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| sent on February 10, 2016 (6:27) | This comment has been automatically translated (show/hide original)
Very beautiful. Congrats Molto bella complimenti |
| sent on February 10, 2016 (19:56) | This comment has been automatically translated (show/hide original)
Beautiful ... I suggest you use a diaphragm between f8 and f10 (f8 in the 150-500 makes it better) ... more close, more image quality, due to diffraction, degrades. Bella...ti suggerisco di utilizzare un diaframma compreso tra f8 e f10(a f8 il 150-500 rende meglio)...più chiudi, più la qualità dell'immagine, a causa della diffrazione, degrada. |
| sent on February 11, 2016 (18:37) | This comment has been automatically translated (show/hide original)
Louis P. and S. Luigi through the steps and suggestions that in theory I should well know, I always try to work around f8 indeed often the problem and have the lighting conditions to work, in this case I found myself without even f16 know: has arrived, I have composed and shot as was the car, when I tried to change the setting he decided to move and the composition was no longer 'so interesting. Luigi P. e Luigi S. grazie dei passaggi e dei suggerimenti che in teoria dovrei ben conoscere, cerco sempre di lavorare intorno ad f8 anzi spesso il problema e avere le condizioni di luce per lavorarci, nel caso specifico mi sono trovato ad f16 senza neanche saperlo: è arrivato, ho composto e scattato così come era la macchina, quando ho provato a cambiare il settaggio anche lui ha deciso di spostarsi e la composizione non era piu' così interessante. |
| sent on February 13, 2016 (11:07) | This comment has been automatically translated (show/hide original)
“ I always try to work around f8 indeed often the problem and have the lighting conditions to work „
Until the beginning of 2015 I had your same equipment and I almost always snapped at f8 raising the ISO up to have sufficient time to freeze the subject.
When it was necessary to shoot at high ISO, I adjusted the 7d for overexposing until the right edge of the histogram.
In Post Production, the lights and the noise you can almost always fix the choppy almost never. " cerco sempre di lavorare intorno ad f8 anzi spesso il problema e avere le condizioni di luce per lavorarci"
Sino ai primi del 2015 ho avuto la tua stessa attrezzatura e ho quasi sempre scattato a f8 alzando gli iso sino ad avere un tempo sufficiente a congelare il soggetto.
Quando era necessario scattare ad alti iso, ho regolato la 7d per sovraesporre sino al limite destro dell'istogramma.
In Post Produzione, le luci ed il rumore si possono quasi sempre sistemare, il mosso quasi mai. |
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