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| sent on September 21, 2014 (15:24) | This comment has been automatically translated (show/hide original)
even this very beautiful by night molto bella anche questa by night |
| sent on September 21, 2014 (15:59) | This comment has been automatically translated (show/hide original)
Very nice night Molto bel notturno |
| sent on September 21, 2014 (16:13) | This comment has been automatically translated (show/hide original)
thanks again, a greeting ancora grazie, un saluto |
| sent on September 21, 2014 (16:22) | This comment has been automatically translated (show/hide original)
Another beautiful shot with a vertical cut which I think is becoming a hallmark ..... and that your sign ....
really compliments. Un'altro bellissimo scatto con taglio verticale che mi sembra stia diventando un tuo segno distintivo ..... e che segno....
complimenti davvero. |
| sent on September 21, 2014 (16:25) | This comment has been automatically translated (show/hide original)
thanks again John. The vertical cut? .... Word, do not do it on purpose. Claudio grazie ancora Gianni. Il taglio verticale?....Parola, non lo faccio apposta. Claudio |
| sent on September 21, 2014 (17:41) | This comment has been automatically translated (show/hide original)
I agree with the compliments for a beautiful night. A greeting;-) Concordo con i complimenti per un bellissimo notturno. Un saluto |
| sent on September 21, 2014 (18:20) | This comment has been automatically translated (show/hide original)
thank you, you're nice. Claudio grazie, sei gentile. Claudio |
| sent on September 21, 2014 (19:41) | This comment has been automatically translated (show/hide original)
Other splendor, very nice contrast between the blue sky and the golden castle and reflection.
Great,
Roberto. Altro splendore, molto bello il contrasto tra il blu del cielo e il Castello e riflesso dorato.
Ottima,
Roberto. |
| sent on September 21, 2014 (19:43) | This comment has been automatically translated (show/hide original)
coming from you, Roberto, a really complimentone. Claudio detto da te , Roberto, veramente un complimentone. Claudio |
| sent on September 22, 2014 (7:16) | This comment has been automatically translated (show/hide original)
Very nice, beautiful colors and location. Compliments Molto bella, bei colori e location. Complimenti |
| sent on September 22, 2014 (16:14) | This comment has been automatically translated (show/hide original)
Massimiliano thanks for the positive view that I really appreciate. Greetings ... and soon on Juza. Claudio grazie Massimiliano per il giudizio positivo che apprezzo molto. Un saluto e a ...presto su Juza. Claudio |
| sent on September 22, 2014 (18:03) | This comment has been automatically translated (show/hide original)
over so you could not tell me! più di così non potevi dirmi! |
| sent on September 22, 2014 (21:01) | This comment has been automatically translated (show/hide original)
Beautiful location, good composition I also very much like the atmosphere and contrast of colors, you have to only pay more attention to the management of the lights;-)
Hello. Bellissima location, buona composizione mi piacciono molto anche atmosfera e contrasto di colori, devi fare solo più attenzione alla gestione delle luci
Ciao. |
| sent on September 22, 2014 (21:35) | This comment has been automatically translated (show/hide original)
Here's how I would have wanted! :-D
Congratulations, beautiful shot. Exposure and composition at the top.
Hello, David Ecco qua come l'avrei voluta!
Complimenti, scatto splendido. Esposizione e composizione al top.
