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sent on 02 Maggio 2013 (21:21) | This comment has been automatically translated (show/hide original)
hello Gigit,
good idea, I'm doing a lot of experiments to figure out what I can do and what I can get with my camera ... proverrò certainly to emulate this technique because I've put a curiosity ... perhaps only the outline of the " ghost I would have preferred to see a little more whole and in lontnanza ... maybe at the first pew ....
anyway congratulations and great job!
hello, Gabriele ciao Gigit,
ottima idea, anch'io sto facendo molti esperimenti per capire cosa posso fare e cosa posso ottenere con la mia reflex...proverrò senz'altro a emulare questa tecnica perchè mi hai messo curiosità...una solo cosa forse la sagoma del "fantasma l'avrei preferita vedere intera e un pò più in lontnanza...magari all'altezza del primo inginocchiatoio....
comunque complimenti e ottimo lavoro!
ciao, Gabriele |
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sent on 03 Maggio 2013 (10:15) | This comment has been automatically translated (show/hide original)
In fact, this image is part of a series of shots in which the figure "ghost", as you call, enters the scene in different positions. It is not in this case something constructed and classified a priori, ensuring in advance the desired effect, but what interests me here is the surprise that is created between the fixity of the scene and the active presence of a being (or more beings, as in the case of the Louvre in this same portfolio) in motion.
I also believe, as you say, there is much to experience and outcomes must be studied carefully because they help the eye opening is not trivial.
Good looking also to you,
Gigi In effetti questa immagine fa parte di una serie di scatti nei quali la figura "fantasma", come la chiami, entra in scena in posizioni differenti. Non si tratta in questo caso di qualcosa di costruito e inquadrato a priori, curando in anticipo l'effetto voluto, ma ciò che m'interessa qui è la sorpresa che si crea tra la fissità della scena e la presenza dinamica di un essere (o più esseri, come nel caso del Louvre in questo stesso portfolio) in movimento.
Credo anch'io, come dici, che ci sia molto da sperimentare e gli esiti vanno studiati con attenzione perché aiutano un'apertura dello sguardo non banale.
Buona ricerca anche a te,
Gigi |
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