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| sent on September 19, 2011 (11:40) | This comment has been automatically translated (show/hide original)
Nice the colors, detail and sharpness. Too narrow framing for my taste, you could not enlarge or backward? shooting data? hello and good light, laurel Piacevoli le cromie, il dettaglio e la nitidezza. Troppo stretta l'inquadratura per i miei gusti, non potevi allargarla o arretrare? dati di scatto? ciao e buona luce, lauro |
| sent on September 19, 2011 (14:51) | This comment has been automatically translated (show/hide original)
Hello Lauro! I first thank you for your comment.
Rigurado framing, let's say it was a bit desired for two reasons: the morning of the shooting (09:09) dvvero the light was very hard, did you spend in a few meters from the darkest black to the highest light. This shot has allowed me to have a sufficient balance without too much contrast. Second, I could not put disturbing elements chromatically "ugly", in my opinion such as bulkheads without a sponsor, totally black.
Shooting data are as follows: Canon EOS 1D MKIII + Canon EF 500 f / 4 + 1.4 X TC Canon, ISO 250, 1/800, handheld.
Good light to you, Lauro! the next one! hello, maurizio Ciao Lauro ! Grazie innanzitutto per il tuo commento.
Rigurado all'inquadratura , diciamo che è stata un pò voluta per due motivi : la mattina dello scatto (09.09) la luce era dvvero molto dura; in pochissimi metri passavi dall'ombra più nera alla luce più alta. Questa inquadratura mi ha permesso di avere un sufficiente bilanciamento senza troppi contrasti. Secondo, sono riuscito a non inserire elementi di disturbo cromaticamente "brutti", secondo il mio parere come ad esempio paratie senza sponsor, totalmente nere.
I dati di scatto sono i seguenti : Canon EOS 1D MKIII + Canon EF 500 f/4 + Canon TC 1,4X , iso 250, 1/800, mano libera.
Buona luce anche a te, Lauro ! alla prossima ! ciao, maurizio |
| sent on September 19, 2011 (15:16) | This comment has been automatically translated (show/hide original)
The next time, in a shooting condition similar to this considering placing:
- Remove the extender
- Give more space in front of the nose and under
- Opt for a cut panoramic
hello and good light, laurel La prossima volta, in una condizione di ripresa simile a questa valuta l'ipotesi di:
- togliere l'extender
- dare più spazio davanti al musetto e sotto
- optare per un taglio panoramico
ciao e buona luce, lauro |
| sent on September 19, 2011 (16:19) | This comment has been automatically translated (show/hide original)
Lauro Thanks for the suggestions. I'll keep it really account for future occasions.
hello,
maurizio Grazie Lauro per i suggerimenti. Ne terrò davvero conto per le prossime occasioni.
ciao,
maurizio |
| sent on September 19, 2011 (17:29) | This comment has been automatically translated (show/hide original)
Blessed are you that you could shoot without safety nets in front ... that is if one of the two curves lesmo?
I was in the stands outside the first variant and forced too many shots and the networks before ...
cmq, I agree framing narrow and on the advice of a little more air ... :) beato te che potevi scattare senza reti protettive davanti...è per caso una delle due curve di lesmo?
io ero in tribuna esterna alla prima variante e troppe inquadrature obbligate e con le reti davanti...
cmq, concordo sull'inquadratura stretta e sui consigli di un pochino più di aria... :) |
| sent on September 19, 2011 (17:42) | This comment has been automatically translated (show/hide original)
Hello AlexT,
... I was the variant of the Canal. Extreme low angle DX last stand, of course DX. And 'one of the few spots where there is no network. I agree with you that unfortunately Monza binds to forced shots with the networks before.
As mentioned in Lauro, in my previous comment, I will treasure advice on framing, as well as to apply next time.
Good light, AlexT! hello, maurizio Ciao Alext,
... ero alla variante della Roggia. Estremo angolo basso DX dell'ultima tribuna , naturalmente a DX. E' uno dei pochi angoli dove non ci sono reti. Concordo con te sul fatto che Monza purtoppo vincola ad inquadrature obbligate con le reti davanti.
Come anticipato a Lauro, nel mio commento precedente, farò tesoro dei consigli sull'inquadratura, così da applicarli alla prossima occasione.
Buona luce, Alext ! ciao, maurizio |
| sent on September 19, 2011 (23:04) | This comment has been automatically translated (show/hide original)
Excellent shot!
That glimmer I've just seen, in the morning I took the second option and in the afternoon on the straight leading to the canal (a few cm before the tunnel), they can make a good frontal shots!
Hello
Fabio Ottimo scatto!
Quel spiraglio non l'ho proprio visto, al mattino ho scattato alla seconda variante e nel pomeriggio nel rettilineo che porta alla roggia (pochi cm prima del tunnel), li si possono fare delle buone riprese frontali!
Ciao
Fabio |
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