Ciao, Davide |
| sent on September 23, 2014 (8:49) | This comment has been automatically translated (show/hide original)
has been a great effort to reduce the lights of the castle that were powerful and sovraesponevano some areas of the facade to which they were "fired." I could have up to a certain point not to create artifice. Thank you Catherine è stata una gran fatica ridurre le luci del castello che erano potentissime e sovraesponevano alcune zone della facciata verso cui erano "sparate". Ho potuto fino ad un certo punto per non creare artifici. Grazie Caterina |
| sent on September 23, 2014 (8:49) | This comment has been automatically translated (show/hide original)
six friendly David. Thanks again sei gentilissimo Davide. Grazie ancora |
| sent on September 23, 2014 (18:57) | This comment has been automatically translated (show/hide original)
Hello Claudio, I was not referring to the lights of the castle, some burning in these cases there is going well, as the clear part of the sky behind, who have not breached probably thanks to the recovery appears to be rather flat, it was probably really pretty anonymous but something more maybe you could get, we are always in the nit-picking;-):-) Ciao Claudio, non mi riferivo alle luci del castello, qualche bruciatura in questi casi ci sta vanno bene, quanto alla parte chiara di cielo dietro, che pur non sforando probabilmente grazie al recupero appare piuttosto piatta, probabilmente era davvero abbastanza anonima ma qualcosa in più forse si poteva ottenere, siamo comunque nelle pignolerie |
| sent on September 24, 2014 (9:47) | This comment has been automatically translated (show/hide original)
Good point Caterina; To tell the truth, I must confess that a little something I tried to do it too I post, I would have liked a little 'light blue and a lower brightness. The sun sets right on that side of Eilean Donan, so there was a lot 'of difference to stop the sensor of my D800, of course, could not compensate, even though I had also inserted a D-Lighting moderate. And the sunset on that side that night did not even have a color rosacea, but it was just, as you rightly guessed, TV. To put a sloping filter (I have Lee from 2:03 stop both hard and soft) did not seem the case, not to make it too dark clouds. And then I was anxious to get up early and do not miss an evening like ... no rain and with beautiful clouds that I wonder if I would see again! I did not have a solution at hand. I left it to fate and to the post ofwhich are not a magician. I tried duplicating layers, to make a reduction of brightness and a different color balance selective only in that area, using a soft brush, but did not change much and risked that could be seen; in fact, printing the photos (I always die and, as you well know, in some small print flaws are seen even more than on the monitor) the effect was unpleasant. But you're right and quindim i would love if you, you definitely have a great experience, I suggerissi any possible intervention. What do you think? Thanks in advance, it is always a pleasure to hear. Claudio Giusta osservazione Caterina; a dire il vero, devo confessare che qualcosina ho tentato di farla anche io in post, mi sarebbe piaciuto avere un po' di azzurrino e una minore luminosità. Il sole tramonta proprio da quel lato di Eilean Donan, per cui c'era un bel po' di differenza di stop che il sensore della mia D800 , ovviamente, non riusciva a compensare, nonostante avessi anche inserito un D-Lighting moderato. E il tramonto da quel lato quella sera non aveva nemmeno una colorazione rosacea, ma era semplicemente, come tu hai giustamente intuito, piatto. Di mettere un filtro digradante (ho i Lee da 2 e 3 stop sia hard che soft) non mi sembrava il caso, per non rendere troppo scure le nuvole. E poi ero in ansia per fare presto e non perdere una serata così...senza pioggia e con belle nuvolette che chissà se avrei più rivisto! Non avevo una soluzione a portata di mano. Mi sono affidato alla sorte e alla post di cui non sono un mago. Ho provato, duplicando i livelli, di operare una riduzione di luminosità e un diverso bilanciamento colore selettivo solo in quella zona, utilizzando un pennello morbido, ma non cambiava tanto e rischiavo che si vedesse; anzi, stampando la foto (io stampo sempre e , come tu sai bene, in stampa certe piccole magagne si vedono ancora di più che sul monitor) l'effetto era sgradevole. Ma hai ragione e quindim i piacerebbe se tu , che sicuramente hai una grande esperienza, mi suggerissi qualche possibile intervento. Che ne pensi? Grazie in anticipo, è sempre un piacere sentirti. Claudio |
| sent on September 24, 2014 (11:04) | This comment has been automatically translated (show/hide original)
In these cases I think it is an effective way to make a mask of brightness very selective about the highlights and copy them to level with blending mode to multiply, so darken without flattening, indeed any differences are increased, the color corrections do on the upper level of which can eventually decrease the opacity if the effect is strong or duplicate it if it is weak;-)
Hello. :-)
In questi casi secondo me un sistema efficace è fare una maschera di luminosità molto selettiva sulle alte luci e copiarle su livello con modalità di fusione moltiplica, in questo modo scurisci senza appiattire, anzi eventuali differenze vengono aumentate, eventuali correzioni colore le fai sul livello superiore di cui puoi eventualmente diminuire l'opacita se l'effetto è forte o duplicarlo se è debole
Ciao.
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