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  1. Galleries
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  3. Macro and Flora
  4. » Daddy longlegs

 
Daddy longlegs...

Ultimi scatti 4

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Daddy longlegs sent on October 06, 2012 (17:56) by Rubacolor. 14 comments, 1062 views. [retina]

, 1/60 f/16.0, ISO 500, tripod.

Quì ho avuto seri problemi per la lunchezza delle prolunghe (soffietto tutto esteso più tubo). Sedici è un brutto numero che così lontano dal piano focale diventa un f200 quindi problemi diffrattivi e ottici a non finire. Hai voglia di avere dei pixel da far lavorare se manca la materia prima vale il discorso che nulla si crea e nulla si distrugge. D'altra parte io sono un purista e la serie di scatti multipli non mi piace e quindi devo accontentarmi.



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user1338
avatar
sent on October 07, 2012 (17:46) | This comment has been automatically translated (show/hide original)

It 'sa great this content, excellent maf on the eyes, good.
Hello. ;-)

avatarsupporter
sent on October 07, 2012 (18:05) | This comment has been automatically translated (show/hide original)

With encouragement from the middle Dip but expect much. To get results as I understand it you need special lenses. The success of these shots are very technical, but it applies to everything, is composed of a chain whose links must all be of the same force trouble if there is one weak!

user1338
avatar
sent on October 07, 2012 (18:42) | This comment has been automatically translated (show/hide original)

What kind of lens do I need?
Excuse my curiosity also because I have never pushed your magnification.

avatarsenior
sent on October 07, 2012 (18:56) | This comment has been automatically translated (show/hide original)

I find it very well done maybe a old style type micro lens 55 pc car zeiss luminaries are even more 'also suitable for use with the bellows. hello and talented

avatarsupporter
sent on October 07, 2012 (19:53) | This comment has been automatically translated (show/hide original)

Dip: I have already answered that Guz thank you doubly. Hello!

avatarsenior
sent on October 07, 2012 (20:23) | This comment has been automatically translated (show/hide original)

For this kind of shooting are not much so I grabbed taste and admire your pleasure.
Beautiful.
Compliments.
Hello ;-)

avatarsenior
sent on October 07, 2012 (21:02) | This comment has been automatically translated (show/hide original)

You want to have the pixel to work if there is no raw material


among other things, I think it is only a matter of lenses: the problems of diffraction must be evaluated considering the lens-coupled sensor and the sensor very dense D800 is certainly not in the direction of make things easier ... ;-)

avatarsenior
sent on October 07, 2012 (21:24) | This comment has been automatically translated (show/hide original)

Steal the concept of purist is purely dummy, for me there, if we apply an objective sofietto or tube should be already out concept.
so if you really talk about photography we can not exclude a technique or tool over another. because everything is part of the photography itself, what we want is the end result from the perspective of their own style. ;-)
then the raw material of which you speak is precisely that belong to the instrumentation and technique "additional".
Blessed digital ..... or not? :-P
with estimated
Fabio

avatarsupporter
sent on October 08, 2012 (11:54) | This comment has been automatically translated (show/hide original)

Gare.Grazie! too good!
Maximum: thanks for the comment but I do not see why absolutely agree it's time to debunk the myth of dense sensor (perhaps due to the fact that in the past were born SLRs dense but failed badly) Nikon At least at home there ' is this problem! I did tests with sensors less dense but believe me! the result is far worse than this. The evaluation is done always with the frame 100% and if you see those made with less dense sensors need to put their hands in their hair. Then if one can get something out of acceptable PP ridimensinando to 2500 or 1200 that is another phenomenon of discorso.Il diffazione said a word I think is practical practices as anomalous transmission of light spots due to the billions of billions of particles bright punches to make ting them because they are obliged to pass through a small hole infinitely small (almost a pinhole). In sosrtanza no optical sensor that takes into why this phenomenon does not look at anybody. Can be improved with lenses designed for micro but if you quit too much even there it goes haywire. To the benefit of the APS format is the decrease of the extensions to reach a framing equal (the RR is the same) and then to the advantage of the hole that is more Ficino to the focal plane. The only cure is not to close more than f8 and be content with reduced pdc. Alternatively there are the spectacular photos taken with merging multiple shots but they involve the immobility of the subjects with insects you can not always have

avatarsupporter
sent on October 08, 2012 (12:08) | This comment has been automatically translated (show/hide original)

Moth: it is useless! beat on a wall made of rubber or not we understand each other. I mean for raw material if you have a bottle ass is useless for you to try the best sensor in the world! if it does not affect it's useless! Then you know what my concepts purist not? not to crop, never ever even reported to develop multiple shots. That the instruments are real Extra equipment such as lenses. extensions. bellows, etc, etc, who cares! I never told you not to accept them. Hello
Archangel

avatarsenior
sent on October 08, 2012 (13:48) | This comment has been automatically translated (show/hide original)

Grzie you Steal the answer, you are right about everything and, above all, on the fact of bringing everything to operational reality, I mentioned the sensor only because I found myself not that long ago that what you say on the lens is not in dispute, but that the limit diffraction is related to so do punches of light particles not only across the funnel of the diaphragm but also to go to target individual pixels ...

I agree APSC speech and / or crop (not in your case ... ;-)) for this type of photo ...

avatarsenior
sent on October 08, 2012 (14:28) | This comment has been automatically translated (show/hide original)

I agree with the archangel optical speech which was a bit 'the basis for discussion. when I spoke of optical micro model 55 old style luminaries and anything else meant to emphasize that the simple structural layouts of these lenses really help the passage of light to which archangel spoke. a luminaries that if I remember correctly in almost all its uses 3 different sizes lenses offers fewer obstacles scattered light causing the detail and contrast arrive more '"pure" to the sensor. with one of these lenses the same photo, the eye that is already in this incisive, even though the body with less maf would have less fog. I apologize if I approfitato of your photo but it seemed an interesting topic. hello to the next flavio

avatarsupporter
sent on October 08, 2012 (15:49) | This comment has been automatically translated (show/hide original)

Flavio: jokes? you do not have to apologize at all! indeed I am very happy to receive these notes that are used to all .. Thanks again for a! I have a 105 f4 micronikkor long focus, I think it has 5 lenses and I bet that in this use beats all the modern ED AF ECC WCC. Hello

avatarsupporter
sent on October 08, 2012 (16:02) | This comment has been automatically translated (show/hide original)

I realize I'm a little too technicist but after so many years of photography are very ptetensioso ... This shot I like the eyes of a small Maf you would not be seen with the naked eye. Everything I've written maybe need for those who want the ultimate in this difficult field of photomicrography. Greetings to all.


RCE Foto

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