3 of stop to bring out the detail on the plumage (voice highlights). :-/ (imho) Hello, lauro Si percepisce molto i limiti del sensore ma qui poteva essere aiutato sottoesponendo almeno di 2/3 di stop per far risaltare il dettaglio sul piumaggio (voce alte luci) . (imho) Ciao, lauro |
| sent on June 10, 2020 (1:06) | This comment has been automatically translated (show/hide original)
Thank you very much for the useful advice Lauro. white is always a bad beast. In fact the sensor is really small, but it manages to give very often, very interesting shots, even in suboptimal light condition Heo Grazie infinite per l'utile consiglio Lauro. il bianco è sempre una brutta bestia. In effetti il sensore è davvero piccolo, ma riesce a dare molto spesso, degli scatti molto interessanti, anche in condizione di luce non ottimali Ciao |
| sent on August 16, 2020 (6:59) | This comment has been translated
Nice! |
| sent on August 16, 2020 (8:28) | This comment has been translated
Very nice! |
| sent on August 16, 2020 (9:15) | This comment has been automatically translated (show/hide original)
“ In fact the sensor is really small, but manages to give very often, very interesting shots, even in suboptimal light condition „ The basic problem apart from the settings in the pre-shot is to grab an apsc sensor larger than 12 times the one in use here with higher color and dynamics range ... also a used Type Fuji XT with Fuji 100-400mm and a 2nd optical x landscapes ;-) (imho) " In effetti il sensore è davvero piccolo, ma riesce a dare molto spesso, degli scatti molto interessanti, anche in condizione di luce non ottimali " Il problema di base a parte le impostazioni nel pre-scatto è quella di agguantare un sensore apsc più grande di 12 volte di quello qui in uso con gamma colore e dinamica superiori ... anche un usato tipo Fuji XT con Fuji 100-400mm e una 2a ottica x paesaggi .......... oppure ,rimanendo nel settore delle Bridge, una Sony RX10 III o IV con un sensore da 1 pollice 4 volte più grande di quello presente nella HX550 (imho) |
| sent on August 16, 2020 (13:08) | This comment has been translated
Nice, congrats |
| sent on August 16, 2020 (13:08) | This comment has been automatically translated (show/hide original)
Thank you for the suggestion. In fact, I opted for an FF canon, the Eos 6d first series, with the 24-70 2.8 L and I have to say, have an answer as colors and quality to the high iso, really magnificent Grazie del suggerimento. In effetti, ho optato per una FF canon, la Eos 6d prima serie, con il 24-70 2,8 L e debbo dire, hanno una risposta come colori e qualità agli alti iso, davvero magnifiche |
| sent on August 16, 2020 (13:12) | This comment has been automatically translated (show/hide original)
Great investment at the limit now evaluates a 100-400mm x non-committive naturalistic and a 16/17-35/40mm used for urban shots ;-) Ottimo investimento al limite valuta ora un 100-400mm x la naturalistica non impegnativa e un 16/17-35/40mm usato per scatti urbani |
| sent on August 16, 2020 (13:43) | This comment has been automatically translated (show/hide original)
my next optics today in mind, I hope it becomes the 70-200 2.8 L IS, to arrive tomorrow certainly, at the mythical 100-400 L IS II la mia prossima ottica oggi in mente, spero diventi il 70-200 2,8 L IS, per arrivare un domani certamente, al mitico 100-400 L IS II |
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